Day 16 prompt: write a poem of over-the-top compliments. I added my apology.
To all the men and women, to the heroes and heroines
in worlds of history, art, literature, lifestyle, and character;
in science, medicine, and defense, like beacons of hope for humanity
you have been, each individually, a bright star in my sky.
By your exquisite example of perfection personified,
with wit, wisdom, and humor, you were my compass.
I was blinded by your brilliance, deaf to your depth,
ignorant of your veracity. Forgive my foolish denial of
truth by seeing you only as god or goddess, only as
a sunny day with never a shadowed soul, never a flaw,
never as another frail human being. When I placed
you upon pedestals and you proved me wrong,
we both cried.
Look both ways with discernment toward others.
Mind the gaps in every life as perfection is not what we think it is.
Day 13 prompt: write a poem of non-apology for the things you’ve stolen. (Lingo warning)
Ted P. stole your fucking car. Not me.
I didn’t steal it from you. I borrowed it from him.
Scout’s honor, it was just a lesson using locks and keys.
See, in my mind, it was no longer yours. It belonged to Teddy.
You left it unlocked—just gave it up. No key required back then.
Clearly, a case of baiting entrapment, don’t you see?
Use some logic here. Stolen property, like your car,
once taken is fair game. It’s still hot, just on loan. In a way,
it was still Ted’s, I stole nothing. He said it was okay.
From hood to hooligan, if you will. But he took it.
Then he called me. Wait’ll you see what I got, he said.
Holy shit, I said. Are you nuts? I don’t know why I asked.
Ted was a leader of loonies, among which I sometimes loomed.
Don’t ask me why. Doing dumb-ass shit is fun. You got it back.
Not trashed or nothing. It was a six, automatic. You fer real?
Yeh, I knew your black, with red leather bucket seats, Chevy
was cool and hot at the same time. I got blamed for re-stealing it.
If Ted could-a returned your car a little sooner, we’d all be good.
Look both ways with disambiguation.
Mind the mental gaps in the logic of youth,
but learn the lessons.
Day 12 prompt: write a poem in the form of a triolet, which is fixed and straightforward: the first line is repeated in the fourth and seventh lines; the second line is repeated in the final line; and only the first two end-words are used to complete the tight rhyme scheme.
Thus, the poet writes only five original lines, giving the triolet a deceptively simple appearance: ABaAabAB, where capital letters indicate repeated lines. According to Lewis Turco in his classic, The Book of Forms, every line of a triolet is the same metrical length.
this is your nightmare I keep on dreaming
at my best doing that terrible war
don’t lie to me when I wake you screaming
this is your nightmare I keep on dreaming
the death of love for hate’s dreamy feeling
oh, nothing like this have I seen before
this is your nightmare I keep on dreaming
at my best doing that terrible war
Look both ways in war and dreams.
Mind the gaps for traps and schemes.
Day 11 prompt: write a poem in which one or more flowers take on specific meanings. I wrote three poems, but only posting two.
That Special Flower
Bluebonnets taking over the crushed granite trail.
March is an alarm clock
if you’re a Texas Bluebonnet,
the official flower of that State
everybody knows.
We have pride of place artfully
set in many homes but few yards
of natives and transplants, alike.
By legislative decree, all species
are official, and abundant,
thanks to Lady Bird who said plant a tree, a bush, or a shrub.
Our blue pedals and white top
mark spring weather as we make
bisexual moves for next year.
We marvel at our neighbor,
Indian Paintbrushes or Blankets
complimentary red and yellow
color of 200 species or more,
as we compete for turf in arid, sandy,
dry soil. It’s Texas, after all.
Crowding where others fear to grow
we push our blue until we turn purple,
near the end of our time, then struggle
and exit the stage for later bloomers.
True Texans must be pictured with
children and pets and flowers all around.
They hunt bluebonnets with cameras,
and drive miles to wait in line,
to see and capture scenes
in the perfect photo or painting,
and they name everything after us.
What’s not the lone star is called
the bluebonnet whatever it is.
It’s nice to be so loved, but our
magical time is brief, yet meaningful.
Here comes the sun of the Texas
Summer following Spring.
Married to Bluebonnets
Texas Bluebonnets mean Yolonda,
and art on our walls, and spares in boxes,
they mean Lady Bird behind so many
wildflowers, like Indian Paintbrush,
or Blankets, they are what early spring is for.
They tell us it’s that time of change.
Close up of Indian Paintbrush seen on my walk.
In Texas, it’s Spring baseball (but not this year)
and bluebonnets and with their blue and white
caps that turn purple (purple bonnets?);
and the red, orange, yellow tease of
200 varieties of Indian whatever wildflowers
that are the first up, pushing their
primary colors quickly into the world,
making seeds to make more flowers for next year.
