Advisedly, we’re normally explanatorily told not to
write clichéd adverbial conquests, but to eschew such modifications
faithfully as frivolously fast fingers freely flow creatively composing
craftily constructed compositions, purportedly passing on poorly
penned prepositional phrases padded with mystery.
Reality rudely reeks seeking adjunct, conjunct, disjunct, or just plain junk.
To prepare perfectly pedestrian, speciously deceptive poems and prose,
paint in some opposition of affirmation.
Look both ways crossing artful Grammar Ave. Mind the gaps that set the traps.