Poetry

NaPoWriMo April 2022 (Day 4)

My fourth day NaPo challenge (https://www.napowrimo.net/) is to write a poem in the form of a poetry prompt. I’m not sure that’s an accepted form, but it’s been done. Mathias Svalina posts surrealist prompt-poems on Instagram. I chose not to follow the surreal examples or numbered steps, but I got ‘er done.

Poem That

Everything I see is an unwritten poem, yet to be.
Even non-poets (if there are any) know this truth.
Listen to the music, hear it, feel it, watercolor it
(Julie’s prof said that’s a metaphor for letting go).
But it matters little if you let go or grab on tightly,
as the music is mused into your mind through
any of your human senses, not just the old five.
Recall the (Under) Pressure songs? Do it
like that. Hamlet said a thing is neither good nor bad,
but our thinking makes it so. A penny for your thoughts,
in the form of a poem, a memory, or a dream,
a hope for the future. Own your poem, then share it.

Look both ways for inspiration in life or death,
in the real or surreal, in the odd, the normal,
or in keeping Austin weird.
Mind the gaps, for even there the asinine fight the sensible.

NaPoWriMo April 2022 (Day 3)

Since it’s Sunday, (I’ve no idea why that matters to Maureen Thorson [Napo creator and prompt director], but I acknowledge that most folks who work do so on approximately five of the other six days) so today’s NaPo prompt is (she said “a bit”) complex. I’m to write a poem in a Spanish form called glosa (or glose). Glosa explains or responds to another poem or part of one. Until today, I was unfamiliar with this form, but now I am intrigued by it.

THE GLOSA OR GLOSE requires:

  1. a) A cabeza (or motto) – the quatrain borrowed from another poet, whose authorship must be acknowledged.
  2. b) Four 10-line stanzas, each ending with one of the lines in sequence from the cabeza.
  3. c) A rhyme-scheme requirement that lines 6 and 9 rhyme with the final word of line 10.

It seems challenging, but “The point of any formal (poem) constraint is primarily to put you under pressure to write a little differently from your default style, and in the case of the glosa, you’re forced to participate quite explicitly in the work of another poet, many new possibilities for writing differently can be magically released.

“There’s great scope for playing with this form, by varying the constraints. You could choose a different stanza length, write in free verse, in a metre of your choice, or in syllabics; dispense with rhyme or increase the amount of rhyme; use a different length of cabeza, or introduce the lines of the cabeza in different positions in your stanza.” ~ John Wheway, “How to write a Glosa.” (https://www.johnwheway.com/?p=4)

I did the prompt and followed the form as closely as I could, except for one rhyme. Who cares, right?

The most difficult part of this was browsing through my favorite poets to find the perfect quatrain, then to cull that dozen down to one.

I could feel the day offering itself to me
and I wanted nothing more
than to be in the moment—but which moment?
Not that one, or that one, or that one,

From the book, The Trouble with Poetry (and other poems): “In the Moment,” by Billy Collins.

Life’s Moments

“What do you want to be when you grow up?”
they’d ask, “Do you have a girl friend?
I needed answers. Also, “How was school today?”
I grew up without ever knowing
what it was I wanted to be.
I married young and that stopped
all questions about any girlfriend,
and then one day I woke on up.
The value of school I started to see
I could feel the day offering itself to me.

One day at a time, moment by moment
I lived my life, and I slowly learned
what I wanted to do, he who I wanted to be
even though, before, I didn’t know or want
to be the he who was evolving into me.
Each day of my life I opened another door.
The important people in my life called me
Bill or Dad or Opa, not sir or major.
I finally had my feet on the floor
and I wanted nothing more.

Forty million moments later I knew
the answers to so many of their questions
but I can’t tell them now, not that they
ever really cared, like everyone does
after they’ve grown up (if they do),
they’re all gone now to find others to torment.
So little I remember, the work I did,
the people I loved (and those I did not)
I think about my future, I want nothing more
than to be in the moment—but which moment?

I wish I could tell them now
what I didn’t know then, what I’ve become,
and how I made my way, and what
I have to say. I never liked school,
a necessary evil at best,
but that’s all long over and done.
I’ve paid my dues. Didn’t always give my best
even when life was some questioning test.
I try moments and memories I could’ve become,
Not that one, or that one, or that one, …

Look both ways to the future and the past
but live every moment like it might be your last.
Mind the gaps and the questions, but live long into the answers.

NaPoWriMo April 2022 (Day 1)

Today is day one of the 30-day National Poetry Writing Month challenge to write a poem each day of the month. I plan to write to the prompts which are posted early every day. There are few rules to this and the prompts are optional.

