Howdy, Y’all.
A one-line poem is called a monostich. It’s a new form to me. For the 11th day of National Poetry Month, NaPoWriMo.net challenged me to write one (or more).
Utterly Foolish
Insanity: not exclusive to the mentally ill.
Look both ways because real saints cannot canonize themselves.
Mind the gaps for folly and error and always beware.
The Maelstrom of Combat
Hunt and kill missions,
search and destroy—S&D,
sick and disgusting.
If it’s them and dead, it’s VC.
Body counts win wars.
Ask GM-azon.
Euphemistic defense profits for all,
but not the warrior, the solder,
dead and maimed
they suffer, kid-killers—all,
they hate and love battle.
Combat. Killing.
I die. Why?
Look both ways, toward the light and the dark.
Mind the gaps for hints of denial.
It is yours to reason why.
Today I was to write a sonnet. While allowed space regarding traditional sonnets, I was to keep with a general theme of “love.” I did not shoot for iambic pentameter, but I did manage ten syllables per line, except for the final two, which are nine and eleven, thus averaging ten. I made no attempt to rhyme.
I don’t think you understood love like me.
When I told Mom that you were a good man
Walking home after making arrangements
She balked. I understood and we agreed.
You had always been a difficult man.
With a world view no wider than the path
Of a tear rolling down my cheek or hers.
Coalminer tough and Irishman drunk.
Your mother died when you were only eight.
You were raised by a strict Scotsman father.
About him and you, you never told me.
He was your only father role model.
Now I wonder about me as a father,
And my wife as my children’s mother.
Look both ways in love and life.
Nobody is perfect and forgiveness is good.
But forgetting is optional.
Whispering Cuts
Lost in a familiar sea of grave reality, my dysfunctional heart not yet surrendered, something of which none are certain. Worry descended like a pall over my will. Sadness has taken control of my soul. Well-intentioned, high-riding key influencers are wheedling me into their delusional corner. Life, lies, and what matters: shut down before I hit the ground. I ponder death, or better, conceivably, never to have been born at all.
Look both ways, but in the end, it is just the end.
Nothing more.
Mind the gaps of life’s traps.
Sometimes it’s your fault. Sometimes it’s not.
Bygones
He didn’t marvel at that momentous moment.
After many years, she had become sanctimonious.
It wasn’t the stupendous vision he hoped for. It was horrendous, not tremendous,
seeing her now as portentous.
Look both ways but the past was then, this is now.
Find and mind the gaps for hidden reasons for change.
Kicking off the twelfth month of twenty-twenty-two, artist, businesswoman, swimmer, writer, mother, wife, sister, (I could go on), and our friend and fictioneer leader, Rochelle, has provided us with a peek out from Roger Bultot’s window with his inspiring photo as a bridge to creativity.
It goes like this. We look at the picture and write whatever story (beginning, middle, & end) we want. Easy, right? It’s doesn’t even have to be pure fiction. But we must prove our micro (or flash) – (non-)fiction bone fides by trimming our stories to any number of words under 101. Try it!
The directions are simple and available on Rochelle’s blog page, reachable with a simple tap, click, or press on Roger’s picture, like it was a detonator.
Genre: Espionage Fiction
Title: Truncated Bridge
Word Count: 100
***
Looking out the window, I felt stress. Ignorance fed by fear. After this job, I’d comfortably retire. To what? Sad.
The morning sunrise lacked hope. It was threatening. A foreboding bloody sky in a randomly meaningless universe. I didn’t care. It was time.
I lit what I promised myself was my last cigarette and sat by the window as I’d done hundreds of times before. When I saw the target on the bridge, I pressed the detonator button and watched the explosion. I always hated all the collateral damage. The news would blame the old bridge. Everyone lies. Everyone dies.
***
Look both ways to find happy endings.
Mind the gaps because that’s where the bridges collapse.
