Poetry: The Autumnist (NaPoWriMo) Day Twenty-five

Taking a cue from the John Keats poem, To Autumn, I must write a poem that is specific to a season, uses imagery related to five senses (I used more than five), and includes a rhetorical question, such as where are the songs of spring from the Keats poem.

Wasted days and wasted nights
for the sheer pleasure of guiltless
unproductive quietude of awareness,
as days are for summer, so are
nights fit for winter.
Loving both, I favor the transitions
of dusk and dawn, different but equal.

Each year, I am not the same person
I was. Nor am I the same each season.
I am at least four, maybe more
as I sense the changes each year
with each season, each day
brings new perceptions.

I belong within reality and metaphorically,
spiritually, and practically
somewhere within a transition
from summer to winter. An
autumnist is what I am,
but different of type with the
arrival of my knowing about cold
temperatures before I walk
and see changing leaves, I miss the
now gone migrating birds.
I do not hear them now.

Gradually, it seems, everyone thinks pumpkin
is my choice of taste, and the
traditional spice. Smell that
pumpkin pie or is that your latte?

The brisk autumn air is more
noticeable than in spring. It feels
different, more promising.

Pain seems less in Fall than
in Summer. I dance more at
Octoberfest, my balance is stable
and my sense of thirst has proven
stronger. I know my place
during those months with Halloween
and Thanksgiving.

Even my sense of passing time,
it’s more acute when the dog days
have come and gone. It is Spring
now—who will I be this year?
And next? What then? And
what about you?

© Bill Reynolds, 4/25/2019

Look both ways for seasons gone and those in years yet to come.
Mind the gaps when days visit from other times.

Poetry: Linguistic Serengeti Maps (NaPoWriMo) Day Twenty-four

Today’s poetry prompt is to write a poem inspired by a reference book.

Today, I learned what I am.
I’m a Stan, no longer a mere fan,
I’m a Stan—the man.

Normal words
help me each day, also
clever and unusual, obscure (and obscene),
preposterous; the strange,
curious, and lovely lexicon.
In a word: troublesome!

Secretly, I hide in a closet
(or bathroom) where I read
books — about words,
of their history, called etymology;
how to say them, and maybe see
an idiom for future reference.
The meaning of words, the lexemes.

Every word has its morphology,
its synonymy family and
antagonistic antonymy gangs.
Some are humorous, others so literal,
I like snarky things and even
the devil has his own dictionary.

Semantics are arguable,
but without words there is
nothing to say, to communicate
we’d have to find another way.
Do words grow in semantic fields?

My blessing upon the wordies,
the lexophiles, logophiles,
lingua-(and lingo) philes, also
called word buffs.

A poet without a word is like
a seashell without an ocean,
a cow without a patty,
a day without a sun.

© Bill Reynolds (word-Stan) 4/22/2019

Mine. Raven printed on page out of dictionary.

Front to back, or look both ways, books about words have much to say.
Mind the gaps or stick in some adjectives.

Poetry: Mr. Bill’s Dream Logic (NaPoWriMo) Day Twenty-one

My poem challenge today was to write a poem that incorporates wild, surreal images. I was to use writing that doesn’t make formal sense, but engages all the senses and involves dream logic.

Well-known strangers speak
without talking, to us much younger
than before when it was me,
but not I; colors of unseen
monochrome images of unlimited
limitations. Chases by odorless fears
of panic unharmed—yelling out into
this empty reality of unfolding challenges
without beginnings or ways to an end.
Movement without effort, watching
as space and time pass unchallenged
by a pointlessness of futile efforts.
Yell out! Why? The dogs.

A colorless kaleidoscope of
meaningful meaningless images,
sounds unheard, spoken with
windless breaths. Fear seeing
through closed eyes, hearing with
deaf ears, brown hair on bald men,
run, kick, yell, stop, breathing.
Fight back!
Awaken,
let go. Rewind. Dream On!
Dream real.

© Bill Reynolds 4/21/2019

Is this a dream within a dream?
Look both ways for unseen meaningless threats, gapless gorges, and mindful mindlessness.

 

Poetry: Possibles (NaPoWriMo) Day Six

Today, I’ve been challenged to write a poem emphasizing the power of if. I wrote a poem so-titled last September (read it here). This is different. It’s less personal – more philosophical and asks a lot of questions.

The Possibles (of Impossible Ifs)

If lives were perfect, would they be?
If not for night, would we know day?
Does pain delight then go away?
To live forever, would be okay?

Abraham would be a joke, see
Joan of Arc would be alive.
If life was perfect, would I survive?
What if I were you, and you were me?

What if we felt neither sad nor woe?
Where the hell would happy go?
If this might be, could you vote yes or no?
Or do banal waters float your boat?

Everything is possible. If that, why so?
Would perfect make me want to go?
In a perfect world show, what is not?
If the answer’s here. I want to know.

Leave the gaps. Let’s not be saps,
When we die, they’ll still play Taps.

There’s something here, I clearly see,
This imperfect world is alright with me.

© Bill Reynolds, 4/6/2019

Look both ways, imagined and real.
Mind gaps you see, for honest sex appeal.

 

Poetry: Time Will Allow (NaPoWriMo) Day Five

Today’s challenge: write a poem incorporating the villanelle form, lines taken from another text (poem), and/or phrases that oppose each other in some way.

I selected two lines from the Rubáiyát of Omar Khayyám (trans. Richard Le Gallienne). I think I wrote sufficiently opposing lines. I tried to do all three.

