Sammi’s Weekender #216 (tether)

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Human Proclivity

Having descended recently
from progenitors, through
many millennia, I am tethered
to an inseverable past, a chain
of evolutionary becoming me;
this “I” is very much of that,
of then, literally of them.

Subject to the will of nature,
this intense soulful belonging,
universal humanity, who taught me
to walk, run, eat; to pee,
and to talk. Into the wonderous wild,
not benign, to risk danger, to
create art, to live as human
now, to feel art in my nature.


Look both ways and live for today.
But we are products of a past not our own.
Mind the gaps for more questions than there are answers.

Sammi’s Weekender #215 (ink)

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What a wonderful little word and inventive subject. I’ve written of pens and paints, but not of ink, before now. I even read the history of ink and how it was and is made. Forgive me brother and sister writers. I got so excited—I wrote two twenty-two-word poems. Like money and sex, only too much poetry is enough.

5K Years Since

Inks. Invisible,
permanent. India’s art.
Printing or pens.

Words on paper,
not electronically;
ink, a catalyst to creativity,
with words and art.

Lines of Magic

See the flow on paper,
watch lines, curves, and shapes
appear in history, law, art;
even in silent music on a page.


Look both ways for waves of imaginative creations.
Mind the gaps for innovation’s utility and art’s beauty.

Poetry: Sijo for Two (NaPoWriMo day 20)

The NaPo prompt for day 20 was to write a poem in a traditional Korean poetic form called sijo, in English of course. Sijo is a specific form with a little flexibility unless one wished to exercise poetic license to color outside the lines. Since these are only three lines of 14 to 16 syllables each, I wrote two for Tuesday.


Marvelous Melancholy

I forgot about something important. What being bored feels like.
Oh, how I long for the days when I could do what I wanted.
Now I can’t just up and do, up and go. I mustn’t fall on my ass.

***

A Taste of Tint

Like yellow, it has never been one of my favorite colors.
Did I ever favor any one color over another?
I’m starting to like orange. Never saw a color I didn’t like.


Look both ways. Then smile. Sing a song, “I’m Alive!”
Mind the gaps for forgotten sorrow or the taste of color.

Poetry: Me in Drawing Class (NaPoWriMo day 5)

For this prompt, I was to select an existing poem and write my poem using the shape (form, style, beat) of the original. Each of my lines must begin with the same first letter of the corresponding line in the original poem.

For this assignment, I selected two Billy Collins poems. For shape, I chose “Class Picture 1954” (click to read it). I picked “Drawing Class” for subject and musings. Mr. Collins enjoyed his drawing class much more than I did. But we both like to draw.


Me in Drawing Class

I took the art class
for my drawing to improve.

To the instructor I was not
special nor obedient because
to me, she was retentive and inflexible.

The first day she belittled tardy.
I was early. Most were on time.
Is she too good to teach me?

At the front and center
in my surgical mask,
was I to be her basic class problem?

Because I claim my work
instead of me making art her way;
oh, how we entertained the others.

What’s so bad about using graphite?
And why is it carbon or charcoal
you think superior to what tool I use?

And now we’re done.
So class is over,
another moody artist goes his way.


Look both ways in dealing with the artsy types.
Mind the gaps, but graphite works equally well.

Poetry: See No Evil (NaPoWriMo Day 1)

The day one prompt challenged me to write a poem inspired by watching “Seductive Fantasy” by Sun Ra and his Arkestra.

Click link to watch: https://www.youtube.com/watch?v=bX_xh2do3eM


See No Evil

She asked permission to paint her room.
We agreed without knowing anything.
The nineties were pointless trips to nowhere
without boring rhythmic sounds of psychedelia,
like coos of Mexican doves
invading my ears, dulling my brain.

As with straight lines and square corners in nature,
nothing made sense without the age and drugs and booze
opening accepted altered states understood only
by artists who painted strange images upon
home wall canvases in rooms to sleep, to dream.
Unaware of, but fearing, impending nightmarish doom.

