Childhood

Mack the Knife – NaPo 2025 Day Thirty

For the final day of April and to close out the 2025 version of how I do National Poetry Month, I was to pen a poem that describes various times in my life when I have heard the same band or music.

Congrats to all participants. This may have been my best NaPoWriMo year because the prompts seemed to be in my poetry writing lane. One a day for 30 days, on prompt.

Thanks to Maureen for another fantastic April.

Composed

Melody and lyrics done separately
twenty years before my birth
in a language I did not speak
never intended for my ears
for the Threepenny I’ve never been

Thirteen-ish me,
a maligned Catholic school kid
discovering hormones;
Friday night dances (nun-chaperoned),
and un-churchly music we loved;
songs like The Battle of New Orleans,
Mack the Knife, Personality, Venus,
Lonely Boy, and a hundred more.

The year another paper boy
and fellow music lover, Don M. said
was when the music died.
But it had not. Not yet. Not ever.
My music may die with me. But not today.

Not until Bobby Darin — did Mack the Knife
find me with five up-key modulations
bring marvelous darkness to musical light
to make us feel a special song
in a special time. Then and since.

Wonderful covers, pre and post, but
back then I didn’t know about
someone and something I liked so much,
music that would change with me,
year after year, never the same old song.

Look both ways
“Now on the sidewalk…lies a body just oozing life, eek!”
Mind the gaps cuz,
“someone’s sneakin’ ‘round the corner—could that someone be Mack the Knife?”

Interested in more? Check THIS out—especially the video of Bobby Darin’s version, if you’re not familiar with the song.

EXTRA – EXTRA – EXTRA —- A friend and classmate of mine just let me know about this new, hot, Broadway production honoring Bobbie Daren.

 

 

 

Justice Struck Me – NaPo 2025 Day Twenty-Seven

And so, today I was challenged to write a poem that describes a detail in a painting. My poem was to begin with a grand, declarative statement.

Who Was She?

It is never just the painting and the world, I know.
Each painting unites with each eye, each mind,
to make the art meaningful. Neither stands without the other.

I recall the overall picture vaguely, but it’s the setting
I remember well. An empty courtroom
except for a little girl standing with her back to me,

and a judge looking down from his bench. Authority!
I cannot see her face, but I know it is the face
of every child confronted with

the reality of the state, power, autocratic justice.
Fear. Helplessness. Hopelessness.
I felt all of that. Overpowering feelings.

A Miami artist opened emotions
hidden so deep that I denied them.
I almost cried. I moved on, hiding the real me.

Look both ways as you play the great pretender who will live forever.
Mind the gaps because somewhere out there,
an artist knows your truth and may tell you.

 

A Toast to the Town – NaPo 2025 Day Twenty-Two

Today I was to write a poem about something I’ve done, presumably as a child or adolescent, that gives me a kind of satisfaction. I think it is supposed to be something for which I am grateful. I had to dig for this one.

Grateful for the Grog

It wasn’t cocaine but some think it’s the same
when the forbidden froth of the fifties,
long before there were Swifties,
beer became the name of the game.

First taste was a sip, likely bogarted from
mother or father, or perhaps from my drunk-ass brother,
to wash down that salty Wise potato chip?
Hometown suds, favored by local buds
and still tastes like bad-beer today.

It was gunna happen anyway.
I learned to like it and how it made me feel.
I would have tasted beer someday,
then acquisition became part of the deal.

Tom T Hall’s song set somewhere aside,
beer became my pleasure and my problem.
I’m shocked that to some
the pleasure is none
and beer is forever denied.

“I like beer, it makes me a jolly good fellow
I like beer, it helps me unwind and sometimes it makes me feel mellow
(makes him feel mellow) … (He likes beer)”

So let me explain
in this little refrain

how grateful I am
to the woman or the man who drew me my first mug
from a spout, a bottle, or a sealed tin can I can chug.

Look both ways for the imperfect pleasures of life.
Mind the gaps and watch the taps, as the kegger is still a rite of passage.