And for the music lovers among us, I present the Eagles singing “Seven Bridges Road.” If it works. I suppose I took the bridges thing a bit too far.
For Thanksgiving Eve this year, Boss Rochelle, our lovely, multi-talented, family oriented, and artistically gifted literary ladyship guide has gone redux to prompt us all with a pic from the awesome Brit, Sandra Crook. Sandra’s photo has many prompting options, but I was mused into a musical mood.
Click on Sandra’s photographic prompt to jump off into Rochelle’s blog page from where you may climb back up with your own story based upon whatever inspiration you received.
Genre: Parodic Musical Fiction
Title: Toy’s Lament
Word Count: 100
***
“Toy! Hey, Toy. What y’all doin’? Where’s that devil woman yer in lust with?”
Toy sang out, “She gone, Mick. Done left me in Spartanburg. Oh, Lawdy, Ima gunna buy a ticket till it run out of track.”
He pulled his guitar up and sang, “Gonna climb that highest mountain. Gonna jump right off. Ain’t nobody gunna know. That woman, Lawdy. What she done to me. Can’t ya see, Mick?”
I said, “Yer too stoned to climb up there. I’m sorry. We told ya she’s a black-hearted woman, man.”
Toy yelled, “Mean ol’ woman’s with Marshall. Never told me goodbye!”
***
Look both ways in love and lust.
Mind the gaps for tips, trips, and occasional slips.
My story is based on the early 70’s southern/country rock song lyrics, Can’t You See, by the Marshall Tucker Band, written by Toy Caldwell. Other allusions: Mick (Jones) from the band Foreigner (Cold as Ice) and Black-Hearted Woman by the Allman Brothers Band.
The original song by the original band.
I found thalassic in Robin Devoe’s Dictionary of the Strange, Curious, & Lovely. I wrote an acrostic insult poem with more rare words from the same book. It’s Monday. I started this Saturday morning. I’m tardy.
***
Tin gods abound worldwide. Practiced prevaricators
Hemipygicly half-assed witlessness,
Adonized avatars in their own lost and low minds,
Lardaceous lickpennies of limicolous living with
Acherontic soulless evil demonic spirits, those
Snollygosters comfortable within any snobocracy,
Slubberdegullions of the lowest order or less,
Imbruted by nature without redemption.
Cacodemons with sycophants.
***
Look both ways when searching for right.
Mind the gaps for the tin gods because they disguise well.
Love Matters
You suffer loss
Heart breaks,
My love means
Tears of mourning,
Our common sadness rules
Two lives.
Look both ways.
There is a time to cry and a time to laugh, a time to be sad and a time to dance.
Mind the gaps for the lessons of both sorrow and joy.
But Buyer Be
My family didn’t own one—so,
I knew nothing of
automobiles back then
except about how to drive
(not well) and add gas—
My first (legal) car
was twenty bucks—
I got it for fifteen;
Mom said,
(Dad didn’t know, yet—
he called cars “motors”
and expensive things “dear”)
but she said, “Oh, dear,
I wonder
what’s wrong with it.”
I was about to learn so much
about oil,
rings, pistons, and
timing points, and why not
grab hold of a bare spark plug wire
on a running straight six,
and about positive and negative.
Guys at school, the ones taking
auto mechanics shop classes,
(learning something useful)
were not the ones to ask
even though I took
English III (again) with them.
(I’m still grateful for how
smart they made me look
and feel—but
another story there.)
Because
while those know-it-alls
claimed auto knowledge,
helpful they were not,
and I’d already bought
my old green Chevrolet
capable of burning
a quart of oil
per city block or
country mile—either way,
lesson learned late.
Learn first, then buy
(now I tell me).
And used car salesmen—
that lesson took a lot longer.
Buyer
beware. Be aware.
Look both ways as time keeps on slippin’ into the future.
Mind the gaps, feed the babies, shoe the children, house the people livin’ in the street.
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