Click this graphic to link to Sammi’s blog page and links to more 86-word works of jamboree.
Tanta Belleza
En la ciudad Mexicana de San Antonio, Texas,
Fiesta: eleven April days and nights of wild jamboree
fiestas where diversity is celebrated with parades galore,
like the Battle of the Flowers with royalty;
titled Queen of the Alamo, the Charro Queen,
King Antonio, or King El Rey Feo in his royal ugliness of medieval rivalry,
there’s a Queen of Soul, and La Reina de la Feria de las Flores,
everywhere you’ll find dancing and music, muchos happy people,
if large crowds are your taza de tequila.
Look at crowds both ways for the fun within the melee.
Mind the gaps for the light-fingered chaps.
A fun time. Take the bus. It is always packed. Click the pic if you want to know more.
Sometimes I don’t understand, or
(and it’s not the same thing)
I misunderstand, hoping
somehow to be brought
to correction and truth,
by way of clarification,
minus animosity.
Like one day
writing to prompts.
A young lady made clear
her (pre-pandemic) intention
to complete
the several months long hike
of the Appalachian Trail,
Georgia to Maine.
Starting in February,
finishing in May (unlikely),
by hiking
twenty-seven miles
every day for months.
She had done eighteen miles in one day,
no more; none
during March or July
on a rocky or muddy ascending trail.
I wanted to say, that’s a marathon a day,
every day, for at least three months (more like five to seven) bearing a pack, food, and water.
But I didn’t. Is it for me to say?
Lest I dash her dream with reality.
Is it for each person to discover
our dreams? To defeat challenging demons?
Not with wisdom but with grit.
Each of us must, on life’s long wander,
one day, one step at a time, take the risk.
Look both ways on every trail.
Watch where you step and mind the gaps lest you find a limp.
Follow your dreams.
Wisely.
Click on the photo of my favorite trail bench for more info on the Appalachian Trail.
It was unthinkable, back when
my without-resumé or bona fide
job was Dad: our father,
leader, wizard, fixer of all
things and people broken,
savior of my tribe; shaman,
vet, and driver out of all demons.
Despite my foibles,
hidden as many were—
we managed to cope.
Burdened with adversity and misguided history
we owned our piece of the world,
we held the keys that controlled the universe,
wherein I was (am?) suddenly
no longer the center to which they would turn.
Call it what is, that’s life, dismissing
whenever shit happens, when I’m forced
to admit I don’t know why. To say
I was wrong about so much.
I think and think again about it all,
the ultimatum. It wasn’t you. It’s me.
Look both ways when seeking the mysterious purpose of life,
or finding of the true self, or taking on the vocation mantle of service.
Mind the gaps for the distractions of relief are dear.
Na’ama Yehuda’s lovely flower garden picture posted by the incomparable Rochelle, mistress of pools of water and writers was both inspirational and challenging. A rose by any other name is a tulip, even on Friday Fictioneers, right?
Genre: Murderous Fiction
Title: I never promised you a rose tulip garden
Words: 100
We were so much in love, hotly in lust, blindly infatuated—the perfect couple. I decided I could trust him with my biggest secrets. We just clicked.
“Hey Babe, I need to tell you one more thing.”
“Oh, Sweetheart, you can tell me anything. Without trust, there’s no us.”
“I worked as a hooker when I lived in Reno.”
“Okay, Love…that’s over now.”
“I also shot a man there just to watch him die.
“You did what? You’re a murderer? We need to get that mess cleaned up.”
“I’ll be packing tonight. Don’t worry about me leaving. I’m already gone.”
Look both ways to see that no one is perfect, everyone makes mistakes, we can only be who we are. Mind those gaps so you don’t forget that your truth may be none of my business.
***
My story was musically inspired by: (I Never Promised You A) Rose Garden by Lynn Anderson, Folsom Prison Blues by Johnny Cash, and Already Gone (also maybe the line, And there’s some rumors going round, someone’s underground from Witchy Woman) by Eagles (sic).
Click on the flower gun to link up with more marvelous stories by the Friday Fibbers cast.
Today, I was to write a duplex poem, a variation on the 14-line sonnet form (also echoes ghazal and blues) developed by Jericho Brown. While I did not make the last line the same as the first, I think it still fits the form near enough.
Look Both Ways
In my seventh decade I can sense
How the shortened horizon stimulates me.
As near horizons power my desire
I feel impatient and curious.
Curious about much, impatient to learn
As my memory seeks its own beginning.
Like flashing movie trailers of memory
I feel a revival of haste when I see
Time is not long, and my need is urgent.
Reality has broken though my dreams
And my dreams bow to stark reality.
From this end I see better my beginning,
My story told from beginning till now.
My seventh decade has finally arrived.
Look both ways regardless of how near or far the horizon is.
Mind the gaps because memory is tricky business.
Click the image for the prompt page and links to more poems for day 23.
