Poetry: Sound

See it, good and bad, it’s there
but not silent.
Connections have sounds,
vibrations from nature
give pleasantries, threats, and
danger its voice.

Acoustic waves of sound,
perceived in brains
through resonance with timbre.
We hear the soft breezes and roaring
winds perceived as warning,
we hear gentle rains in nature’s
song, and we know the destruction
of the hard driving, relentless torrent.
Quieter or louder, we feel
the sonic texture before our
brains make sense of thunder
and lightning,
before the train passes,
before volcano eruptions
or earth quakes. We hear.

We welcome the pleasantry
of music to our ears, yet we
know the damage of unprotected
loudness, of sonic torture. We
see with our ears, we determine
location, we find friend or foe.

The gift of hearing stands out
not to be assumed as always
there. If no sound is heard,
it did not exist for us.

Without hearing,
our connection with nature is lost.
And maybe with love.

Listen to the rhythm, hear
and feel the music deep inside
your body—then dance.
Dance.

Hear the sounds but see
them mindfully taking mental
shapes—the arts—the senses—
never to be assumed,
never ignored, to be both
cherished and used. Sense all
of life: the sights, sounds,
the tastes and the smells.
Feel the touches of it all
and welcome it until only
the sound of silence
remains.
And a lover’s voice,

listen, hear, love that sound.
Listen, listen, listen; hush.

Look both ways and listen to the sounds.
Hear the drop of rain fall into the distant gap.

Poetry: Silence is no Coward

I am strong, but I am tired, Stephen, tired of always having to be the strong one, of always having to do the right thing.” Brenda Joyce, An Impossible Attraction


I’m not always much of anything.
I’ve been an old white man for a long time,
a branded stereotype with good teeth
and a bad attitude,

apparently not supposed to ask for
some things, cuz I am old and white.

It’s okay. Perhaps they’re fucking right.
Equality is in, unless you happen to be
old…
white…
and have what’s left of an old hard on.

Others were (and still are) treated like shit
by white guys. Nazis were, are, white,
male; no fucking idea how old fits.

Some old men are idiots, non-millennial
impotent bastards who hate everyone,
and everything, especially women.
Stereotyped, hairless shit heads
with nothing to do
but make mankind worse.

It’s a tough world, but we can try
to make it better each day.
To make it last.

©Bill Reynolds, 6/13/2019

Look and listen both ways for real equality. At least, don’t be unkind.
Mind the gaps like lifelines with stories to tell.

Dark Poetry: Forever Nothing

Part of me does not care. About anything. It hurts and yet, it dulls the pain. It is like a graft of nihilism on a life that screams fuck this to me, fuck you to the world, to the random meaningless of the universe. We are insignificant dots of nothing lasting less than a blink in the time bank of eternity. Dust. Then dust again. Can I love nothingness? Does the insignificance of meaning bring the refreshing quaff of the quiet hum of true love’s peace? What does it mean to not care?

Is that it? Dare I stare?
Is it? Are they correct?
AM I?
In the true end, nothing matters.
Is it all just one wee blip
unnoticed by a chaotic universe of
apparent orchestrated randomness
neither sweet nor bitter?
Are left and right the same?
Are choices and decisions fruitless?

Come to me, hold me, love me,
here now, today; this second is all
we have – no more. When this is done
we are finished. The dust of Cosmic rays
and light passing through hollow lives.
Find a good end. There is none.
Most are miserable psychotic,
drugged (if we’re lucky) endings
to whatever sufferable step through
the veil into the nothingness of forever.

Look both ways but live now. It’s all there is.
Mind the gaps, but don’t let them slow you.

Poetry: Salty Meditation (NaPoWriMo) Day Twenty-nine

Today I am writing to you from the boonies of Colorado City, Texas. My Monday morning challenge was to produce a meditative poem from a position of tranquility (it is like that here this morning, but I’m snickering), on an emotion I have felt powerfully. I’m not sure what I did, but I felt that.

Salty is a state of mind
on the inside;
on the outside,
Salty is all personality
one must acquire
a taste for the attitude,
with peppery retorts,
for a bit of salt
poured
on the wound,
for the taste of a tear
on my lips,
off your cheek,
on the rim of my Margarita,
or on my hands
with lime juice
for shots of tequila.
Today
my state of mind
is Salty.
© Bill Reynolds, 4/29/2019

Look both ways, attitude follows attitude. Mind the gap in meditative morality.

Poetry: The Autumnist (NaPoWriMo) Day Twenty-five

Taking a cue from the John Keats poem, To Autumn, I must write a poem that is specific to a season, uses imagery related to five senses (I used more than five), and includes a rhetorical question, such as where are the songs of spring from the Keats poem.

Wasted days and wasted nights
for the sheer pleasure of guiltless
unproductive quietude of awareness,
as days are for summer, so are
nights fit for winter.
Loving both, I favor the transitions
of dusk and dawn, different but equal.

