feelings

Poetry: Omar’s Morning (NaPoWriMo day 9)

Today’s NaPo prompt was to write a poem in the form of a to-do list for an unusual person or character. I made a list for Omar Khayyam using some of his poetry as a guide.

“Awake! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan’s Turret in a Noose of Light.”

Today I shall make math in the morning,
After a bit of love, and some science
To make the wine taste much finer.
Then I will make time to mend this tent.

Today, I must check the new calendar
To see if it works well enough to
Decide if today is the day after
Yesterday and the one before tomorrow.

“Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse–and Thou
Beside me singing in the Wilderness–
And Wilderness is Paradise enow.”

And love you I shall, until time for food,
And drink. Let us upset the local
Sufis a bit, they see me as atheist,
But they are wrong as this is heaven.

Then I must write for the art,
A bust of poetry as I lie with thee.
Who will know me in a thousand years?
I must get this damn sandal fixed.

Then I recall I must teach that class.
Oh, how to find the time?
Let us make a Sultan’s list,
As I’ll think of love and wine.

(Quotations are from The Rubaiyat of Omar Khayyam, written by Omar Khayyam, translated by Edward Fitzgerald.)

Look both ways for Epicurean delights.
Mind the gaps with humorous and perverse exalting
gratification of the senses. Tomorrow we can decide what happens then.

Poetry: The Late Train (NaPoWriMo day 8)

Edgar Lee Masters’ 1915 book, Spoon River Anthology, consists of poetic monologues, each spoken by a dead person buried in the fictional town of Spoon River.

My day eight NaPo prompt/assignment was to read a few of Masters’ poems, then write a poem in the form of a monologue delivered by someone who is dead.

“Good morning America how are ya?” *
I’m J. R. Cash but call me Johnny.
I been a singer ‘n writer of songs all my life.
I wrote poems, too. Not no more though.
Paul and John Carter made a book
sometime after I moved out here.
I made lists of do’s and don’ts,
like who to kiss and who not.
Rockabilly, I walked the line in
more than one ring of fire.
Sue was a joke, Jackson was not. Either way,
I was the man in black, or undertaker was okay.
The Hag caught my San Quentin show. He signed up.
I was inside less than him. Now, I’m back with Jack
on the orange blossom special.
How ‘er my pals from Bitter Tears doing?
Ya know, that Lonesome Dove fellow?
He just hopped on this train.
“And often I say, No more I do it/
But I miss the traveling/And I miss the songs.” **

***

*From The City of New Orleans written by Steve Goodman, covered by many.
**Quotation from Cash’s poem, “My Song,” in Forever Words: The Unknown Poems.

Notes: ‘Paul’ Muldoon edited Forever Words. ‘John Cater’ Cash is his son. ‘Jack’ refers to his brother who was killed in an accident at a young age. ‘Hag’ refers to Merle Haggard.

Look both ways when you cross memory lane.
Mind the gaps well, or a song you might miss.

Poetry: Me in Drawing Class (NaPoWriMo day 5)

For this prompt, I was to select an existing poem and write my poem using the shape (form, style, beat) of the original. Each of my lines must begin with the same first letter of the corresponding line in the original poem.

For this assignment, I selected two Billy Collins poems. For shape, I chose “Class Picture 1954” (click to read it). I picked “Drawing Class” for subject and musings. Mr. Collins enjoyed his drawing class much more than I did. But we both like to draw.

Me in Drawing Class

I took the art class
for my drawing to improve.

To the instructor I was not
special nor obedient because
to me, she was retentive and inflexible.

The first day she belittled tardy.
I was early. Most were on time.
Is she too good to teach me?

At the front and center
in my surgical mask,
was I to be her basic class problem?

Because I claim my work
instead of me making art her way;
oh, how we entertained the others.

What’s so bad about using graphite?
And why is it carbon or charcoal
you think superior to what tool I use?

And now we’re done.
So class is over,
another moody artist goes his way.

Look both ways in dealing with the artsy types.
Mind the gaps, but graphite works equally well.

