Birthday Girl is Sleeping

It’s Yolonda’s birthday, y’all. Here’s my poem for her…


She fills up my senses,
like a fine wine after dinner,
it don’t get no mo’ betta
than this, and a kiss.

She takes care of me
not that I need it, maybe
a little guiding tap, now
and then. Keeps me right.

She tells me that she loves me,
god knows I deserve less,
and what I need to know
and her glowing
septuagenarian happiness.

Fifty-four year in a month
livin’ the dream, they want to know,
how? I really can’t answer.
Truth be known,
she shudda shot my effing ass,
many a year ago.

Happy dyslexic thirty-seventh,
of which ya put up with many
shenanigans galore.
May you and we go
fo’ 54 mo’.


Happy Birthday.

NaPoWriMo: 30 poems in 30 days (day 24)

Day 24 prompt: write a poem about a fruit. Where do we get the word for the color when we mix red and yellow?


A Norange by Another Name: Orange

What shall we call this yellow-red color?
Geoluhread was, but is not right. From China
came five centuries ago the answer, a round
citrus fruit. We shall call it orange, as is the fruit.

See the color, not persimmon, pumpkin, or tangerine
they are all orange. See textured shiny bright rind
hiding yellow seed, white albedo pulp and triangle
segments of juicy sweet meat for kings and queens.

Feel the firm round breasted textured shape,
softly, almost spongy, heavier than an apple
with a protruding nipple or navel or pedicel
from the flower of past blossoms mating.

Smell the fragrant fruit, the peel, the acceptance
of inviting sensual aroma used in fine perfumes
or arousing essential oils. Hold the orange
to your nose, near your lips, take her home.

Taste the tangy citrus flavor after peeled,
soft, bitter skin is removed, baring mixed taste
and aroma of sweet bliss, a robust exiting,
acidic-sweet flavor sliding into your mouth.

Hear the soft sound of bursting flavor,
for quiet wet eating, the soft thud when
dropped or tapped. Hear yourself masticate
briefly before swallowing treasured pleasure.


Look both ways for the common and the rare.
Mind the gaps, by any other shade, tone, or hue, and orange is still orange.
The fruit came before the color.

NaPoWriMo: 30 poems in 30 days (day 21)

Day 21 prompt: Find a poem in a language you don’t know. Write a “homophonic translation” of it by trying to translate it based simply on how it sounds.


I discovered a poem called Freagra Scéine ar Aimhirghin (Scéine’s Reply to Amergin), by Irish Poet Paddy Bushe. I loved it in both English and Irish. May the Irish people, Mr. Bushe, and history forgive me for following this prompt. I can’t read or speak Irish, so I had to listen (line by line) to the YouTube video of the Poet reading the poem in Irish. The video also had it in English, with an Irish brogue, of course.

The video is at the end of this post, if you want to hear what it is supposed to sound like. It puts this beautiful poem into mythical perspective. My efforts resulted in something of a nonsense poem, but it mimics the sounds of the Irish language poem.


My time today, tomorrow
It is my feeling that leaving
May town dealing through
It’s sliding through and rough,
My true goal is standing there
It’s my paining and moaning
Mach down a shower tune
Church a go miles for what hereafter
My shower cool and inviting
Barn odd to be show goer
My doer is a free man now
Brewing fear in the mind at night
My tool is falling often
Behold, the evils Liam and we’un
My touch can matter too
Garfield got back at the father good
My brogan needs a line
Meow the cat sounds very sick
Mass looks evolve through
Ride go to it, on it
My true tome hate ya
Miss of May, hey ya got
I’m being fair to another,
Chicago in a tangle lost the art
My being thin skinned changed that
Shares the shield a penitent

Cough if you need, kay rated the ballast, Dummy
Kay the raid baldish, kay runs grinning a gallop from
It’s now known as Glock show, and is soulish, given an edge
My hand and skull left, buckled and suckled, my name’s Sinead.


Look both ways in any language.
Mind the gaps and do the prompts.
Let no challenge be untested.

NaPoWriMo: 30 poems in 30 days (day 20)

Day 20 prompt: write a poem about a handmade/homemade gift.


What Matters

For the man who has everything
or who could, if he would,
make (don’t buy) to please.

Amazon does not have your heart
nor your hand, and Bezos does not
need your money. In the end, it’s you
that is my gift, so keep it simple
and easy. Go underboard, if you’re able.