They mean the toughness of my adopted State,
the arid sandiness and limestonish mix
to be followed in the last few weeks
of spring with more crazy beautiful
flowering weeds, and the colorful,
awesomeness of prickly pear cactus
flowers that remind me of Silvia Plath,
and her poem about Red Poppies, yet to come.
I smile at the flowers, partly because of beauty,
and partly because of what they mean to me;
another season with a new reason, but mostly
because of who they remind me of.
Look both ways but keep your eyes on the road.
Mind the gaps, each one is there for a seed to make a plant.
Day 10 prompt: write one or more hay(na)ku poems, which are six-word stanzas where one word is the first line, two words make the second, and three words make up the third line. I made 11 (66 words).
Goodbye
often means
someone will die.
Life,
the source
of all death.
Find
what will
not kill you.
Would
you cry
as I did?
Care
not what
people will say.
Nobody
likes you
when you’re drunk.
Addiction,
part of
the human condition.
Sometimes
my poem
is not good.
Sometimes
it is
just another poem.
Exercise
is often
the best medicine.
Hayna?
is colloquial
to northeastern PA.
Look both ways crossing new roads.
Mind the gaps.
The pavement’s hard.
Day 9 prompt: write a concrete poem wherein the lines and words are organized into a shape that reflects the theme of the poem. Old, beat up baseballs, covered in electrical tape, were not always spherical either. This must be viewed on the site. Email will not provide the shape.
***
Sandlot baseball,
stickball, wiffleball, were all
for me, when I was a cantankerous lad
of some age without a uniform or cap, and maybe
a black taped ball in hand, air, or a grounder to bounce
just right to smack my face, but no such fear did I ever show,
even though I had bouncing grounders or fliers catch me taking
a peek to home or second, at the runner, and not a catch would I
make, or when batting rocket arm riley wound up to heave a bean
ball shot at me wearing no sissy hard hat or gloves or pads, just me
in the sun on a warm summer day doing things with balls or games,
like burn-out, whatever cleat-less shoes we had worked and we had
no managers, couches, parents, or girlfriends to bother with us. An
old dog chased our ball, swiping it, tearing the tape, and left us to
scavenge for a new old beat-up ball. The dog would not give
ours back. We could not catch one old dog. I recall many
memories of taped balls and bats and days when we
would just play the day away with whatever we
had. That left us with only memories of balls,
old dogs, and names of many games
we played in those dirty
old sandlots.
***
Look both ways, but do not take your eye off the ball.
Mind the gaps but take the longest lead you can safely manage.
Day 8 prompt: Use a portion of a poem from a twitter bot as seed (inspiration) to write a poem.
Confession: I dislike the words twitter, tweet, and bot. It’s getting late. I need a poem. I’ve read nearly all of Anne Carson’s “The Glass Essay” searching. I considered her “Where does unbelief begin?” and discovered her phrase, “That was the night that centered Heaven and Hell,” which I may use later. I pondered Richard Siken’s words, “Let’s admit, without apology, what we do to each other” and “This has nothing to do with faith but is still a good question.” I did the perusal work of reviewing several twitter bots. Nothing worked.
Then, as I was re-reading Tim O’Brien’s The Things They Carried (1990), I found it. I try to do “optional” prompts. I hope I semi-followed the elective prompt with a twist.
My poem is based on a scene from O’Brien’s book, specifically from the chapter, “On the Rainy River.” Tim writes of sitting in a small boat 20 yards from Canada while facing his inner dilemma of doing what he thinks is morally right and what his family and most people (at the time) thought he should do: to accept his draft notice and fight in the Viet Nam War.
The Embarrassment of Tears
It was a moral freeze,
part hallucination, he supposed,
as paralysis took his heart,
a tightness he wants me to feel.
He could swim but he saw them,
a blind poet scribbling notes, people,
his past and his future, and mine.
His conscience lost the battle in a war
it could not win. He would do it.
He would go to the war –
he would kill, and maybe die
because he was embarrassed
not to. That was the thing.
And so, he sat in the boat,
and he cried, but he did not die.
Not a happy ending, his war,
his book, our war. He went to the war.
He was a coward, he claims,
because he stuffed it for them,
for their love, which he carried then,
and carries today. I disagree.
He asks me, and you,
would you cry? The scene jerks
my tears, not for Tim, or the war,
but for me. I was not in his boat.
Sit in your boat and look both ways, to Canada or to home.
Mind the gaps, there may a book or a poem in them.
Our Literary Journey 