How can it be?
They were once lovers intent on solving the riddle of forever.
Time was the mere scent of one, aroused the other
and they clung together like peach and stone.
How can it be as time passed, such love was lost?
How did what was become unthinkable?
When did the passion of love serve up malevolence?
What paradox now leaves two enigmatic lovers
with a secret neither knows?
Look both ways on the road of love.
The past is not the future. The present is not forever.
Mind the gaps for the riddle of discontent.
His first words,
“What will you get?”
With such words our brother
accounted for decades of silence.
“He can’t help it,”
I’d tell myself.
“It’s not his fault.
He was raised like that,”
I told myself.
He’s your big brother.
He should be your hero,”
I still tell myself—
Not some pitiful old man
Who’ll never understand why,
I told myself, again.
Our sister’s bequest
was that he suffer
as he caused her, but I couldn’t
let her love lapse, I told myself.
Look both ways with family and friends.
Mind the gaps, but learn to live without them.
Note: I used the noun form of rectify in the title and three synonyms in the piece. Mia culpa.
His heart and hers, broken, they had caused their own tragedy. Together, they moved forward, not on, using glue of the gods, Mars & Venus, to correct, reform, and amend repairs. Their common desire: love.
Look both ways to “mend a broken heart”.
Mind the gaps for “misty memories of days gone by.”
Thanks to Rochelle @Rochelle Wisoff-Fields-Addicted to Purple for another Friday Fictioneers inspiring Wednesday photo. Her weekly challenge is to write a story of 100 words or less based on a photo prompt. This week’s inspiration is provided by C.E. Ayr.
Genre: (Autobiographical) Fiction
Title: Some Friends
Word Count: 100
I was to meet Clair, Jack’s wife, on the movie set. We met for coffee during her break. Clair introduced me to Astrid, who left us alone to talk. She got to the point.
“Bill, I’m leaving Jack.”
I said I was not surprised.
She said, “You’re his best friend. How can you say that?”
“Yes, I am. But I have no idea why anyone would want to be married to him.”
“Bill, you don’t understand. I am leaving him for another woman. You just met her.”
“Oh shit, Clair. I wish I could be there when you tell him.”
Look both ways in life and love.
Mind the gaps in close friendships.
Many thanks to Rochelle @Rochelle Wisoff-Fields-Addicted to Purple for pointing me to another photo-inspired Friday Fictioneers. The weekly challenge she presents is to write a story based on the photo prompt, provided today by Ted Strutz.
My task is to write a complete story in 100 words or less.
Title: One Last Time
Genre: Fiction (Southern Gothic)
Word count: 100
Abject fear hit me when I saw his house, familiar feelings founded on my childhood nightmares with an abusive father and an enabling mother.
I love South Carolina’s low country but have few good memories, a good place with fine people. But not him.
I walked the three steps to front door. A gunshot stunned me. I ducked, looked around, then carefully opened the door.
He put the WWII .45 on the table and said, “Safety’s broke. I ain’t goin’ to no death house.”
“Well, Dad, you cannot live here. And you damn sure ain’t livin’ with me. Now pack!”
Look both ways for the life you’ve lived.
Mind the gap like a bad dream.
Thanks to Merril (from New Jersey) for hosting this dVerse bar challenge: Prosery Monday: A Time, to which I am responding on Tuesday. Merril says to write prose of less then 145 words in response to this line from the poem “A Time” by Allison Adelle Hodge Coke.
“when it is over said and done
it was a time
and there was never enough of it.”
Genre: flash memoir
Word count: 143
Title: L’esprit de l’escalier
Last Fall, I wrote a poem about watching my father drink coffee and smoke when I was a young child. Our father-son relationship improved slightly later in life.
I’d received good reaction to the piece, so I considered its potential for submission. I requested further feedback from a critique group (mostly fiction writers). I was aware of the potential risks, but I wanted to know their thoughts.
One person asked, “I did not understand the last few lines where you said, ‘I figured it out. He did too. In the end, it was just the end.’ Can you explain what you meant?”
Stumped for a good answer, I copped-out with, “He died”—a true but poor response on my part.
Now I could simply say, “When it is over, said, and done, it was a time. And there was never enough of it.”
Look both ways for answers.
Mind the gaps in the poetry of others,
it’s where we may find answers.