Today, I was supposed to write a poem in the style of Kay Ryan, whose poems tend to be short and snappy – with a lot of rhyme and sound play, yet with a deceptive simplicity about them, like proverbs or aphorisms. I missed with the rhyme, but I ran out of time.
Make It Count
Beeves to the
cowboys were like
coal to the miner,
cargo to the trucker,
or jewels
to the jeweler.
Pilferage
for a price.
Unlike the horse,
pickaxe, truck,
or tweezers;
one’s identity
rests upon the
tools of the trade,
neither the deal
nor the gift
of the dollar
are we.
Look both ways at process and product.
Mind the gaps between important and precious.
Mistress Rochelle, the colorful manager and FF maven of artistic madness, prompts us today, with the aid of a Carole Erdman-Grant photo of an abandoned building with a marvelous paint job.
Genre: Family Fiction
Title: Overheard Gen Art
Word Count: 99
“Mom! Look at that! It’s beautiful. Let’s get dad to buy it.
Julie, that is junk. It’s sad—the worst of gang graffiti. It’s ugly.
Mother, you have no taste. That rocks—it is the fucking bomb. That’s great urban art.
Sweetheart, that is not art. It’s gang turf tagging and watch your language. This was once a nice place to eat. Now look at it: a concrete canvas for bored morons.
It’s metaphorical, Mom. You’re so shallow. If dad doesn’t buy it, I’ll kill myself.
And if he does you won’t have to because I’ll kill you both.”
Look both ways for all that is seen and felt.
Mind gaps and don’t touch the wet paint.
Click on Mels (sic) drive-in from the American Graffiti movie to find more fictioneering.
Click this pic for to open the prompt page and links to other poems.
At the two-thirds complete NaPoWriMo Wednesday, my assignment, should I choose to accept it, was to humanize (anthropomorphize) a food.
Ask any front-line (combat) Army or Marine Corps Viet Nam War veteran about C-rations, especially about this one.
Voldemort Chow
It is not an acquired taste
c-rats (thankfully) are nevermore.
But he who must not be named, you-know-who—of Hogwarts,
the Dark Lord of chow, bitter
Lord Voldemort of field rations
universally despised for bad taste.
In the boonies, in another world:
The Nam! What was in that can?
Bad luck shall befall if you say it— Ham and Lima Beans, say it
like a soldier: ham and motherfuckers
hated by virtually everyone,
thrown back like VC returning fire
by starving children: numba ten, GI!
International agreement at last.
The most disgusting (real) food ever.
(You gunna eat that?)
Look both ways and tell it like it was.
Mind the gaps when everything sucks.
Click the graphic for the prompt page and more poems by other participants.
Today’s challenge is to write a poem that starts with a command.
I wrote my poem as a more respectful, loving plea rather than a command, but the words suit the prompt’s intent well, as far as I’m concerned. My inspiration was the Peter, Paul, and Mary song, Day Is Done.
Our Day Undone
Tell me why you are sad, my son.
Let me hold your hand and listen
as you speak of woe. Call me
to your side as we talk, and we walk.
Stay near me. Tell me your regrets,
intone unknowns we both fear.
Is it wise for us to ask why, sadness
so deep we must cry? Tell me,
my son. I’ll be right here
until my last day is done. Burden my
purpose of commitment. I ask no easement,
but for your silence to clear.
Allow me to share this distress and bother
just as I’ve carried you before. I rejoiced
in your life, now let me suffer with you
the worst of your troubles. Let us be
like some small support
as we lean upon each other
and lift this load
until the healing is done
and sadness has passed.
Look both ways mindful of love’s burden.
Let compassion fill the gaps,
allow time and love to ease the pain until the day is done.
Click to open the prompt page and find links to other poems for this prompt.
Today’s NaPoWriMo assignment completed the first two weeks of writing a poem each day during April. Also called the “optional” daily prompt, it was (“a fun one”) to write a poem in the form of the opening scene of the movie about my life.
I contemplated possibilities and searched for ideas when I came upon the opening scene for the movie, My Life Without Me. It inspired me to shed self-awareness and identity with confused limited personal pronouns, to message with metaphor and simile, and to use immature grammar while maintaining context.
Cinematically, the movie would open with fuzzy, abstract, calm, overlapping, multiple images of a young child standing in the rain, eyes closed, oblivious to life and environment (but not in the poem). A faint heartbeat would be heard as the narrator recites the poem. The ellipses indicate that the poem does not start or finish (neither begins nor ends).
Page One Opens
…we are standing alone
in the wet warm rain,
an unashamed adam and eve;
my bare feet floating in sultry green grass
feels the soft spongy muggy earth;
your small, young hearts hear; your body
without clothing is not naked;
i am shielded by water;
they are you,
i am they without knowing or caring
for anything but the feel, sound, and
taste of innocent rain; i am new taste;
comforting sounds; our blind eyes closed;
neither night nor day; just warm
moist comfort and muffled senses
in neutral emotionless rain…
Look both ways and mind the gaps later. For now, just be.
Our Literary Journey 