Song Lyric Sunday – Take

Helen’s post for the SLS theme for today is take. I immediately (excitedly) thought of Take It Easy, by the Eagles. It was written by Jackson Browne and Glen Frey about 1971. Take It Easy was the Eagles’ first single (1972) and the title of their debut album. It is one of my favorites, primarily for the lyrics.

Besides the title, the hook lyrics for the theme are in the refrain:

Take it easy
Take it easy
Don’t let the sound of your own wheels
Make you crazy

Other lyrics I (and others) especially like about the song are:

 

I’m going with a wild-ass video with Travis Tritt from the fantastic Common Thread: The Songs of the Eagles album.

Lyrics to Take it Easy

Well, I’m running down the road
Tryin’ to loosen my load
I’ve got seven women on my mind
Four that wanna own me
Two that wanna stone me
One says she’s a friend of mine

Take it easy
Take it easy
Don’t let the sound of your own wheels
Drive you crazy

Lighten up while you still can
Don’t even try to understand
Just find a place to make your stand
And take it easy

Well, I’m a standing on a corner
In Winslow, Arizona
And such a fine sight to see
It’s a girl, my lord
In a flatbed Ford
Slowin’ down to take a look at me

Come on, baby
Don’t say maybe
I gotta know if your sweet love
Is gonna save me

We may lose and we may win
Though we will never be here again
So open up, I’m climbin’ in
And take it easy

Well I’m running down the road
Tryin’ to loosen my load
Got a world of trouble on my mind
Lookin’ for a lover
Who won’t blow my cover
She’s so hard to find

Take it easy
Take it easy
Don’t let the sound of your own wheels
Make you crazy

Come on baby
Don’t say maybe
I gotta know if your sweet love
Is gonna save me

Oh oh oh
Oh we got it easy
We oughta take it easy

***

Thanks to Helen for a great theme prompt and thanks to the Eagles for years of great music.

Look both ways, mind the gaps, take it easy, and
don’t let the sound of your own wheels drive you crazy.

Click graphic for link to SLS page.

 

 

Dialogue: What They Said

Note: click on highlighted links for videos and songs.

He:      ‘I’m very sorry, Baby. I would never intentionally hurt your feelings.’

She:     ‘God damnit, Billy-Bob, you don’t even know why, do you?’

He:      ‘Whatever it was, I deeply regret it and promise never to say or do it again.’

She:     Screamed gibberish and threw her full glass of white wine at him, smashing it on the wall over his head.

Cat:     Ran and hid under the sofa.

She:     Poured herself a glass of red wine (doesn’t like red, gives her headaches).

He:      ‘Come on Judy, calm down, you know how much I love you.’

Cat:     Hissed very loudly.

Alexa: ‘Oh shit, Billy! Playing Gunpowder and Lead by Miranda Lambert.’

She:     Turned beet-red and walked toward him, grinned, and poured the red wine on his white shirt.

He:      ‘Jesus Christ! Now what?’

She:     Quietly uttered a ‘fuck you’ as she turned, grabbed her purse on her way to the front door, which she slammed so hard the curtain fell to the floor.

He:      Walked to the closet to change his shirt. Dropped the wine-stained one into hamper, picked up the curtain from the floor and reattached it. Took a short heavy glass from the cupboard and put in two ice cubes. Opened the liquor cabinet and poured two fingers of his best Scotch, then returned to his seat. He quietly sipped his Glenlivet 25.

Cat:     Jumped into his lap and began to force paws deep into his legs while fully extending claws to dig painfully into his skin.

He:      ‘Ouch! Stop that pussy cat. Alexa, play something soft and comforting.’

Cat:     ‘You did that on purpose. Her name is Jane. You called her Judy, your ex’s name. You’re such a dickhead.’

Alexa: ‘Ok, Billy-Bob, the jerk. Playing Please Don’t Go by Absolutes…jackass.’

He:      ‘Alexa, I said comforting, not sad and miserable. I feel bad enough. Play some Enya.’

Alexa: ‘Enya also thinks you’re a jerk, but playing Watermark for assholes.’

Cat:     ‘You called her mother a pain in the ass. Her mother hates you. Now Jane hates you. I think you are hoping for makeup sex. Good luck.’ Purrs and curls up into his lap.

