Pain

NaPoWriMo 2026, Day 23

NaPoWriMo 2026, Day twenty-three prompt: Write a villanelle poem that ends with a question.

Emergency Hope

Into ER they come looking for hope.
Sometimes with madness, sirens, and lights.
Seeking pain relief, they need us to cope.

Some walk, some roll, at the end of their rope.
Here we are vulnerability on a gurney with rights.
Into my ER they come looking for hope.

Triaged by a nurse and the aroma of soap.
Help is in scrubs of blue, green, and white.
Seeking relief from the pain, they need us to cope.

Today hospital was not part of my horoscope.
“Doctor, doctor, that nurse really bites.”
Into the ER they came looking for hope.

Soon she’ll be home playing like a happy antelope.
Do not ask for a priest to give me last rights.
Seeking relief from the pain, they need us to cope.

Do we find relief with the stabbing colonoscope?
The Emergency Room has so many sights.
Into ER they come looking for hope.
Are you seeking relief and need us to cope?

NaPoWriMo 2026, Day 19

NaPoWriMo 2026, Day 19 prompt: Pick a flower or two from the online edition of Kate Greenaway’s Language of Flowers and write a poem that muses on its names and meanings.

Yellow Cactus Flower

Prickly pear cactus flower,
you have an ugly and painful past and future,
but each Spring for a few days
you display baffling beauty.

You are deep and dedicated to one purpose,
to pollinate and become a red
cactus apple—animal feed or sweet jelly for people.
I like to see you, but I shall pass on picking.

I compared the life of Plath to yours.
Similarities that metaphorically story.
I pretend to understand, but I don’t.
Why must such beauty leave us?

Look both ways and allow every sense to send you the story of Spring.
Mind the gaps but focus on the life and beauty in front of you.

For NaPoWriMo 2018, I wrote a poem in response to Sylvia Plath’s “Poppies in July.” That poem also compared Plath’s life with the cactus flower. Click here if you want to read it.

NaPoWriMo 2026, Day 15

NaPoWriMo 2026, Day 15 prompt: write a poem that muses on love but isn’t a traditional love poem in the sense of expressing love between romantic partners.

So many songs about love of so many flavors,
sames and differences, in this sense or that,
in a dish topped with cost, risk, and crushed regret.
Songs, “I’ll do anything for love” (but I won’t do that),”
Unrequited love Creeps up on Jessie’s Girl,
and Layla has him on his knees. Have we sung and said
everything that can be professed about love?
Where does it come from? Where does it go?
Or does it?
The love of parents, children, art, animals, food, moments
(because of something else), God, self, when a man
loves a woman, a woman loves a man, a fan
loves a celebrity, and the love partners. And what of passion?

I am not sure that love is voluntary or epiphanic.
Will you still love me in the morning?
Is the inevitable pain worth the pleasure?
Do parents love their difficult teens in the same way
if they were wonderful creatures blessed of talent and wisdom?

Can I love everyone and is that a good idea? Certainly,
I can show concern, but I honestly have never wanted to
have sex with everyone. Not even close.

Love is a kaleidoscope of interweaving verbs and nouns,
of feelings and actions, of objects and persons. And every hero
has a few worthy enemies who cannot be loved
if they are to remain enemies.

Look both ways before diving into the deep end of any love pool. But let’s face it.
We cannot always help ourselves as with pleasure, addiction holds the helm.
Mind the gaps for impermanence of emotion.

Dream On – NaPo 2025 Day Seventeen

Today I was challenged to write a poem themed around friendship, with imagery or other ideas taken from two paintings (my choice from many). One by Leonora Carrington, and another by Remedios Varo, two surrealistic artists and friends. A surrealistically inspired, friendly poem?

The irony of this day is this prompt juxtaposed with the definition of surrealism: “the principles, ideals, or practice of producing fantastic or incongruous imagery or effects in art, literature (poetry), film, or theater by means of unnatural or irrational juxtapositions and combinations.” (Webster, on line) Where does one draw the line?

