V – Vexfest: Different Stereotype (NaPoWriMo #26)

I sort of got the idea for this from another A to Z blogger, Sandra of What Sandra Thinks, specifically her Bitchfest 2017, where she adds “special touches of sarcasm, darkness and foul language.” Since I find her humor refreshing, I decided to take a similar, but more serious, path.

Vexations create a state of being annoyed or frustrated. I confess that during my life I’ve been guilty of many of the things I find vexing. My greatest frustration may be my own human condition. We have many words devoted to being pissed off. I am not the only one.

***

Vexatious Me
by Bill Reynolds

With all the natural evil that be,
I am most troubled by
The moral evils that I see
Placed peeps on peeps. I’m vexed and…

Affronted by unfair stereotyping,
Aggravated by sense of entitlement,
Angered by any amount of animal abuse.
Annoyed by the foolishness of youth,
Bugged by too much welfare abuse,
Bent out of shape by all the bullies,
Disgruntled by job discriminations.
Displeased with wasting time, including mine.
Embittered by lost love.

Enraged by abuse toward women.
Exasperated by flawed governance.

Frustrated by incompetence, especially mine,
Furious over child abuse, anywhere, any time.

Indignant over unjust justice.
Infuriated by big black lies, also
Irked by little white ones.

Irritated by misunderstandings and
Miffed by gossip for fun and pleasure.
Offended by those too sensitive,
Outraged by starving children.
Peeved by human weaknesses, yet
Piqued by those better than I.
Pissed off when treated unfairly, and

Riled by my own pride.

Worried that nothing will change.

***

I failed to mention other drivers (texters, Beemer drivers, and Mercedes too), the wealthy, other people’s kids and dogs, and the folks who work at the driving license places in virtually every state. Also, virtually anyone who disagrees with me about nearly anything at all. And then there are people who are more vexatious than I.

Relax and go with the flow. We’re only human,
but let’s look both ways to enjoy the view.
Mind the gaps my friends, lest you get too twisted.

 

U – Universal Pain and Suffering (NaPoWriMo #25)

I don’t think there is a rule, but I’ve read that poems should be about specific things. The universe isn’t specific. So how do I write about it and be specific? I decided to key on a quote from Aristotle: “The universe exists for, and shines through, the particular.” My attempt was to twist that concept into living in the present.

 

***

Suffering Universal
By Bill Reynolds

What means the vast universe?
From the largest to the smallest,
It’s the every and the all, interspersed.
There’s more, and we’re on the call list.

Where thoughts drift among the unknowable
It’s all there. Is our significance so minute?
Dare we, as we might; is it so uncontrollable?
Or shall we focus on the more acute?

A far-off star explodes. Planets vanish.
Did you hear it? Did you see it?
Stars in the sky, but maybe not.
We see the light. Is it still a vantage?

Death. Suffering. Pain. Sadness.
Broken bodies. Broken hearts.
Do you hear them? Do you see them?
It’s all there. Should we care?

Are my feet on earth? Can my senses touch reality?
The universe is there, but also here.
Not for its own sake, but for each of us.
Let’s focus on the small, while aware of it all.

I engage with my personal
Real world life as it truly can be.
Let me be in the universal here and now.

Until more of the changes happen,
Until the stars no longer shine,
Until we know it all,
Until we hear the universe breathe.

***

Right here; right now, bloom where you’re planted.
But, look both ways and mind the gaps.

*

Sunday Lions (NaPoWriMo #23)

My Lion Friend

***

Sunday Lions
by Bill Reynolds

*

I’ve never met a lion,
Except in the zoo.
Never seen a lion,
It’s in the photos that I do.
Never touched a lion,
Only in my dreams.
I never loved a lion,
But in my heart, it seems
Lions are my friends,
The ones I never knew.

***

Look both ways, mind the gaps, and love the animals.

S – Sonnet “Seeking the Truth” (NaPoWriMo #22)

This, my first sonnet, was difficult. It was also fun and I learned more about the challenges of writing poetic. I want to work more with meter and rhyme, but now’s not the time.