Alexa: ‘She will kill him for sure this time. His sex life will soon be a memory.’

He:      ‘Alexa, stop talking to the cat. Add flowers to my shopping list.’

Alexa: ‘Ok, thrill-kill-Bill, adding three-dozen red roses and her favorite candy to your shopping list. Would you like me to call that in for you?’

He:      ‘Would you two please be quiet. I need to regroup. Why am I talking to a cat and a computer?’

Phone buzzes with voice mail.

She:     ‘Fuck you very much. And, I’m never coming back.’

Alexa: ‘Ok Jane the wonderful, playing Fuck You by Lily Allen. Please don’t leave us here alone with this asshole.’

He:      Takes another sip of Scotch, closes his eyes, and begins to snore.

© Bill Reynolds 10/27/2018

Look both ways; we are never free of consequences.
Mind the gaps; they are never forgotten.

Song Lyric Sunday – Give

Helen’s Song lyric prompt for today is give. I immediately thought of a song I had not listened to in a while, a classic twelve-bar blues number called Give Me One Reason, written and sung by Tracy Chapman. I had a hard time deciding between two videos, this one and another in duet with Eric Clapton.

The hook lines in the lyrics are woven throughout the song…

“Give me one reason…”

The lyrics are not in the video. I suggest watching the video without reading lyrics for full affect; but I put them below, so you can read them as you listen if you want. Great blues song.

Lyrics

Give me one reason to stay here
And I’ll turn right back around
Give me one reason to stay here
And I’ll turn right back around
Said I don’t want leave you lonely
You got to make me change my mind

Baby I got your number and I know that you got mine
But you know that I called you, I called too many times
You can call me baby, you can call me anytime
You got to call me

Give me one reason to stay here
And I’ll turn right back around
Give me one reason to stay here
And I’ll turn right back around
Because I don’t want leave you lonely
you got to make me change my mind

I don’t want no one to squeeze me, they might take away my life
I don’t want no one to squeeze me, they might take away my life
I just want someone to hold me and rock me through the night

This youthful heart can love you and give you what you need
This youthful heart can love you and give you what you need
But I’m too old to go chasing you around
Wasting my precious energy

Give me one reason to stay here
And I’ll turn right back around
Give me one reason to stay here
And I’ll turn right back around
Because I don’t want leave you lonely
You got to make me change my mind

Baby just give me one reason, Give me just one reason why
Baby just give me one reason, Give me just one reason why I should stay
Said I told you that I loved you
And there ain’t no more to say

***

Songwriters: Tracy L Chapman. Give Me One Reason lyrics © Sony/ATV Music Publishing LLC

Look both ways for love. It can give you what you want.
Mind the gap, ‘and there ain’t no more to say.’

Click graphic for link to SLS page.

Will I Care? Don’t Talk Like That!

The past happened without me, as will the future.
Beginning on what day will I no longer get out of bed?
Unable to remove the mask and walk away,
to pee or whatever. Will I know anything?
On what day will I no longer want coffee?
I can handle not to have. But not to want?
Does nirvana or moksha reflect happiness or denial?
On what morn I’ll no longer begin a day’s reading?
Is not my quest for knowledge stewed in desire?
To have and to hold, to want and to need. To care?
There’s more I want to know. Will I care? Do I?
Must I stop loving her on that day? As the Jones song goes.
Will my dignity be intact, or will it be the first to go?
Will I die in a puddle of shit? As many would see that as fit.
Will I remember my name, yours, where I am? Will I care?
Is there such a thing as death with dignity? Or do we
just pass on to return life for life? Don’t talk like that?
Away and towards. Turn, turn, turn. Say I love you.

I care.

I do.

Love you.

 

© Bill Reynolds 10/15/2018

Look both ways; to the beginning and toward the end, when gaps no longer matter.

Song Lyric Sunday – Hide

Helen’s Song lyric prompt for today is hide, or hiding, or hidden. A great prompt for me cuz four songs came to mind. I selected one but changed my mind to Lyin’ Eyes by the Eagles, written by Glenn Frey and Don Henley. The hook line for the prompt is (of course) ‘you can’t hide your lyin’ eyes‘ but this song also has one of my all-time favorite philosophical song lines, ‘I guess every form of refuge has its price‘ – and it does, right?

