Emotion

Poetry: Kitchen Visits

Growing up, it was foreign land—
to me, yet, it was favored by all,
a magic kingdom of food and warmth,
a homework headquarters.

It had a coal stove for heat and
cooking. Mom (sometimes Dad) did laundry
there with a wringer machine filled and emptied by hose,
when new to the tribe, I was bathed in that sink,
perhaps after laundry and dishes were done.

Later in life it was (and still is) wife’s land.
Maybe it’s sexist, but barefoot in
the kitchen was her idea.
Actually, it was all her house
where we all lived. At home,
it was where the core of many lives
transpired—in the kitchen.
Meetings, parties, family dinners,
games and puzzles, some business.
It was our mother-ship’s headquarters.

When between jobs, I was given
the helm of house to navigate;
cooking, cleaning, laundry,
paying bills, and giving some homework
help. Dropping off, picking up,
taking to kid’s thingies. For a dad,
I believe I made a passable mom.

But the jury remains out.
Now those kids are gone
to their own kitchens,
it’s still the same in our lovely
(if mostly empty) nest. It’s her kitchen,
somewhere in the middle of
Texas. I don’t really
cook but would like to. I am the
dish washer, maybe replaced now
by a newer and quieter, a younger one
with fingerprint proof silver skin.

No man has ever been murdered
while doing the dishes. Perhaps I
should be worried and observant,
or apply for the position of official
dishwasher loader and unloader.

It’s not my kitchen and it never will be.
Perhaps the laundry room?
Household poet laureate is a good job,
I eat well, and the beer is cold.

Look both ways, near and far.
There will always be gaps, in love and lust,
but in the kitchen, it’s Mom we trust.

Poetry: That’s Not Bad

In the doctor’s office—
a computer, printer,
some chairs, and an exam
table we won’t use;
latex gloves, a biohazard
box, and two other waste cans;
a sink that may get used.
On the wall a framed art print.

Voices in the hall 20 minutes
after my appointed time, but it’s
okay. I can write this poem
and be glad I’m alive. Knock.

Two doctors walk in. My regular guy
and his knockout resident from
the A&M med school. We greet,
shake, talk small, then good news.

Return in six months. Shake again.
I drive home. Stop for gas.
I wear a smile—cuz good news.

Look both ways driving home, for good news and bad.
Check the tires and mind the gaps.
Doctors sure have changed over the years—for the mo’ betta’.

Poetry: Death by T-Rex

Come to me. Closer.
Stand before me, your naked
judgmental ass, as I hold
in my hand
this fine blood red wine,
and my 45 (or is it 9mm?)

And you tell me what?
I am old, too old?

When I pull this trigger
and the bullet leaves
the holey end of this
pistolla headed for
your ugly mug,

Will it matter
that you will never
see and never be
as old as I—better
not to been born at all.

And you will have died
(not that anyone will
give a fuck)
at the hand of an old
washed-up and worthless
poet fuck who, after
you cried and fell dead,

Turned and wrote a poem
about cappin’ your
nasty smelly ass—
arrogant mother fucker!
How dare you,
Call me a dinosaur?

Look both ways before calling the firing line clear.
Mind the gaps and old farts who write poems.

How I want to write poetry. And how I don’t.

I can’t always do it. I would never be openly showy or make any form of art before an audience. I don’t think I could. Challenges or prompts during writing group meetings and a few online are the most I can do in social settings where people know me. Other than that, my writing is a solitary effort, although I’m not exactly the poster boy of the garret-imprisoned scribe. I do write in coffee shops, libraries, parks, waiting or dining rooms, and even during my morning walks. But usually I write at this desk on this laptop.

Yet, I have times of emotional outburst writing. At least one reader seems to know or recognize exactly when that happens. I love the experience, and I find satisfaction when I read my scribble after the excitement has passed. If I can let go of something within me, an inner editor, judge, or critic, I like what happens. I feel so free. It’s about emotionally letting go of something.

I don’t listen to music when I read or write. I can only tolerate classical type without being distracted. I am not sure how it would work. I may try it sometime.

In order to give you an example for what I have in mind, I did some research on a well-known artist who I am familiar with. Well, I thought I was. Nothing about the art is independent of the artist—not the form, method, appeal, depth, or reputation.

Jonas Gerard of Ashville, TN, puts on an impressive show. The personal emotion he displays in making his art is the poster for explaining how I sometimes want to write, especially poetry. I have been to his studio, I have talked to him and several of his assistants, and I bought some of his work.

The youtube video below is an example of what I mean (he did a number of these). The vision of personal emotion (fake or real) is inspiring. But, artist or not, apparently old Jonas (he’s 78 or so) has had issues with untoward behavior (sexual harassment, maybe assault) in his past. I never put this guy on a pedestal or thought of him as anything more than a cool modern artist. Yet, I’m disappointed, angry, and confused. Because of what I learned, I considered not writing this piece or posting it.