Spend less. Write or read, sketch or draw,
don’t buy me a book. Read one and tell me
all about it. Write me a four-line poem.
Sketch a joke caricature of me.

Write a note that says you love me,
put on lipstick, kiss the paper, and send it.

What I want from you is a bit
of your time and attention. Just briefly.
From you to me is all that I need.

Here, let me hand you this notebook
and this pen, in the time it would take
for you to scribble a quickie phrase…

I’ll be happier, no internet search required,
a treasure like no other will I have,
and you will feel better too. Trust me.
It’s not that I ask little,
it’s that I want you. I know what matters.


Look both ways and slightly behind.
Be safe. Mind the gaps in your masks.

NaPoWriMo: 30 poems in 30 days (day 8)

Day 8 prompt: Use a portion of a poem from a twitter bot as seed (inspiration) to write a poem.


Confession: I dislike the words twitter, tweet, and bot. It’s getting late. I need a poem. I’ve read nearly all of Anne Carson’s “The Glass Essay” searching. I considered her “Where does unbelief begin?” and discovered her phrase, “That was the night that centered Heaven and Hell,” which I may use later. I pondered Richard Siken’s words, “Let’s admit, without apology, what we do to each other” and “This has nothing to do with faith but is still a good question.” I did the perusal work of reviewing several twitter bots. Nothing worked.

Then, as I was re-reading Tim O’Brien’s The Things They Carried (1990), I found it. I try to do “optional” prompts. I hope I semi-followed the elective prompt with a twist.

My poem is based on a scene from O’Brien’s book, specifically from the chapter, “On the Rainy River.” Tim writes of sitting in a small boat 20 yards from Canada while facing his inner dilemma of doing what he thinks is morally right and what his family and most people (at the time) thought he should do: to accept his draft notice and fight in the Viet Nam War.


The Embarrassment of Tears

It was a moral freeze,
part hallucination, he supposed,
as paralysis took his heart,
a tightness he wants me to feel.

He could swim but he saw them,
a blind poet scribbling notes, people,
his past and his future, and mine.

His conscience lost the battle in a war
it could not win. He would do it.

He would go to the war –
he would kill, and maybe die
because he was embarrassed
not to. That was the thing.

And so, he sat in the boat,
and he cried, but he did not die.
Not a happy ending, his war,
his book, our war. He went to the war.

He was a coward, he claims,
because he stuffed it for them,
for their love, which he carried then,
and carries today. I disagree.

He asks me, and you,
would you cry? The scene jerks
my tears, not for Tim, or the war,
but for me. I was not in his boat.


Sit in your boat and look both ways, to Canada or to home.
Mind the gaps, there may a book or a poem in them.

NaPoWriMo: 30 Poems in 30 Days (day 5)


Day 5 Prompt: write one poem using or doing the Twenty Little Poetry Projects of Jim Simmerman. You can google it for other examples.


Torn Knights

He yelled into my face,
“Life’s not a bowl of cherries.”

I wanted to rip him to pieces
then and there, feeling his grip on my neck,
smelling the furious anger of alcohol breath,

I heard the silence of witnesses
sulking away, their fear fed my will to fight,
as his words breathed fire into my eyes,
all could see desperate anger quake the Earth
and shake trees as leaves fell like tears of fear.

Bill and Dan at it again on Butler Street,
brotherly love, kin with no wisdom to share
as each could see the envy of one
less favored dragon slayer.

“You da cool fool, hayna, baby-bro?
Ah tells ya, ‘cuz I luvs ya brudder.’

“Well I’ll swanny over such tots,”
tasting sweat mixed with vile spit.

Waltzing a pugilistic polka
inflamed a poison pit of spite,
played to muffled grunts and groans
Dan became the dragon, thus
Bill drew a slayer’s sword
to end of the fiery brand
brother’s battle forever.
Soft liquid steel shattered
the end, an old beginning.

Fata Morgana
reaching fait accompli,
times past without tears,
Earth swallowed Irish blood
into a hell of hate. Two men swearing,
dancing in the dark
to unending songs of never love.


Look both ways as life is not always as we wish.
Mind the gaps and choose wisely.

Poetry: Back in the Day


House lights were off, back in the day.
A tinted eerie black and white glare,
as the boob-tube illuminated
white nicotine-laced clouds,
cigarette smoke from lit ends of
Camels or Pall Malls, unfiltered butts crowded
many ashtrays, back in the day.

Like ghosts sucked into dying lungs
of people I loved,
alive, back in the day.