I put the lyrics below the video so you can read as you listen.

YouTube terminated the video, but you can still find it and watch, if you like.

Lyin’ Eyes

City girls just seem to find out early
How to open doors with just a smile
A rich old man
And she won’t have to worry
She’ll dress up all in lace and go in style
 

Late at night a big old house gets lonely
I guess every form of refuge has its price
And it breaks her heart to think her love is only
Given to a man with hands as cold as ice
 

So she tells him she must go out for the evening
To comfort an old friend who’s feelin’ down
But he knows where she’s goin’ as she’s leavin’
She is headed for the cheatin’ side of town
 

You can’t hide your lyin’ eyes
And your smile is a thin disguise
I thought by now you’d realize
There ain’t no way to hide your lyin’ eyes
 

On the other side of town a boy is waiting
With fiery eyes and dreams no one could steal
She drives on through the night anticipating
‘Cause he makes her feel the way she used to feel
 

She rushes to his arms, they fall together
She whispers that it’s only for awhile
She swears that soon she’ll be comin’ back forever
She pulls away and leaves him with a smile
 

You can’t hide your lyin’ eyes
And your smile is a thin disguise
I thought by now you’d realize
There ain’t now way to hide your lyin’ eyes
 

She gets up and pours herself a strong one
And stares out at the stars up in the sky
Another night, it’s gonna be a long one
She draws the shade and hangs her head to cry
 

She wonders how it ever got this crazy
She thinks about a boy she knew in school
Did she get tired or did she just get lazy?
She’s so far gone she feels just like a fool
 

My oh my, you sure know how to arrange things
You set it up so well, so carefully
Ain’t it funny how your new life didn’t change things?
You’re still the same old girl you used to be
 

You can’t hide your lyin’ eyes
And your smile is a thin disguise
I thought by now you’d realize
There ain’t no way to hide your lyin’ eyes
There ain’t no way to hide your lyin’ eyes
Honey, you can’t hide your lyin’ eyes
 

Songwriters: Glenn Frey / Don Henley

Lyin’ Eyes lyrics © Universal Music Publishing Group

 Look both ways with yer lyin’ eyes. Mind the gaps cuz refuge has a price.

Click graphic for link to SLS page.

Poetry — Octo-eventide

I hear the soft sounds of eventide’s song,
as it sings the transition of day into night –
of colorful gloamings where wonders belong,
while whispering air adds drama to sight.

Night birds respond by taking to flight
before today wrings darkness from light
The darts and the dives of the soaring black kite,
mixing their trills, flying into the night.

The sky-blue sunset is dotted with cloud,
as the stars drag the moon into the shroud,
where red and orange, and some yellow are glowing.

Adieu to the light as darkness keeps growing.

As the swift and the nightjar sing
songs that awaken
the owl tonight, a night yet to come.

From this part of life is another day taken,
and as humans will be,
by this darkness we’re shaken.

I feel the call of a long restful sleep
as evening pleasures promise to keep.
Remember this day as something we’ll miss.
Lie with me Love and share this sweet bliss.

©Bill Reynolds 10/12/2018

Look both ways into the night and the day,
mind all these gaps in a special way.

Poetry: May I try?

 

Why can’t I be a poet?
What is that anyway?

The maker of sounds
and finder of words to say.

Poems à la muse must
be creative and see
imaginative ways,
to say,
expressively,
what we,
so capable and specially
can feel,
in a poem’s
certain way.

Poets are
sensitive.
We read (love)
dead poets!

Good at it? Yer a poet.
Writes poetry so well?
Maybe yer the bard
who shows the way.

Poetry is verse.
‘tis a versifier ye are?
Is it not?
How to tell?

Not up to par?
A poetaster you are.
If that’s in me,
a lessor poet’s what I’ll be.

What is inferior?
My poem, or me?
Or is it that my verse
is just too dern terse?

Write a poem of wit
and magic,
or a salty limerick
of some jester’s
funny verse.

Be the bard yer born to be.
Sing like a minstrel
along with me.

Be the poet
and you will see.

© Bill Reynolds 10/8/2018

A note from Johnny Cash.

If yer gunna try, look both ways and mind the gaps.
Let us feel the poems as you write.