I attempted to write in the Shakespearean tradition of a sonnet, with 14 lines of 10 syllables each, with a rhyme scheme of abab, cdcd, efef, gg; and the iambic pentameter. Like we all know what that is, right? My humble apologies to the Bard for attempting such a sacred task. 

***

Seeking the Truth
by Bill Reynolds

In seeking the truth, I require some proof,
My goal to touch some real conclusion.
A quest to discover both reason and truth,
The turning of pages led to confusion.
Noble the search for answers not pallid,
From myth; if I am, then god must be too.
From science we ask, a source that is valid,
From faith of past, must it be now so true?
These are the chains of unfounded mystique.
None of this means any absence of love,
Admit to the truth, there’s no god to seek.
My freedom is not a power above.

I found this truth after seventy years,
Loving all others is more happy cheers.

***

Look both ways and you’ll see them coming.
Minding the gaps will keep your heart running.

R – Renga, The Poetry of Art (NaPoWriMo #21)

Renga is a longer poem alternating three and two line stanzas. Sue and I collaborated on this one. She wrote the haiku and I did the couplets following. She used the 5, 7, 5 syllabus pace and I used 7 for each line. We decided to write this so each couplet is related to the previous haiku, and the entire poem shares a theme. The final stanza completes the poem and the circle. Sue’s blog, An Artist’s Path, is here.

 

 

The Poetry of Art
By: Bill Reynolds & Sue Viseth

’tis a fickle thing
the words in verse, prose, and rhyme
chosen over time

feel the beat and tap those feet
catch the bop and keep the time

poetry is song
music from the heart and soul
sing it to the world

poet’s voice is here, voice is there
voices writ in blood and bone

no word writ in stone
rather, molded from the clay
poets turn the wheel

words are medium on wheels
the quill a master’s pallet

the artist within
molds the clay and sings the songs
a poem is born

something deeper than the poet
the words take form and art is

share art with the world
come together and create
poets live forever

Look both ways for poets and poetry,
but mind all the gaps.

O – Onomatopoeia (NaPoWriMo #18) Never Again

Years ago, I packed in over several nights, with a backpacking group near Truckee, CA, north of Donner Pass. We were at approximately 7,000 feet elevation in the Sierra Mountains between Sacramento, CA and Reno, NV. It was a very exciting trip.

A year afterward, I planned to repeat as a day-hike in with a friend. After he backed out, I decided to go it alone. I ended up going later than I should, and was unprepared for what I encountered. For my foolishness, I paid the price with months of back damage and pain. I can almost laugh about it now – almost. It was also exciting, but in a very different way.

Onomatopoeia is the formation of a word from a sound associated with what is named, such as cuckoo or sizzle. It is also used for rhetorical effect, as in this poem.

 

Never Again
by Bill Reynolds

High Sierra beauty.
No food. No drink. No sense!
What plan? Quick in, then back out.
Whoosh. Like the wind. Time passed

Boink. Suddenly, it’s late.
Dusk. ARGH! Gotta get out.
Before dark. Oh no: It’s feckin’ dark!
No moon, no map. Had a lighter. Zip.

Oh, shit. Muddled.
Not one essential, much less ten.
No flashlight! Groan. Why?
Thinking? Stoopid. Grrrr to self.
Clatter climb rocks. Get out. Fast. It’s Dark.

Thump. Crunch. I fell, no moon. Ark!
Did I say, “It’s dark?”
Crunch. Footsteps. Are they mine?
Can’t see. Bonk. Oof! Pain.
F-word, again. No better.
I keep swearing, like it’s gunna help.
Bam. Step in hole. Crunch. Knocked out breath.

Shocked. Confused. Must see but cannot.
Crackle, smack. Branch to my face. Blood. Ooze.
Buzz. Bugs? Crunch. Twisted ankle.
Scrape, bang, boom, bash. ACK! More pain.

Bonk. Fall on face. Dark. Hurt. Walk.
Pain. Bam. Oof! Again. What’d I step in?
Another hole. Whack, crunch.
Damn holes. Hiss. Oh god. A snake?

Hear something? More crackle.
What’s that? A clatter?
Get out. Fast. Don’t run. Too dark.
Bear? Mountain Lion?
Kill me? Eat me? Yikes. I’m so screwed.