Poetry: A Pantoum

Morning Cat

Sometimes, in the morning I stretch like a cat.
It feels good to expand my arms into the air,
to feel my body push against itself,
to feel my life physically trigger another day.

It feels good to stretch my arms into the air,
quietly announcing my arrival before dawn upstages me.
I want to physically trigger another day in my life.
before dawn steals my self-awareness, that “I’m alive” feeling.

I enjoy quietly announcing my arrival while
admiring the cobalt blue and sunny pink sky colors,
as sunrise steals my awareness, an “I’m alive” feeling
that makes me want to make the best of the day to come.

I admire the cobalt blue and sunny pink morning skies
and I want to feel my body push against itself,
as I hope to make the best of the day to come.
Sometimes, in the morning I stretch like a cat.

Look both ways when you’re feeling a bit catty.
Mind the gaps. Especially the ones behind the eyes.

Sammi’s Weekender #201 (orbit)

Moon’s Grace

What about the moon?
I see it and can feel something
unlike the Sun or stars.

Mona, Selene, Luna, or Mwezi,
a nameless orb.
The Moon is

Waxing, waning, or full;
in orbit, playing with tides, waking
creatures of the night,
inspiring music and stories,
the moon relates to us.

Look both ways.
It is the same moon it’s always been and always will be.
Mind the gaps when it’s new and dark as night.

Sammi’s Weekender #189 (troglodyte)

Click to open Sammi’s blog

Favored Bonds

With nothin’ left to lose, they closed their doors.
Perennials, long past thirty-seven point eight median years,
they lived what’s left of life.

She, an unwilling anchoress,
he a happy troglodyte of hopeful health.
With preeminence declining,
they stood their ground.

They shunned from their bubbled bastion those
who denied reality or died in denial
of reality’s science, as plagues of nonsense
took many from loved ones.

Together, they danced ‘till the end of love,
touched by mature minds.
Happy to be alive in a new world, until
the end of time comes for them.

Look both ways crossing life’s boundaries.
Mind the gaps and keep moving.

Poetry: Sammi’s Weekender #188 (languid)

Click to go to Sammi’s blog

 

Oi, Nineteen: Lust Laughs at Love

Normally chic, now
nearly naked, she lounged in his lap
slovenly taking in
the stunning sunset,

Lamenting his languid,
lackadaisical lovemaking,
leaving his heart listlessly
lost to his long love song.

Feeling inferior
yet yearning to reggae
he cajoled and coaxed playful
music to prove she danced
not too fast for him.

Their love withstood the storm.

Look both ways in love and lust.
Mind the gaps as perfection is myth.

Be lovingly entertained.

Sammi’s Weekender #187 (niggle)

Click to go to Sammi’s Blog

Expostulated Love

“I love that man,” was what she said to me,
and “I hate that other one,” her follow-on, bait-switch statement,
that morsel of red herring to mislead my unwanted retort
to her bleating caterwaul. I knew this kvetch ranked
behind turd infected punji sticks in heart and soul.

Niggle not. Poetry is sycophantic art when inoffensive kindness
and socially sensitive ethics are euphemisms for hidden truth.

Look both ways, if he can tell it like it is, I’m also justified.
Mind gaps for expiration of truth.

Treasured Rags

 

“The process of assessing how you feel about the things you own, identifying those that have fulfilled their purpose, expressing your gratitude, and bidding them farewell, is really about examining your inner self, a rite of passage to a new life.” (Marie Kondo)

New clothes were brought home
as treasured items proudly worn.
Gifts of love once remembered.

And cloth diapers for three babies,
none of whom used wash and wear for theirs,
but they sure as hell wore them.

Old shirts, their purpose long fulfilled,
now used to clean, dry, or wipe.
They’re washed, then continue to serve.

Old rags have memories woven into fabric—
from experiences with life;
from when first worn, old rags aren’t discards.

They’ve simply changed uses. Like people.
And memories. Lots of memories.
“…a rite of passage to a new life.”

Look both ways,
from the marvel of the mint to the value of the venerable.
Mind the gaps, but for most, “it don’t mean a thing.”