Friday Fictioneers for August 5th 2022

Her Majesty, Mistress Rochelle took up with the artful British Lady, Sandra Crook, and her collection of local history castle photographic art to inspire us to fictionalize a bit of Brit history and fantasy. If we surpass Her Ladyship’s 100-word limit, we’re forgiven (fingers-crossed) but sent to the castle dungeons where a Scot vampire Count will teach us to painfully count—one number at a time.

To join with this British invasion simply point to the below photo and click, from whence you’ll magically be transported to the wonderful purple swimmingly world of Rochelle’s blog where you’ll be provided proper guidance and told how to mind your manners.

PHOTO PROMPT © Sandra Crook

Genre: Speculative Travel Fiction
Title: Castle Horror Picture Show
Word Count: 100

***

Elizabeth tugged the wheel, “Left side. We meet up there at midnight.”

I asked, “Why join more judgmental, malcontent, freak poets?”

She pointed, “That’s our B&B. It’s a cover coven with vampire poets. Ancestry shows DNA matches.”

“You’re a hedge witch!”

“Be quiet!”

Later, I heard church bells as we walked into the ancient castle ruins.

A male voice, “Mistress Lizzy, is it? Douse them torches. Remove your clothes. Join us for sexy dungeon dancing. William must be bit.”

I felt a prick in my neck. Elizabeth laughed and danced away with a vampire named Charles. We were home free.

***


Look both ways and don’t think love conquers all.
Mind the gaps for mind control nips
and put some garlic powder on your tasty neck.

***

Click on Dr. Frank-N-Furter “if you want something visual that’s not too abysmal” and more hot lit micro-fiction “from Transylvania, ha ha.”

***

If you’re unfamiliar with the movie, Rocky Horror Picture Show, here is a trailer.

Sammi’s Weekender #238 (familiar)

Click to go to Sammi’s blog and read other literary wonders.

A Poet’s Niche at Night

I sit alone,
here in my nook
surrounded by dark night’s midst,
awakened by who knows what.

It’s not gloomy to me
in my shadowless gray nest,
with familiar walls tinted sepia
by computer screens,

And light from my
black plastic, ergonomic keyboard.

I like it dark without sounds
I couldn’t hear anyway, just midnight feels.
I like them, too.

As I think,
I write
this poem thingy
cuz that’s what poets do,
in the middle of the night.


Look both ways when you sit alone in the darkness.
Mind the gaps,
the things you hear,
the things you feel,
and especially those you don’t.

Poetry: Dark Moon Rising (NaPoWriMo day 17)

For better or worse, the moon seems to exert a powerful hold on poets. Today, I was challenged to stop fighting the moon. I didn’t know I was, but I was to lean in and accept the moon. I was to know that the moon wants what’s best for me. I was to write a poem that is about, or that involves, the moon.


Dark Moon Rising

Today it is waxing crescent,
can be called the drinking moon,
because it wouldn’t spill a drop.

The full moon rising
this month and year,
should be April twenty-sixth,
it’s Spring’s Pink Super-moon,
not pink in color, but calls to a flower.

Tonight, the moon’s brightness
at twenty-four percent,
flying four point eight-two days
of its twenty-nine point five-three
days to orbit the earth
and to do its thing.

Writers love our moon
it anchors our latest story,
choosing when the moon is full
or when it’s gone
and making moon anew.

For the moon of the night
it’s not the sun’s reflection
that makes our moon so bright,
it’s the honest truth of darkness,
the darkness of the night.


Find your way in the darkness, use the moon for light.
But mind the gaps for there are dangers in the night.

Poetry: Mind Reading


Should you want to read my mind,
and I yours? Do our thoughts matter?

And what of dreams?
Are they in our minds, barely clear,
unseen reverie of thoughts, only real when we sleep?

If you could read my mind, could I then read yours?
Would we share thoughts, and each be of two minds?
I’m often with two minds while claiming one—
more conflicted than confused. Do you see through eyes
that are like windows to a witness,
seeing my thoughts,
or are they mixed with yours in me?

If I could read your mind, would a new universe
be revealed to me? One with background and rationale
to justify your thoughts. Would I understand you better?
Or is it true that you and I are what we do?