Hoot. Owl. Danger.
Skunk. Whew. It stinks.
Careful. Out fast. Whiz? Crap!

I’m Cold. And wet. In pain.
Must pee. Yikes. Unzip.
Done. Relief. Don’t fall in it. Re-zip.
Ouch more. Get out. Don’t fall.
Boink. Thud. Head pain.

Scrunch, twist, whack.
Repeat. Fear. Repeat. Dumb me.
How far? How long? Lost?
Alone. Clatter. Alone?
What was I Thinking?

Break free. Find car! Keys?
Oh no. No keys. Groan. Swear.
Hidden key. Found it.
Brrrrr. Shaking. I am very cold.

Tall grass. Kerplunk. Dropped key.
Damnit, can’t see. Cold. Pain.
Sore knees, search the ground.
Feel in dirt, no gloves. I found it. Clatter to feet.
Hold tight. Screech. I scratched car, then swear.

Bang. Slam door. Varoom.
Start engine. Get out. Cuckoo.
Oof over bumps. Drive. Find my brain.
Good trip. Nice day. Never again!

Bring a flashlight.
You can’t look either way, nor mind the gaps, if you can’t see.

N – Night (NaPoWriMo #17)

Night Comes
By Bill Reynolds

The silk soft, black cloak of night rolls
To end our days as it marks time passing on earth.
Night slips over us like a gentle silk shawl,
With the sparkle of stars and the silence of all.

Be comforted when midnight comes,
As it’s the darkest of times.
The death of this day marks a spell.
The birth of tomorrow’s new hope.

Soon the witching hour begins as so
Little good happens, post the final hour.

To some, midnight’s a time of painful suffering,
As with the line between life and death.
Find peace and warmth in the face
Of the change – the end of one day.
But for another we live, and then
Feeling recharged we’ll be free to see.

After our true self is off,
Without lie or pretense,
To bargain away the universe,
To have a brand-new day.
We must pass through the portal
Of darkness, and woe.
Thus, awakening of the new.

Look both ways each new day, and mind the gaps at night.

NaPoWriMo #16 (No AtoZ on Sunday)

This poem is about underground coal miners – people who did, or do, very dangerous work. My father and grandfathers were three. This is also about life in our home when Dad still worked in the mines.

During my early teens, the mining business shut down in northeastern Pennsylvania. This was due to the Knox Mine Disaster in the late 1950s and the easy, cheaper, and cleaner use of oil to heat homes. Today, most coal mined in the USA is exported, but the industry continues to decline. Only 30% of electrical power in America is produced by coal.

Old coal mine entrance. A dark abyss.

Nearer My Hell to Thee
By Bill Reynolds

Before leaving the daylight, and going into the pits,
They look deep into the ground, to the soul of the abyss.
The blackest of blacks, the darkest of darks, and danger,
The dank abyss peers back as men descend into nature.

Far below ground, the mine was there lurking, waiting;
That dangerous, disgusting damnation of sound,
For some small wages, they go into that hole far underground.

Deadly it was and deadly it is, they never know when…
Many wives cried at the loss of their men,
Who died in the gut of the deplorable depths.

It was frightening work miners chose, those jobs that killed.
Black hard hats on heads, mining lamps on to cut the dark,
But still never safe. In denial or not, it was dangerous work.

Blackjack and Brass Knuckles same as my father had.

Father was, and so were both grandfathers, miners all.
Walking home through muddy fields and dark alleys,
Dangerous on pay days; all cash in their pockets,
With blackjacks and knuckles, maybe a gun.

He’d push open the gate, then let it slam with a thud.
Dad would stomp up the stairs and in the back door,
It was always the back way after a day’s work.

Covered with coal dust,
The sweat of the labor, and the stink of the mines;
Smoking his Camels, always coughing and coughing.
But he was my Dad, and it was always like this.

I remember Dad much blacker.

Everything filthy, his clothing all rotting,
Black on his skin, and in his gray hair,
He didn’t know about the black in his lungs,
the deadly back dust was glued on hard, but not to his soul.

White at his eyes and over his lips,
he’d set down his lunch pail. No hugs, no kisses,
just “hiya,” and not much of a welcome.