Why did monochrome pointlessness happen?
I want to cry. Sometimes die. Because life is a lie.
None of that is possible for the imprisoned people,
unable to see whatever reality there is or isn’t,
when certainty is a soundless death
after a meaningless life of pitiful existence.


Look both ways, but never look back.
Mind the gaps where the music stays.

Friday Fictioneers 7/24/2020

Many thanks to Rochelle @ Rochelle Wisoff-Fields-Addicted to Purple for orchestrating Friday Fictioneers. The challenge is to write a story based upon a photo prompt (today she gets extra credit for providing the photo, as well). With fewer than 101 words we are challenged to contrive a beginning, middle, and an end.

Credit @ Rochelle Wisoff-Fields

***

Title: Pleasure Palettes
Genre: Romance (autobiographical) Fiction
Word count: 99


I was at my easel trying for a loose, semiabstract, colorful urban cityscape.
Conjetti walked in.
“Did I hear you talking to someone?”
“It was your boyfriend. He’ll call back later.”
She cleared her throat.
“Okay. It was Julie. We discussed art. She said watercolor is a metaphor for letting go.”
“And you said?”

“I told her it was like herding wet, angry cats of different colors that don’t mix well.”

She reached around and grabbed me, biting my neck.
“Follow me,” she said with a sultry gaze.
I smiled, “At your service m’lady.”
“You’d better be.”
“Yes, Ma’am!”


***

Look both ways as
“Life imitates art far more than art imitates Life” (Oscar Wilde).
Mind the gaps of romantic truth.

Click blue frogs for link to the party @ inlinkz

Poetry: Wistful Notes


I was there when it emerged
on our record player
Mom named, Victrola.

Faced battles with
courage, pup-love,
school basement dances
chaperoned by nuns, invaded
by my future.

I miss names like Judy and Denise,
Eleanor Rigby,
Barbara Ann, and Peggy Sue.
And Mary Ann, Marianne, oh, Mary Anne.

Smoke rolled
under sleeves in white tees,
cool as John T’s Greased
pompadour hair.

Tight pants, juke boxes,
hangouts, and rumbles.
Woodies that would pop-up
to say hello and embarrass.

Old-fashioned rock,
older now than ragtime then.
Oh, god. I remember.
That first album cover, long hair
would get me suspended.

The Beatles, the Stones, Dave’s 5, and
Monkeys Saturday mornings.

Magical times.
But the music owned me.

Spoke to my soul,
hot cars, fender skirts, moon hubs,
glass packs.
Hello Vietnam.

Slipped a hand under
smooth 70s soulful jazz.
Loved that shit.
Still do today.
I want it back.


Look both ways for them good ol’ days.
Mind the gaps between the notes.
That’s where the music plays.

Sammi’s weekender #158: downpour


I like beer and I like wine,
I like music, art, women, and raunchy poems
I like puppy dogs and kittens, and
I like friendly horses
and old goats like me.

I like to walk, and I like rain. No.
I love rain. The shattering thunder
of torrential bliss soaking my body
in orgasmo-epic proportions
of precipitating pleasure.

The French like to say, it’s like a pissing cow
as downpours of rain create life,
It’s like Bob Marley said,
“Some people feel the rain,
others just get wet.”


Look both ways and feel the rain, the music, and life.
Mind the gaps between drops. Breathe there.

NaPoWriMo: 30 poems in 30 days (day 30)

Day 30 prompt: write a poem about something that returns.


No Returns

Metamorphosis allows change.
That second is gone, now that one,
unidirectional time is master
to the second law of thermodynamics.

We see light from stars
dead millions or billions of years,
no star, but what it made, its art
lives on and returns not to its source.

I can return to loves and thoughts.
I find old places there,
remembering, like ifs,
whens and thens.
We can never go back
to the time when entropy began.

Desire to control order creates want
as new appears, nothing comes back.
As replacements appear, they seem
to be returns from when. Chaotic decline
becomes change by hopeful judgment.

A baby cries as a mother sighs
while an old man dies, a widow
wonders why a universe goes by
forever without order or reason.


Look both ways with logic and reason.
The universe makes the rules.
Mind the gaps of chaos to separate truth from wishes hoped for.