If you read my mind, do you see my thoughts
through the lens of yours? If not, are my words and actions
filtered through your mind and thoughts? Is that truth?
Are you able to separate you and understand me alone,
entirely without you, your life, your experience, your own thoughts?

“I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try”

“But that was just a dream
Try, cry, fly, try
That was just a dream
Just a dream
Just a dream, dream” *

Forget my mind. It’s crazy anyway.
Read my heart. Listen for my soul.
Judge me by what I do. Ultimately, that is who I am.
I am not a poet. I’m your poet. And you’re mine.


Look both ways. Believe the real, the truth. We are what we do.
Mind the gaps and the pullbacks, the maybes are filled with deceit.

(* Lyrics from Losing My Religion, R.E.M.)

Poetry: Old Hank


Never heard of Bukowski.
Frost, Yeats, Whitman,
certainly Poe. Those guys;
and Dickenson, Browning,
later Plath and Angelou.
Mary Oliver, too. New and youngs
like Canuck Chica, Kaur.

Gone two decades plus six, old Hank,
who’d turn a hundred this year,
took hold of my poetry reading.
Also liking some Billy Collins
and Clive James. Tony Hoagland’s
pleasant prose and light but raunchy
poems been worth my time.

Poetry, a pleasure,
in the writing and for the reading,
yet brainy head scratchers
laced with metaphoric depth have
pride of place on a lover’s shelf.

Raw life, pain, and beauty without
pretentious creativity,
Old Buc’s art “is its own excuse.”


Look both ways,
to the darkness of shadows
and to the colors of light.
Mind the gaps of the matrix.

NaPoWriMo: 30 poems in 30 days (day 14)


Day 14 prompt: write a poem that deals with the poems, poets, and other people who inspired me to write poems.


Dad never encouraged me to anything but obedience,
yet he knew funny limericks that made me blush
and he sang like George Burns, not quite as well.

O, the battles he lost.

Sister Mary Something Awful believed in god
and memorizing to exercise my brain like a muscle.
Walt Whitman’s O Captain! My Captain!

O, the battles she lost.

We committed it to memory, like a prayer,
in some later years of elementary school,
something I shall never forget.

O, the battles I lost.

Robin Williams’ emotionally charged role
in Dead Poets Society, the movie and final scene
woke sleeping poets buried deep inside me.

O, the battles we fought.

To my insistent denial, Sue said yes you can
while others saw poetics hidden within my prose,
as I read the confessions of closet poets.

O, the battles turned, still hidden.

When muse passed me a parachute, I jumped
and discovered endless fields of sounds,
words, and beats to claim as my own.

O, joy, the battle done,
when I stopped fighting,
the prize I sought was won.


To look both ways I must turn my head and see.
Mind the gaps for their good intentions.

Poetry: Do not Sleep!

it’s nine o’clock at night again. some are dressing to go out, not me—too tired.
too tired for anything but sleep, yet, here I sit
writing this poem about being too tired to do anything,
including write this fucking ridiculous poem
or prose or whatever the hell it is.

it’s absurd to fight off sleep like this, like a child fighting the inevitable,
but if I give in now, I will wake at two or three in the morning,
in the middle of the night, flummoxed.
I’ll sit here and drink water (after I pee); wishing I was sleeping.
maybe there’s an unused nightmare out there waiting for me,
to give inspiration or whatever nightmares do for us.

why? tell me why. I want to know why it is that I will try for a few more minutes
to pretend that I can…what? what can I do?
is there a world full of people out there who cannot
or will not do what I can do?
bless their hearts as the conceited among us write away
nodding at the overstuffed closet.
who needs competition from hidden talent?

right here and right now, exhausted with limited cognitive ability to crank
one out by jerking off my brain and spewing words to the page and saying,
fuck yah, man! a poet. I write this sputum. so what?

it turns out that how I feel and what I say, I am—
and you are too—holy shit, that is exactly how I feel!
am I pissed off about nothing? just fucked up and angry
for the very reason of no reason. we need help. are we crazy?

it sucks for me and I’m sorry it sucks for you, but it’s so fucking true.
it’s us. not me alone. not you alone. misery love, love, loves company.
that’s how it works to be human. nothing can save us except writing.