Time Will Allow

Heed not tomorrow, heed not yesterday
Our life is our blood, flowing here and now
O fools, that after some tomorrow stray!

Darkness does not age, even in the day
Drink and love much as our time will allow
Heed not tomorrow, heed not yesterday

Yesterday was here, but now goes away
Let us drink our love, ‘neath a shady bough
O fools, that after some tomorrow stray!

We kissed our wine, but now it’s gone away
Love is our wilderness, paradise is now
Heed not tomorrow, heed not yesterday

We are the fruit of gods, sent here to stay
Return again here to me tomorrow
O fools, that after some tomorrow stray!

Love us forever, together we pray
Wine and we between, let me show you how
O fools, that after some tomorrow stray!
Heed not tomorrow, heed not yesterday.

©Bill Reynolds, 4/5/2019

Look both ways but live for today. Mind the gaps between the gator’s teeth.

Poetry: What Do I Want? (NaPoWriMo) Day 2

Today’s challenge is to write a poem that resists closure by ending on a question, inviting the reader to continue the process of reading (and, in some ways, writing) the poem even after the poem ends. Did I?

What do I want?
And you, the same?

Everlasting life?
Perfect existence?

Is it happiness?
What exactly is that?

Heath and wealth
Both common goals

But is there more?
What is enough?

Love, perhaps, or
in my perfect world?

Let’s compare notes.
You show me yours

And I’ll show you mine,
In the balance it hangs

Every important thing
about life and time.

What do you want?
And, for me, the same?

©Bill Reynolds 4/2/2018

Look both ways for what you want. Mind things hidden in the gaps of life.

The Greatest Gift

It cannot speak
cannot see or hear
No feeling or form
It moves through the universe,
But it never leaves my soul

It has no name
but knows me well
it makes no sound,
But explodes in every human heart,
it is the beginning and the end
the lost and the found
the discovery and burn.

It is in every thought of every day,
It crosses and straightens,
It eats nothing but feeds everything
It curses not but many swear upon it
It sticks like glue and slips too easily away
Without cost it is the dearest of all
Giving strength to the weak, it
brings the powerful to their knees.

To give love,
To take love. The love of life,
The sights and the sounds and the smells
the feels and the tastes of love.
The least and the greatest of all gifts

Both taken and given.

© Bill Reynolds

Let your love look both ways, to what is and what might have been.
Fill the gaps with the time we have, as precious as it is.

Poetry: The Tractor

The tractor rests, over near the barn
she’s not minding the cold, snow, and ice of winters
nor the dry pounding heat of summers,
a little rust, peeling paint, heavy worn tires,
little more than time causes the hulk any harm.

Made to plough and cumber a heavy beam, this ox
of steel and rubber carried men to the work
of sowing seeds with a seeder and a drill,
for tilling of soil with tiller and rotary box.

This mammoth hand of farm and ranch alike
pushes and pulls all kind of cultivator and harrow,
she drags wagons full of fertilizer to make
bull and cow shit fly over ditch and burrow.

Pulling mowers and rakes for the gathering of hay,
with bailers in tow bringing seed in to feed,
with tires made heavy with water in and mud out,
that tough old tractor stands ready for more work.

The Case International, the Massy Ferg’ and the old Ford;
the John Deere and the New Holland or Caterpillar rig.
Germany’s Fendt and Japan’s Kubota.
Canada has a claim with Cockshutt tractors.

Maker of the world’s finest cars will not be omitted,
As Italians lay claim to the craft for the harvest
with a Lamborghini (seriously) trattori pulling that shit.

This old boy was just a wee lad
when he grabbed hold of the wheel
for learning to drive in the only front seat
of a farmer named Dixon and his old Massy Ferguson
we all had great fun in the summer’s hot sun
as the day’s work of the land got done,
for the wheat and the hay (and a little play).

©Bill Reynolds 3/11/2019

Poetry: Poetry

Some say it is trickery that poets secretly do,
to pretend to understand the incomprehensible
words of each other. Some poets say poetry
should not be easily comprehended, that even
other poets should not see, or the art is not
of the true deep, hidden source of secrecy.

I read poems that lift my spirits, and some
darkens my soul, even with true life and death,
but I feel my eyes squint and my brow push
down to a wrinkled quandary as I try to see,
to find meaning and purpose and message, to
apply the plated words to my taste and be
aware of comprehending and understanding.

Do those of us who love poems love all?
Is every poem ever penned done with message
and purpose that all others, or just some,
might perceive and claim joy found
in the artfulness and clever voice
of the poet who sat and wrote words to read?

© Bill Reynolds 2/14/2019

Look both ways and Happy Valentine’s Day.
Mind the gap, but don’t gape.
O Captain! My Captain!

Poetry: Peace Be With You

 


Dark Night Warrior

I love the common, the warm blanket of peace,
the soft whispers of a perfect and quiet day,
the calm of nature, birds, and other people
smiling and loving and happy.

But the Dark Night of thunder and storm,
of lightning and wind and rain excites me.
I feel more alive in a storm than safe
in the banal aspects of a sheltered existence.

My every dream is a warlike challenge
of attacks and kills and fights to a death.
Even mine.
What warrior is content to watch the battle?
Half of me belongs to the night, the dark.

I believe in war, combat, risk, and battle.
Bore me not with stories of contentment.
Challenge me with fear and excitement
before I die from fucking fattened monotony.


Look both ways and ask what kind of existence you want.
The gaps?
Oh yes, there are always the gaps to mind.