Birthday Essay

Today I am supposed to celebrate surviving three years into my seventh decade. I am glad to be alive. But such luck is a banal accomplishment, since each day when I wake up not dead (yet), I know I did nothing to deserve the pleasure of such a long and mostly good life. I may have stopped smoking 20 years ago, but I didn’t for the 30 before that. I spent thousands of hours throwing my body along faster than any bird can fly. I never crashed. Many did. I was lucky.

Today I meet the threshold of my end times. Will I survive one more year like my father? Four more like Mom? Less, like my sister, cousin, grandfathers, or grandmums? Today I will stop counting up and start counting down. Ten more? Twenty? And my health? Status quo would be a wonderful thing – but it will get worse – it’s a reality everyone dislikes (including me).

Ten years ago, I ran 20 miles of 26.2-mile marathons (walked the other six). Five years ago, I walked briskly for 13 miles on Saturday mornings until one day my body said, we need to rest. I sat on a bench and I wondered what it was – it was my now well-stented heart.

Nowadays, because low blood flow reduces needed oxygen and other stuff in blood from my leg muscles, I manage a quarter mile without a bench or a tree trunk or wall to sit on. A two and a half to three-mile walk is a big day, and I find tired and sore invades me as my body recovers.

It’s morning. I’m here and you are too. Now what? Wanna go for a walk?

Look both ways with contemplative wonder for life and its privileges.
Mind the gaps but live in the moment.

Poetry: That’s Not Bad

In the doctor’s office—
a computer, printer,
some chairs, and an exam
table we won’t use;
latex gloves, a biohazard
box, and two other waste cans;
a sink that may get used.
On the wall a framed art print.

Voices in the hall 20 minutes
after my appointed time, but it’s
okay. I can write this poem
and be glad I’m alive. Knock.

Two doctors walk in. My regular guy
and his knockout resident from
the A&M med school. We greet,
shake, talk small, then good news.

Return in six months. Shake again.
I drive home. Stop for gas.
I wear a smile—cuz good news.

Look both ways driving home, for good news and bad.
Check the tires and mind the gaps.
Doctors sure have changed over the years—for the mo’ betta’.

How I want to write poetry. And how I don’t.

I can’t always do it. I would never be openly showy or make any form of art before an audience. I don’t think I could. Challenges or prompts during writing group meetings and a few online are the most I can do in social settings where people know me. Other than that, my writing is a solitary effort, although I’m not exactly the poster boy of the garret-imprisoned scribe. I do write in coffee shops, libraries, parks, waiting or dining rooms, and even during my morning walks. But usually I write at this desk on this laptop.

Yet, I have times of emotional outburst writing. At least one reader seems to know or recognize exactly when that happens. I love the experience, and I find satisfaction when I read my scribble after the excitement has passed. If I can let go of something within me, an inner editor, judge, or critic, I like what happens. I feel so free. It’s about emotionally letting go of something.

I don’t listen to music when I read or write. I can only tolerate classical type without being distracted. I am not sure how it would work. I may try it sometime.

In order to give you an example for what I have in mind, I did some research on a well-known artist who I am familiar with. Well, I thought I was. Nothing about the art is independent of the artist—not the form, method, appeal, depth, or reputation.

Jonas Gerard of Ashville, TN, puts on an impressive show. The personal emotion he displays in making his art is the poster for explaining how I sometimes want to write, especially poetry. I have been to his studio, I have talked to him and several of his assistants, and I bought some of his work.

The youtube video below is an example of what I mean (he did a number of these). The vision of personal emotion (fake or real) is inspiring. But, artist or not, apparently old Jonas (he’s 78 or so) has had issues with untoward behavior (sexual harassment, maybe assault) in his past. I never put this guy on a pedestal or thought of him as anything more than a cool modern artist. Yet, I’m disappointed, angry, and confused. Because of what I learned, I considered not writing this piece or posting it.

But this is about me and I agree with what he says in the video about fear.

I want to write with emotional vigor displayed by Jonas Gerard when he paints. I want to let go, as he mentions. I love it when I can let go. It’s the temporary feeling and process I enjoy. The product, like all writing, will outlive the writer.