But this is about me and I agree with what he says in the video about fear.

I want to write with emotional vigor displayed by Jonas Gerard when he paints. I want to let go, as he mentions. I love it when I can let go. It’s the temporary feeling and process I enjoy. The product, like all writing, will outlive the writer.

Look both ways. Every saint has a past, every sinner has a future.
Mind the gaps but dismiss excuses.

Poetry: Do not Sleep!

it’s nine o’clock at night again. some are dressing to go out, not me—too tired.
too tired for anything but sleep, yet, here I sit
writing this poem about being too tired to do anything,
including write this fucking ridiculous poem
or prose or whatever the hell it is.

it’s absurd to fight off sleep like this, like a child fighting the inevitable,
but if I give in now, I will wake at two or three in the morning,
in the middle of the night, flummoxed.
I’ll sit here and drink water (after I pee); wishing I was sleeping.
maybe there’s an unused nightmare out there waiting for me,
to give inspiration or whatever nightmares do for us.

why? tell me why. I want to know why it is that I will try for a few more minutes
to pretend that I can…what? what can I do?
is there a world full of people out there who cannot
or will not do what I can do?
bless their hearts as the conceited among us write away
nodding at the overstuffed closet.
who needs competition from hidden talent?

right here and right now, exhausted with limited cognitive ability to crank
one out by jerking off my brain and spewing words to the page and saying,
fuck yah, man! a poet. I write this sputum. so what?

it turns out that how I feel and what I say, I am—
and you are too—holy shit, that is exactly how I feel!
am I pissed off about nothing? just fucked up and angry
for the very reason of no reason. we need help. are we crazy?

it sucks for me and I’m sorry it sucks for you, but it’s so fucking true.
it’s us. not me alone. not you alone. misery love, love, loves company.
that’s how it works to be human. nothing can save us except writing.

Look both ways. It’s the middle of the night and every form of refuge has its prison.
Mind the gaps and the sidewalk cracks for the want to—the reason of no reason.

Poetry: Sammi’s Weekend Writing Prompt #113 – Enthral(l)

An acrostic poem using the preferred US spelling to begin each line.

Enraptured by his vision of her beauty
Naughty and naked, how he wanted her
Taken with thoughts of ecstatic adventure
He stood bewitched, erect and stone hard
Riveted by rapturous delight, beguiled by her
Alluring charm; hypnotized and transfixed,
Lured into lust, he lost as her spell of
Love enslaved his soul and passion.

It’s not always possible to look both ways.
The gaps can be enticing.

https://sammiscribbles.wordpress.com/2019/07/06/weekend-writing-prompt-113-enthral/

 

Poetry: A Friendly Jab

On break, having coffee,
at a walk-to place from work.
Age came up.

Larry could always make me laugh,
a raised brow or expression,
his subtlety with humor,
the ability to play it straight
with a sincerity of stupidity.

We volunteered numbers,
all 40-somethings.
Larry looked serious.
“I just have one question.”

He’d set the bait. I knew better,
but one must play along.
I took the hook,
lest all fun be spoiled.
He looked straight at me,
and patiently awaited my response.

He was from the Buckeye State.
We met as underage roommates.
Both junior Air Force enlisted. Later
each married Texas gals
both opted for university:
Larry to UT, I to A&M.

As roommates, Larry thought me loud,
badly behaved, and unworthy of him.
He was classical. I was rock ‘n roll.
Incompatible, but no harm done.

Twenty years later
while wrapping up military careers
as Air Force officers,
he was a chopper pilot who served in Nam,
I was a B-52 crew dog.

When our paths again crossed,
we were distant friends, no more.

I asked, what’s your question, Colonel?
He asked, “If you are younger than I am, why
do you look so much older?”

I’m older than Larry now.
Rest in peace, my funny friend.

©Bill Reynolds

Look both ways. Mind the gaps.
All the best stories are past, or soon will be.
Remember.

Poetry: Silence is no Coward

“I am strong, but I am tired, Stephen, tired of always having to be the strong one, of always having to do the right thing.” Brenda Joyce, An Impossible Attraction

I’m not always much of anything.
I’ve been an old white man for a long time,
a branded stereotype with good teeth
and a bad attitude,

apparently not supposed to ask for
some things, cuz I am old and white.

It’s okay. Perhaps they’re fucking right.
Equality is in, unless you happen to be
old…
white…
and have what’s left of an old hard on.

Others were (and still are) treated like shit
by white guys. Nazis were, are, white,
male; no fucking idea how old fits.

Some old men are idiots, non-millennial
impotent bastards who hate everyone,
and everything, especially women.
Stereotyped, hairless shit heads
with nothing to do
but make mankind worse.

It’s a tough world, but we can try
to make it better each day.
To make it last.

©Bill Reynolds, 6/13/2019

Look and listen both ways for real equality. At least, don’t be unkind.
Mind the gaps like lifelines with stories to tell.