Each year, I am not the same person
I was. Nor am I the same each season.
I am at least four, maybe more
as I sense the changes each year
with each season, each day
brings new perceptions.

I belong within reality and metaphorically,
spiritually, and practically
somewhere within a transition
from summer to winter. An
autumnist is what I am,
but different of type with the
arrival of my knowing about cold
temperatures before I walk
and see changing leaves, I miss the
now gone migrating birds.
I do not hear them now.

Gradually, it seems, everyone thinks pumpkin
is my choice of taste, and the
traditional spice. Smell that
pumpkin pie or is that your latte?

The brisk autumn air is more
noticeable than in spring. It feels
different, more promising.

Pain seems less in Fall than
in Summer. I dance more at
Octoberfest, my balance is stable
and my sense of thirst has proven
stronger. I know my place
during those months with Halloween
and Thanksgiving.

Even my sense of passing time,
it’s more acute when the dog days
have come and gone. It is Spring
now—who will I be this year?
And next? What then? And
what about you?

© Bill Reynolds, 4/25/2019

Look both ways for seasons gone and those in years yet to come.
Mind the gaps when days visit from other times.

Poetry: Mr. Bill’s Dream Logic (NaPoWriMo) Day Twenty-one

My poem challenge today was to write a poem that incorporates wild, surreal images. I was to use writing that doesn’t make formal sense, but engages all the senses and involves dream logic.

Well-known strangers speak
without talking, to us much younger
than before when it was me,
but not I; colors of unseen
monochrome images of unlimited
limitations. Chases by odorless fears
of panic unharmed—yelling out into
this empty reality of unfolding challenges
without beginnings or ways to an end.
Movement without effort, watching
as space and time pass unchallenged
by a pointlessness of futile efforts.
Yell out! Why? The dogs.

A colorless kaleidoscope of
meaningful meaningless images,
sounds unheard, spoken with
windless breaths. Fear seeing
through closed eyes, hearing with
deaf ears, brown hair on bald men,
run, kick, yell, stop, breathing.
Fight back!
Awaken,
let go. Rewind. Dream On!
Dream real.

© Bill Reynolds 4/21/2019

Is this a dream within a dream?
Look both ways for unseen meaningless threats, gapless gorges, and mindful mindlessness.

 

Poetry: Poem’s Point of View (NaPoWriMo) Day Seventeen

Today, I’m challenged to write a poem that presents a scene from an unusual point of view.

***

He will not leave me alone. All that touching and feeling me, he tweaks me mercilessly,
and (too often) makes me look like barfed up SpaghettiOs.
It’s embarrassing.
He thinks I am his and that he knows all about me.
He doesn’t.
I know teenagers who know more about me than that old fart.
Others simply see my words or hear my meter while he sees me as his personal art (bitch).
He puts his name on me – how rude is that? He doesn’t get it.

He talks about me (us—there are others) endlessly, influencing his friends
to fool around with me.
Sometimes he gets violent with paper and pen and pushes me around
because he thinks his mental malady will be short-lived. How rude!

He knows so little. He has been writing poetry for fifty-three (long) years.
BFD, right?
When he was young with a hard cock, he ignored me. Thoughts?!
That’s all I got from him. He liked us, but he was ashamed
because I didn’t do much to make him look strong and tough and mean.
I think he is an imposter and so does he.

I am all he does—all he thinks about. He explores me in every embarrassing way,
he sniffs me, touches me, he reads bawdy stories. He acts like I am some sort of trophy bride. And oh, my fucking god!
The limericks! The men who write them must be burning in hell.
I know for a fact that he’d rather a crusty, edgy limerick over a sweet love song poem.

Sometimes he writes me and then loses me.
Rather than be upset, he writes another me.
It’s as though I matter, but I also don’t. Which is it?
What the fuck?
He will never win a damn thing.
He wants to put us in a book and claim us as his own.
Such possessiveness! It’s unacceptable.
We are our own persons, who just happen to be poems.
If we belong to anyone, it is the poetic universe,
but he’ll never understand that.

There are reasons he was as he was,
and more reasons why he is as he is,
but none of that has anything to do with us,
the poems, the words, the lines and rhymes of Our verse.

When he looks at me it is like he is seeing a ghost, a shapeless cloud figure,
wavering without beginning or end,
just flowing shapes in many forms of endless words,
of unknown visions and interpretations.

Oh crap, he is picking up that god damn pointed, sharp pencil.
Soon he will be poking and scratching, adding and removing, or changing—endless changes.

In my next life, I want to be prose. Just a little time on his laptop, maybe one printing and we’re done. At least he knows prose and has been doing it since way back.
This rookie old fart poet will be the end of it all.

©Bill Reynolds, 4/17/2019

Look at all things both ways, male and female, creator and created, toucher and touched, kisser and kissed, poet and poem. Mind the gaps which harbor resentment of the art.