Today I am to write a prose poem that is a story about the body. My poem should contain an encounter between two people, some spoken language, and at least one crisp visual image (could be more, could be other senses).

Her Superpower

Big at inception, his cesarean birth was through her swollen uterus and abdomen. Long tearful battles with Narcissus followed. Ripped apart for years, she eventually won her prince who grew into a tall, bulky, powerful, erupting, ever-growing, mountain of a lad. A strapping, kind chap, but like her, blemished by wee fits of fury over wounded honor.

Together they camped where broken was typical. Where hurt hurled tearless acrimony and demons encircled souls. At home but not a home of their own, west of the living and the dead, where spirits danced quietly like running shadows.

“Powerful in body, be strong, kind of heart and mind, my son.” He looked at her and spoke, “I think I can, but I cannot see my way. What mystery is my future? Will you always be with me?” She replied, “I cannot carry your cross, but you can see it there. By your mastery alone shall you lift and bear all burdens. Your will shall overcome.”

Her voice sang in his ears as he stepped onto the platform of his agony. His powerful hands tightly clutched his cross, his face burned red, he lifted as his hands and legs shook, his eyes bulged as he cried out. Every cell of his being bellowed in triumphant pain, he stood holding it still until white lights allowed his release. “I’ll be back.” He smiled, turned in triumph, then he proudly stomped and crowed toward her.

Look both ways.
Make the party yours.
Carry your own cross but mind the gaps for fearful traps.

 

Monday’s Rune: War Poetry

But First

To balance my blogosphere life, I shall henceforth post my unprompted poems (or prose), called runes, on Mondays (formerly Thursday) so I can plan to post about every other day.

I claim King’s X for April because I hope to be working my way through 30 poems in 30 days with National (Global) Poetry Writing Month (napowrimo.net). I try to write to the daily prompts/assignments (it’s optional, I’m not that masochistic).

Thus, I shall post every day in April. When possible, I will combine or do a second post on Friday Fictioneers and Sammi’s Weekender. I will also try to read and comment on those challenges when I can.

Why Can’t We Be Friends?

What is the difference between
genocide, slavery, life,
and freedom?

It’s war. Granted. War is bad.
It’s literally hell on Earth.
Innocents and soldiers are killed.
War’s destruction is
without logic or proportion.

But pacifism is worse.
Evil cannot be appeased.
War is the symptom.
Humanity is the cause.
Hate is the disease.

Choose well but take a side.
Peace is a dream guarded
by nightmares. History proves
we always get the war we want.
There may be no winners in war,
but there are losers. I’d rather not.

Look both ways in the real world.
We must always fight for what is right.
Mind the gaps for seeds of hate and find the first casualty of war: truth.

 

Sammi’s Weekender #252 (purport)

Click the graphic to be portered to Sammi’s blog for more great poems and prose.

 

Adverbial Alliteration

Advisedly, we’re normally explanatorily told not to
write clichéd adverbial conquests, but to eschew such modifications
faithfully as frivolously fast fingers freely flow creatively composing
craftily constructed compositions, purportedly passing on poorly
penned prepositional phrases padded with mystery.

Reality rudely reeks seeking adjunct, conjunct, disjunct, or just plain junk.
To prepare perfectly pedestrian, speciously deceptive poems and prose,
paint in some opposition of affirmation.

Look both ways crossing artful Grammar Ave. Mind the gaps that set the traps.

Thursday’s Rune: 3/10/2022

The Whole Damn Thing

I listened to a song today
it said I want to rule the world.
How did they know?
Before you get all smug and shit,
they said you do too.
Can we both rule
the whole damn thing,
or should we each take half?

How do we do it?
Longwise, like pole to pole
or do we go top and bottom,
like bunk beds,
but with an equator?

Listen, it’s no big ass deal,
but one dumb ass will never
oversee the whole
damn thing—ever!

The very fact that
every motherfucking one of us
wants to be King of the Hill
is the very reason
none of us ever will.

Look both ways for the power that corrupts.
Mind the gaps in geography and greed.

Thursday’s Rune: 3 3 22

Ode to Sexy GCS

Saying it’s iconic is a trite, ubiquitous
marketing cliché to honor nouns.

Yet, certain foods deserve menu pride of place
for meaningful simplicity,

for memories, taste, and community pleasure;
for ingredient brevity, seldom seeking savory mystery.

I salivate composing a poem
to the American grilled cheese sandwich.

GCSs have been around more ‘n a hundred years,
frequent fare served at fun food venues,

including my house, where casual is key
and kiss is a simple, honorable principle.