Look both ways. It’s the middle of the night and every form of refuge has its prison.
Mind the gaps and the sidewalk cracks for the want to—the reason of no reason.

Monthly Report: June Poems

I write at least one new poem each day. On most days I spend time working on draft poems, ideas, essays, or whatever the wind blows up meh kilt.

The halfway point of 2019 is July second. Therefore, I have written at lest one poem each day for half the year. Crossing this halfway point is like crossing the 13.1-mile mark for a marathon (done 15 times). It’s not the same, but a milestone, nonetheless.

I may start using some online prompts and writing challenges that look interesting. While I won’t run out of ideas, rubbing some change into my work may serve to stimulate me in the coming months.

Here are the titles of June’s poems, some of which I posted.

Date        Title

  1. Manifestations
  2. Awakenings
  3. Library Lady
  4. Sound
  5. Glad I Could Help
  6. Old Lions
  7. Right Here, Right Now
  8. Faults and Gaps
  9. Henry’s Harpoon
  10. Infernal Inferences
  11. Feeding Fawn
  12. Tolerance of People
  13. Simple Question
  14. No More Emily Days
  15. Patent Flattened
  16. Ain’t No Nevermind
  17. What Does He Want?
  18. Born Blood
  19. To Be Chosen
  20. Kitchen Visits
  21. A Little Off
  22. Last Call
  23. I Like to Save
  24. The Deluge
  25. Mooned
  26. Strike Two
  27. Good News
  28. It Snowed in Binghamton
  29. Carefree (Sammi’s challenge prompt)
  30. Jeremiah’s Mighty Fine Wine

As we prepare for our Independence Day celebrations this week,
perhaps it is appropriate to look both ways at 2019.
What is passed and what’s up next.
1776 was 243 years ago. Here’s to 243 more.
Mind the gaps.

Poetry: Linguistic Serengeti Maps (NaPoWriMo) Day Twenty-four

Today’s poetry prompt is to write a poem inspired by a reference book.

Today, I learned what I am.
I’m a Stan, no longer a mere fan,
I’m a Stan—the man.

Normal words
help me each day, also
clever and unusual, obscure (and obscene),
preposterous; the strange,
curious, and lovely lexicon.
In a word: troublesome!

Secretly, I hide in a closet
(or bathroom) where I read
books — about words,
of their history, called etymology;
how to say them, and maybe see
an idiom for future reference.
The meaning of words, the lexemes.

Every word has its morphology,
its synonymy family and
antagonistic antonymy gangs.
Some are humorous, others so literal,
I like snarky things and even
the devil has his own dictionary.

Semantics are arguable,
but without words there is
nothing to say, to communicate
we’d have to find another way.
Do words grow in semantic fields?

My blessing upon the wordies,
the lexophiles, logophiles,
lingua-(and lingo) philes, also
called word buffs.

A poet without a word is like
a seashell without an ocean,
a cow without a patty,
a day without a sun.

© Bill Reynolds (word-Stan) 4/22/2019

Mine. Raven printed on page out of dictionary.

Front to back, or look both ways, books about words have much to say.
Mind the gaps or stick in some adjectives.

Poetry: May I try?

 

Why can’t I be a poet?
What is that anyway?

The maker of sounds
and finder of words to say.

Poems à la muse must
be creative and see
imaginative ways,
to say,
expressively,
what we,
so capable and specially
can feel,
in a poem’s
certain way.

Poets are
sensitive.
We read (love)
dead poets!

Good at it? Yer a poet.
Writes poetry so well?
Maybe yer the bard
who shows the way.

Poetry is verse.
‘tis a versifier ye are?
Is it not?
How to tell?

Not up to par?
A poetaster you are.
If that’s in me,
a lessor poet’s what I’ll be.

What is inferior?
My poem, or me?
Or is it that my verse
is just too dern terse?

Write a poem of wit
and magic,
or a salty limerick
of some jester’s
funny verse.

Be the bard yer born to be.
Sing like a minstrel
along with me.

Be the poet
and you will see.

© Bill Reynolds 10/8/2018

A note from Johnny Cash.

If yer gunna try, look both ways and mind the gaps.
Let us feel the poems as you write.