Look both ways. Every saint has a past, every sinner has a future.
Mind the gaps but dismiss excuses.

Poetry: Silence is no Coward

I am strong, but I am tired, Stephen, tired of always having to be the strong one, of always having to do the right thing.” Brenda Joyce, An Impossible Attraction


I’m not always much of anything.
I’ve been an old white man for a long time,
a branded stereotype with good teeth
and a bad attitude,

apparently not supposed to ask for
some things, cuz I am old and white.

It’s okay. Perhaps they’re fucking right.
Equality is in, unless you happen to be
old…
white…
and have what’s left of an old hard on.

Others were (and still are) treated like shit
by white guys. Nazis were, are, white,
male; no fucking idea how old fits.

Some old men are idiots, non-millennial
impotent bastards who hate everyone,
and everything, especially women.
Stereotyped, hairless shit heads
with nothing to do
but make mankind worse.

It’s a tough world, but we can try
to make it better each day.
To make it last.

©Bill Reynolds, 6/13/2019

Look and listen both ways for real equality. At least, don’t be unkind.
Mind the gaps like lifelines with stories to tell.

Poetry: Gettin’ Shit Done

I live my life on a road
somewhere among stop
and smell the roses,
live this day like it’s your last,
or be active and get shit done.

Torn a little between bitchin’
‘bout being old and its baggage
and happy as hell to be so well.
Lucky is what they say, privileged
to be no worse, like dead ya’ know.

I used to say — live fast, love hard,
and die young. Like the Meat Loaf song,
two out of three ain’t bad, and besides,
I’m still having fun wonderin’
and wanderin’ up-n-down this ol’ road.

It’s time for some wildflowers
and maybe tomorrow I will
stop and look them over, and live that day
like it’s my last, dance like y’all ain’t lookin’
maybe I’ll even find a way

to get some shit done.

©Bill Reynolds 6/4/2019

Live, love, and look both ways. Find and mind all the gaps. Live well.

Poetry: Fixing Things

broken
dirty
people who want to feel better

puzzles and problems

edit to make it better
fix by ignoring edits
aligning painting adjusting
solving brightening or darkening
and resolving

healing and being healed

fixed or broken

repeat

© Bill Reynolds 5/30/2019

Look both ways and mind the gaps.
If it ain’t broke, don’t fix it unless it’s poetry.
Always fix a poem.

********

Poetry: A Place for Weeds

Jim was watering his experiment
for his ag doctorate, Grasses of the Brazos.
The good ol’ country boy let his smile show
when I observed and laughed at him
for making a big deal out of a bunch of weeds.
They were not flowers or cash crop plants.

Jim said, without looking at me,
“a weed is just a plant out of place.”

Over fifty years now. Where did they go?
I remember Jim
and his greenhouse full of weeds at A&M,
we’d go spray water on them weeds daily.
Later Jim would defend his dissertation about
Brazos Valley dirt and river bank weeds.
Doctor Jim was a dirt man, agronomist.
Just a plant out of place.

Jim got his Ph and D in dirt.
Then, he moved away to California;
who with his high-pitched, out yonder,
Texas drawl, old Jim
was decreed Doc Jim, the good-old-boy
from Meridian, Texas.
In his own way, he became
a plant out of place.

Many times, I have been a weed,
a person out of place,
or so I felt.
I needed to be in a different place,
to feel unweedly,
wanted by anyone,
or not. Was I where I belonged?
Or, was I just another plant
out of place?

Was I
in the place I was supposed to be?
Bloom where you’re planted,
that’s what they say.
Weeds need to grow everywhere,
but it is nice to find your space.

No longer, am I,
a plant out of place.

©Bill Reynolds, 5/23/2019

Look both ways crossing but look all around for misplaced plants and people.
Mind the gaps, weeds grow there.

Poetry: Our Place in Line (NaPoWriMo) Day Eighteen

Today, the NaPo lady challenged me to write an elegy of my own. One in which the abstraction of sadness is communicated not through abstract words, but physical detail.