“One good friendship will outlive forty average loves.”

Faces

On purpose.
Told no one. Told everyone and nobody.
Formless as seen on tv ritual
ceremoniously entwined
with green crabapple branches.
Cuts. Touch. Mix blood brothers.
That smell. You! What? Stink-love.

Feel that? Smell. Yell. Scream.
Lie. Beatings from bullies.
Shinny-up. Run. Escape. Drown. Cross.
Crimeless criminality.

Friends first. Not. But.
Family was a lie.
Roy Rogers was naked.
All naked. Sing. Pray. Sting like a bee.

Share hair. Cardboard shoe soles
over shew holes and altar boys.
Smoke sticks. Tangents. Guilt.

Together every day. Share loot.
Flat nose. Black eye. Blood everywhere.
Swing. Fall. Break things.
Climb. Cry. Evil father.
Saintly mother. Naked sister.

Uncle Joe. G. I. what da ya know?
Cold is not coal, or pea.
Melds wrapped in love and shame.
Masturbating demons defiled hosts.
Do it. Now dare to do-do, pee higher.
Lie to be loved. Play all day.

Ugly beauty deep forever.
Melting madness of happiness.
Wanting what color of love?
Damn.
Help.
Hurry.
Hide.
It’ll never die.

Then it died.
Then you died.
Then I cried.

Back.
Then.
When.
Me.
We.

Look both ways or every way at the same time
because art is in what part of a dream when nothing is real and there is no god?
Imagine. Mind the gaps and slaps in genital naps.
If it makes sense, it cannot be art.

Say It and Play It, Billy – NaPo 2025 Day Eleven

Today I was to write a poem that incorporates song lyrics – ideally, incorporating them as opposing phrases or refrains (I didn’t). Though not specifically prompted, I felt like the poem should be a “loose” villanelle which, like the example, doesn’t rhyme (much).

Just to Feel Good for a While

To forget about life for a while
We hear the songs and drink the wine
and you got us feeling alright

Everyday life is one more trial
We feel abused by the tyranny of time
To forget about life for a while

We sit and we cry when we sing
Sadness and resistance break down
And you get us to feeling alright

We laugh until it hurts in a good way
Looking forward to this now all week
To forget about reality for a while

It seemed so much like just yesterday
When love, I thought, was here to stay
And your song and the grog got us to feeling alright

With midnight closing in
As we feel it and see it all in the air tonight
To forget, for now, about life’s pain for a while
And your song got us feeling alright

Look both ways on the hardest of days to find a break in the clouds.
Mind the gaps and learn the words of all the songs and poems you love.

Poem to a person – NaPo 2025 day two

NaPo 2025’s second day challenging prompt invited us to write a poem that directly addresses someone, has a made-up word, includes an odd or unusual simile, makes a statement of “fact,” and that includes something that seems out of place in time.

More Than Love

My dearest philologloth,
Are there worse places?
Is your prison like a happy place?

Your soul is good.
Unlike the dark life fiction
of your self-inflicted addiction.

Like a blade runner
missing for thirty years,
a gauntlet falls upon deaf earth.

Hearts grind to needless halts
when minds forget to remember
when my me died that September.

Come, my son
rise above it all
but not the love.

That tote we carry
full of all the good
and all the bad losses we’ve both had.

Love you, Dad.

Look both ways to discover the dark side of pleasure.
Mind the gaps for forgiveness and step carefully into whatever future you have left.

NaPoWriMo 2024, Day 25, Beaucoup de Sade

I made it to Day 25, only to find this prompt prodding me to write a poem based on the “Proust Questionnaire.” WTF is that? We were given a wiki link and 35 questions, then set loose to sow whatever poetic damage we could. Proust? Really?

Beaucoup de Sade

What do you consider the perfect murder?
Do you want to kill anyone?
Or some group; like atheists,
gymnasts, or Sociologists? If so—
who, which, when, how, and why?
And where do you live?