The smelly, wispy, floating clouds
rolled and twisted or waved
as we passed through,
back in the day.

Forbidden addictions, I then, not yet
old enough to kill myself,
back in the day.

Second hand was for used,
not smoke.
Sickening smokers,
plus all who breathed in,
nicotine laced habits, back in the day.

Born into our rite of passage.
Now sick and dying, smoking goes on.

Never allow science to invade
personal stupidity.
We’ve always done it this way.
Back in the day.


Look both ways but stay away from back in the day.
Discover progress through science but mind the gaps to fill as we learn.

Sammie’s Weekender #148: Somnambulist


Acrostic Sleepwalker

Secrets we’ve never been told
Oceans nature never fully filled
Memories of loving happiness in eyes of laughter
Nights kissing when we’re young together
Amour aplenty to fill our hearts with passion.
Mysteries make us wonder why
Bodies, then so young and strong, a
Universe without chaos, and a cosmos within us
Lasting love that never leaves us
Innocent children who needlessly die, while
Some just pray and wonder why.
Time to take the dance into the street.


In the street, look both ways and be aware, or woke, as they say.
Mind the gaps as hidden happiness and sadness.

Poetry: Share the Morn

Share the Morn

It’s early
but not dark
and it’s raining,
none too gently

clouds shed rain drops
and hide the sun
for a while. Hear –
feel – smell – taste,

and see the rain
on a mild morning,
to walk and get wet
feels good to be

alive, wishing you
here by me with rain
to share
what is so good.
I guess, in a way
you are here.

Look both ways, morning, noon, and night.
Mind the gaps, puddles, and slippery when wets.

Essay: I Wear Lorry’s Ring

I think my aunt Lorry loved me a lot more than I realized. I remember how each week she’d cut the latest Dennis the Menace gag comic, single-panel cartoon from her newspaper along with a word of the day snippet, and she would mail them to me accompanied by a little note. My behavior reminded her of the cartoon protagonist, or vice versa. While I never saw the connection (the cartoon being more innocently contrived), it was the only mail I recall getting from anyone, particularly from an adult when it was not my birthday or Christmas. Lorry and what she did for me are among many things I failed to adequately appreciate in my childhood. But I do now.

When I graduated from Texas A&M, my mother’s older sister also paid for my class ring. Aggie class rings are a big deal to alumni (aka former students), as they are for grads of many other schools. I still wear the ring today, almost 50 years later.

Her real name was Dolores. My sister and I, along with our cousin, called her Lorry, but I never asked why. For most of my life, Lorry lived and worked in Washington, D.C., about a four-hour drive from Wilks-Barre today with light traffic, but almost twice that by bus in the 1950s. So, I didn’t see her often. She also never married and was considered old fashioned and a very traditional, staunch Catholic, even back in the day. She was not difficult, but would criticize wrongdoing when she saw it, explaining her labored relationship with my father.

I suspect Lorry was quite bright. Had it not been for the negative antifeminist influences of her early 20th Century culture and her family, she would have achieved more, not that she did poorly for one who entered the female workforce early in the Great Depression. But then, I’d not have a famous cartoon character as a childhood alter ego, my vocabulary might be less sufficient, and my word-love less geeky had she been different.

Unlike me and little Jackie Paper, Dennis (the menace) Mitchell is still five-and-a-half years old. The cartoon dates to 1951, and it is still in world-wide syndication. Can you imagine Dennis in his late 60s? (I smiled when I wrote that question.) I can. I imagine him in his early 70s, still with the persona of a five-year-old troublemaker.

For the record, Puff the Magic Dragon and Jackie Paper are in their late fifties. I try not to mentally associate them with AC-47 Spooky gunships through that song, but that’s part of me too. There is a certain sadness to all that 1960s and ‘70s stuff that my Irish nature seems to nostalgically understand, but few others get.

But I wonder. What would the Lorry I knew think of me today? As always, there are some aspects of me with which she would undoubtedly find fault. I’m sure she would explain where I could improve. Fair enough. But would she get my ironic sense of humor? What about my vocabulary? I’d probably get a dictionary or world atlas for my birthday (again). And what of her opinion of my writing? My poems (the clean ones)?

Do you have a troublesome young family member? Do you think he or she will remember you and write about you 40 years after you die? Lorry would not have thought so either. But she’d a been wrong. And she might have corrected my spelling and grammar. And I would change it – for her.

What we see as we look both ways changes with life and times,
but not really who we are.
Mind the gaps, but cherish the memories.