As far back into childhood I recall,
they say my day, my time, will come.
One day, perhaps quietly
or in some fitful mental agony
it will be my time to die.
But the bell has not
yet tolled for me—
soon enough—
it will.

Every pet, dog or cat,
lightning bug in a jar, turtle
or Easter chick; every snake, worm, or
ant; butterfly or bird, fish
or tarantula , things that flew,
crawled, walked or ran,
or just a sighting in the wild—
they’re all dead now—
I don’t know
what that is—
but they’re gone.

Every childhood friend is dead,
my mother died long after dad,
sisters both gone,
(estranged brother
I don’t know about,
he may outlive me,
if so, let it be).
I won’t know.

Uncles and aunts, one cousin (sort of) all
gone and others I don’t know about,
but they (ones I knew) are dead.
There may be some still doing,
but people of my memories
are past life. And this,
my friend,
is normal.

Some things don’t die, all people do.
Poets die (some never replaced)
but poems don’t.
The two most important
breaths we take,
the first and the last—
all the others
we call living.
That’s life,
Frank.

My sister would telephone,
“Billy” she’d say, “guess who died?”
she said, and then
she’d tell me.

When everyone and everything
I know of has died,
how do I know
who is next in line?
Is it I?
Or is it you?
Not if,
but when!

© Bill Reynolds, 2/18/2019

Know why you look both ways, otherwise, it is simply a meaningless turn of the head.
There will always be gaps but mind them anyway.

Poetry: Evil Darkness Denied (NaPoWriMo) Day Thirteen

Today, I wrote a poem about something “mysterious and spooky!” (As the prompt challenge defined it.) I mused the denied duality of human nature as set forth in the classic Jekyll and Hyde, The Strange Case of Dr. Jekyll and Mr. Hyde [1886] by Robert Louis Stevenson. My review of the book is here.

***

Not evil I but you
Live with a darkness
of truth denied with
not to Hide mind
what must be true.

Wretched are you
to ask me to see
a truth as part of I.
Created by god
no evil must I be.

False belief is
the sinless soul
of self-righteous evil,
within you disguised
as good and pure.

As Lanyon needed
Jekyll’s truth to see
from Hyde’s reveal,
to accept the two,
both part of you.

There is no light without darkness,
no good without evil,
no truth without lies,
no life without death,
no two without one.

Seek out truth in you,
of more than half,
balance reality or die
from the only good truth
is really a lie.

© Bill Reynolds, 4/13/2019

Look both ways to find evil and good in you. It is your one and only truth.
Mind the gaps of fear and self-deceit, they hide your Hyde.

“O God!” I screamed, and “O God!” again and again; for there before my eyes—pale and shaken, and half fainting, and groping before him with his hands, like a man restored from death—there stood Henry Jekyll!” Dr. Lanyon’s words and recollection serve as the climax of the story. The question of Dr. Jekyll’s relationship to Mr. Hyde is resolved.

 

Poetry: Time Will Allow (NaPoWriMo) Day Five

Today’s challenge: write a poem incorporating the villanelle form, lines taken from another text (poem), and/or phrases that oppose each other in some way.

I selected two lines from the Rubáiyát of Omar Khayyám (trans. Richard Le Gallienne). I think I wrote sufficiently opposing lines. I tried to do all three.

Time Will Allow

Heed not tomorrow, heed not yesterday
Our life is our blood, flowing here and now
O fools, that after some tomorrow stray!

Darkness does not age, even in the day
Drink and love much as our time will allow
Heed not tomorrow, heed not yesterday

Yesterday was here, but now goes away
Let us drink our love, ‘neath a shady bough
O fools, that after some tomorrow stray!

We kissed our wine, but now it’s gone away
Love is our wilderness, paradise is now
Heed not tomorrow, heed not yesterday

We are the fruit of gods, sent here to stay
Return again here to me tomorrow
O fools, that after some tomorrow stray!

Love us forever, together we pray
Wine and we between, let me show you how
O fools, that after some tomorrow stray!
Heed not tomorrow, heed not yesterday.

©Bill Reynolds, 4/5/2019

Look both ways but live for today. Mind the gaps between the gator’s teeth.