His coat and his cap, and his boots all come off.
Trounced upstairs to the bath, footsteps pounding the way,
Transformation, about to take place.

In cold water each day, he washed coal dirt away,
From his face and his hair, his neck and his chest,
From his waist to his feet, but not from the rest.

Nothing could wash the coal miner away.

Not the water, the union, the beer, or smokes.
Not on the inside, from his throat nor deep in his lungs.
Black dust in his body and in with his blood.

In a coal mine.

It was always the same, until the disaster.
Miners to work, to suffer and die.
Returning to homes, dirty but to homes they came.

Then one day, the depression set in.
The mines all shut down, proud miners, no work.
One day it all ended and everything changed.

Miners laid off, the mines were all closed.
Oil was king, and nobody noticed.
No more abyss, just a new kind of dark.

If you not yet sufficiently depressed, watch this.

Mind the gaps and look both ways.

L – Limerick (NaPoWriMo #14)

A limerick consists of five lines. Lines one, two, and five have 3 beats each and rhyme. Lines three and four have 2 beats and rhyme. Referred to as light verse (or vers de société) by Lewis Turco, limericks tend to be light, humorous, and often bawdy or dirty.

 ***

The first “poem” I recall hearing was a bawdy limerick my father told me. I don’t recall my age. I heard it once and never forgot. It was a shocker, although Dad often used such language around me.

There was a young lady from Freeling
Who had a funny feeling
She laid on her back
And tickled her crack
And pissed all over the ceiling

***

I wrote this one in class about a Creative Writing teacher.

There once was a lady from North Bend
In teaching us to write, she had no end
She had a great thought
We fit and we fought
Until our writing was well penned

Well, the class thought it was funny.

 ***

Some wee dribble of self-pique from the old flapdoodle.

There was an old-fart named Bill
Who was also a bit of a pill
Until he met her
The rest is a blur
And now he conforms to her will

It’s all about me, ya know.

***

Many of us follow this lass. So, a bit of a gentile and friendly jab. Click on her name to link to her blog.

There once was a blogger named joey
And she loved to tell us her story
She speaks of the mister
Like he is her sister
Instead of her very first quarry

Do ya think I’ll hear about that one?

***

I had to take shot at someone, or male pride, in general.

There once was a man from south Brooklyn
Who thought his self too good lookin’
It happened one day
His thing wouldn’t play
Now he’s no master Al Pushkin

Dirty is funny, right?

***

Mind the gaps on top of it all
Look both ways: eye on the ball
   But watch for the fart
   That is really a shart
And you’ll have no reason to bawl

(Sorry. I couldn’t help myself. I wrote them all, except the first one, and I assume full responsibility for the content of my limericks.)

***

J – Juxtaposed Minds (NaPoWriMo #12)

Do you ever feel like you’re more than one person? Do we have inner duality — the light and dark? Is there another voice? Juxtaposed minds is as close as I can get. This invokes minor gender differences. My apologies to women if it is seen as stereotyping. It only applies to me. That’s how it seems in my mind(s). It’s how the light gets in.

 

Juxtaposed Minds
by Bill Reynolds

As always, you’re here with me,
As children, you survived my foolish resistance.
As we pondered our thoughts, I sensed yours in me,
As we bind together, into one two-sided existence.

 

While passing through this life,
We two spirits were always so real.
Through our eyes and ears, we see and hear;
Yet, with one heart we together feel.

 

You walk in my footsteps, always with me,
When you talk to me, I hear your voice,
And I feel your presence within my being.
We share one self, as we sense we are two.

Leonard Cohen. We have his music.

I know you, but not so well,
As you know me.
One and the same, we’re forever to be.
Your she melds to one, within my inner he.

 

You’re a guardian of two spirits, one soul.
One guides the other through all time.
You’re a muse to me, to my sum of being.
Your reality balances our one life,
As we console and debate, together we decide.

You’re the lady in me, who’s never been seen.
Kinder and softer, more willing to hear.
The knower of wisdom, the source of mine.
To the world you are silent, but you talk to me.

 

Your duality of truth overshadows all lies,
Your love overpowers this emotional being.
With a power and difference,
You have captured our two-sided soul.

 

 

 Look both ways and be true to yourself.
When you see gaps, mind them.