Why many recipes? Bread, cheese, butter,
and heat. It’s American. Add more and

it’s a melt. If that’s what you want, well fine!
Let Brits have their toasties, jaffles for Aussies,

panini is Italian and bless the French
for le croque monsieur. Nice. But none of that is GCS.

Done right, fried golden crisp with a shell’s
shades of black to yellow-brown, either square or round.

Cut squares diagonally, two isosceles right triangles
for proper holding, touching, and eating (warm to hot).

And kissing if you want. See the colors and shape,
the moist but firm surface.

Pick up with clean dry fingers, opposite the
triangle’s hypotenuse, gently between two legs.

At the right-angle corner, hold it between your
index and middle fingers, and thumb, gently lift

its moist crisp oiliness to your face. Allow it
to touch, to be felt on your skin and lips.

Holding near your nose and mouth, invite
sensual fragrance to enter your nose, slide

it gently between your lips, barely touching,
before being taken into the mouth.

Gently bite it. Feel your teeth crunch through the crust
into the warm melted cheese. Chew slowly, thoroughly.

Swallow the bite while planning the next. No rush.
Eye the stack and plan your next attack.

Look both ways.
Food and sex are both pleasures.
Enjoy.
Mind the gaps, the dips, and company.
Bond with the world.

Sammi’s Weekender #250 (mannequin)

Click the WWP prompt graphic to open Sammi’s blog and read more writings of poetry or prose.

No, no, no.

She didn’t know,
she couldn’t see my loss,
drained of outward expression,
emotionally spent, I sat — still,
a heartless, brainless mannequin,
my skin ripped by her words.
I was not, as she accused,
an automaton. I loved her.

My brain and heart were not sapped,
but hope seemed impossible.
Suicide seemed the only answer,
an escape from daily pain, the way home,
to bring order to irreversible chaos.

My mind: bleak, grim, sullen:
I walked to window,
I cried, broken, never again to be me.

Look both ways.
Reality isn’t always as it seems.
Mind the gaps, nothing is perfect.
Into every life, some sadness, some love, some hope, some loss.

Thursday’s Rune

Discordant Disguise: Tiger is Gone

I was searching for past experiences,
memories of an impossible back then,
when I wore younger men’s clothes,
and I carried a smoking coolness
now long hidden
behind my taste for tranquility. Memories, vague feelings
not fully forgotten I want resurrected.

It was for writing project research
that I strolled into a huge game arcade
in northwest Austin.
A pay-to-play place, a land of profound noises,
a nightmarish field of dreams without payoff.
I saw few protective parents and a grand or two
with kids (school?), fewer still couples
who seemed pointlessly confused,
and me, one lone but alert and somewhat spry,
out of place, no longer young man
who had stumbled onto hearing aid hell.

I switched them off to mask needlessly
amplified din down to merely survivable decibels
as excruciating blares from hundreds of electronic games
simultaneously competed for my attention
with blasts, bangs, zips, loud inhuman screams,
and other onomatopoeic, nonsense of
computer generated junk sounds funneled
into my resistant ear canals.

Flashing lights
from each mad machine making them all the same;
flat pops, grunts, and groans,
melding into one pot of brain numbing total sensory
overload, paled by screams too fake to be scary,
making unappealing demands of humans
to pay for the privilege of interacting
with computer generated absurdities
charging each equally, about a dollar a minute.

I won some games on a vintage Williams
electromechanical pinball machine,
then promptly lost them while discovering
how much faster the silver balls fly around,
how slowly my flippers and tiltless taps responded
to my now vastly reduced reaction times on
the bumper-filled clacker playfield,
sixty years since I last pressed play.

Are we having fun yet? No one asked.
The eyes of others looked unsatisfied
and bored except for the few youths
unaware of being had by the unreal stimuli.
If a man with a gun over there was firing,
no one would notice except the victim.
I did not find the kid I was looking for.

Look longer for lost ubiquitous games played by great-grands.
Find the genesis of brain numbing entertainment.
Look both ways for bar zombies that refuse to die.
Mind the gaps if you dare delve into a past that will never exist again, except in the souls of the old players.

Sammi’s Weekender #249 (recipe)

Click on Recipe to check out other’s writings on Sammi’s menu page.

 

Make it So

Kitchen? check!
Hot oven? check.
fixin’s? double-check.
recipes, bowls?

Got ‘em to go.

bakin’ pans
yeah boss!!
ready to roll!
gots crunchie munchies.

pack a bowl, pizza’s comin’.
“Hey, you gunna bogart
that stash all night?”

Look both ways when you pass the bong.
Mind the gaps and lower the lights.