Do you like to scare the shit out of people?
Do you point and laugh after they
wet themselves or die of a heart attack?
What is your favorite form of torture?
Do you reminisce about the Spanish Inquisition?

Of all the people you know, what proportion
do you hate the most and wish they were dead?
(Former spouses, Mormons, and JWs don’t count.)
And why? It’s always why, right? I wonder too.

Do you hate any professional or amateur
sports teams, clubs, individuals, musicians, or poets?

Do you consider prohibition of libel and slander
an impingement on your freedom of speech?
Did you make crank calls as a child?
How many times a week do you defecate?
Masturbate?

What smells get you sexually excited?
Do you fantasize doing naughty things
with people you know, like your best friend’s
current or previous spouse or partner?

Who are your favorite villains? Are you
ever good on the bad guys and gals?
What are you addicted to?
Do you think pizza is overrated?
Do you hang out at cemeteries
just to find peeps with shared
hopes and dreams?

Did you enjoy this prompt
as much as I did?

Look both ways and only read Proust if your name is Duane (Moore)
and doing your psychiatrist is your lifelong fantasy.
Mind the gaps for punji traps because some wars never end.

NaPoWriMo 2024, Day 17, At Seventeen

Today I am to write a poem inspired by a song, and to share its title. I confess to being influenced by song lyrics, especially the well-told stories in ballads.

Earlier this year I read “At Seventeen” by Janis Ian (1975) as a poem at an open mic event. I’ve always loved the song and somehow relate to it, as do many people around the world. Janis explains how that affects her and sings her song in the video below.

At Seventeen
When she called
I couldn’t hardly talk at all,
and when she sings
I remember high school things.

The words, the tone,
together talking on the phone,
her memories, at seventeen,
were mine at home alone.

“It was long ago and far away,”
do I wish it was today?
What has changed in how we are,
in pickup trucks or borrowed cars?

At seventeen when boys like me,
Sad Sacks outside for all to see.
“Come dance with me”— because
that couple we will always be.

She said,
I pity boys like you who serve,
you only get what you deserve.
My broken heart sang obscenities,
to the one I loved but never pleased.

At seventeen I was that man,
a boy holding a gun over there,
I stay alive as best I can, but
of angry me I must beware.

At seventeen a boy like me—
at seventeen, too young to see.
And ugly boys like us do care.
At seventeen, when I was there.

Memory is a strange, unreliable thing; so, look both ways and don’t assume.
Mind the gaps in song and poem, you’ve been only human all along.

NaPoWriMo 2024, Day 14, When You Know

The NaPoWriMo, Day 14 task is to write a poem of at least ten lines in which each line begins with the same word: an anaphora.

When You Know

You know when you’ve had enough
When hopes and dreams are done and gone,
When your dog might outlive you,
When you can’t pass a bathroom,
When your hair is a memory,
When all your friends seem new,
When you wonder if you still can,
When someone says you’re harmless and they’re right,
When pain, not darkness, is your old friend,
When all your plans have come and gone,
When regrets and memories are the same
— if you have either at all,
When walking is workout,
When a game of pool is high impact for you,
When your favorite song is sung and gone,
When cooking and cleaning
— are aerobic exercises,
When grumpy, old, or sweet apply
— like names to all the people you meet,
When “I don’t care” answers every question.

Some of us have more past than future, but we look both ways.
Mind the gaps, ignore the aches.

Sammi’s Weekender #336 (search)

Ease your search for Sammi’s page and more excellent 52, pickup pieces by clicking on this graphic.

The Maelstrom of Combat

Hunt and kill missions,
search and destroy—S&D,
sick and disgusting.

If it’s them and dead, it’s VC.
Body counts win wars.
Ask GM-azon.
Euphemistic defense profits for all,
but not the warrior, the solder,
dead and maimed
they suffer, kid-killers—all,
they hate and love battle.

Combat. Killing.
I die. Why?

Look both ways, toward the light and the dark.
Mind the gaps for hints of denial.
It is yours to reason why.