Hot Chow – NaPo 2025 Day Six

To determine today’s NaPo prompt, I randomly selected a number from 1 to 10. I picked ten. Then I scrolled down to find a table of 10 rows and 4 columns. At the row corresponding to 10, the first cell to the right gave me the name of an edible item: cilantro. That was what my poem was to be about. The next two cells had words that were to be used in the flavor-descriptive poem. To see the entire prompt click here.

Cilantro

I don’t know when it came into my life.
Probably after I met my wife because
if it wasn’t meat with mashed potatoes
and some form of bean,
I had never tasted it.

Two things provided for expansion
of my sense of taste and flavor,
including smell. Marriage
and my military life. Chow halls
didn’t care, but they also did.
I actually like liver and spinach
(sorry Mom).

It goes in with other stuff,
Where would salsa, soups, guacamole,
and other dishes be without it? Sure,
there is parsley, dill, and basil,
but they are not the same.

Where would be the fresh citrusy
and floral flavor? That peppery tang
we find in and among the Mexican gang.

If it tastes like soap, there is no hope.
Genetics rule. Thanks to a gene
called OR6A2 for that
and eat something else.

For the rest of us, we enjoy the
gentle chip drip into the culinary saucy sink.
Good food is more than you think.

Look both ways and learn to love the food.
Mind the gaps and pity the picky eaters.

Rock Poem Metaphor NaPo 2025 Day Three

Day three of NaPo prompts me to follow the easy style of Frank O’Hara and to write a poem that obliquely explains why I am a poet and not some other kind of artist.

I looked. Oblique means not straightforward: indirect, obscure, devious, or underhanded. Perhaps metaphorically?

Poemhenge

Like most,
as a child I found rocks and stones interesting
to see, to hold, to gather, and to throw.
There were cool ones for holding
and some for skipping on water.
Some were hot rocks. Jocks protected stones.

I didn’t know any of the names.
Fools gold wasn’t gold or diamonds
but was filled with glittery sparkles.

Rocks had formations.
Many were famous.
Rocks and stones were even in songs.
And in idioms like rock solid
or your stone-cold heart,
or the millstone around your neck.

Eventually, old stone makers interested me
and new stone makers challenged me.
And the colors and cutters of gemstones
like emeralds, sapphires, rubies, and diamonds.

As I grew, my view of stones got more solid.
Famous rock formations attracted me,
I wanted to imitate the creators.
In the gym I used soft rock like talc
as I listened to the rock music and dreamed
of the rock candy mountain.

Rich people wore and collected rocks.
They called them jewels and gems
but I could not always tell you why.

Later, maturity took ahold of me
and I found my fit, even as a fossil,
to make rock and stone creations of my own.
Polishing stones. Stepping stones.
Stumbling blocks are rocks.
My mind one stone quarry among many quarries.
I walked the limestone line on cordoba cream—
noticing colors, styles, and finishes.

One day I collected some of my stones.
I trimmed and polished them. I included
abrasive stones, message stones, smooth stones,
and made them ready for display to the world.
And I named them all poems.

Look both ways and if you see Frank O’Hara, tell him I want to be a painter too.
Mind the gaps, especially as you traverse the rocks, then stop, sit, have a “J.”
Mind what the poets have to say.

Note: “J” is from the Paul Simon song “Late in the Evening.”

Dishonest Poetry

Tell Me Lies

Who tells lies?
According to
fictional Gregory House, M.D.,
“Everybody lies.”

Certainly,
some among us lie
more than others. Perhaps called
pathological as in diseased,
uncontrollable, or obsessive
(no names please).
Sometimes it’s necessary.

But we are not born fibbers.
Lying is learned behavior
to equivocate or prevaricate,
but why? When and how
does the lying begin?
Intent matters. It’s a crime
when you swear you won’t
and then you do.

I still recall what I believe
was my first lie, but probably was not.
Self-protection
was why. I lied (long story) to my mother.
She often accused me of telling
a fib, or a “story;” inferring
dishonesty of the whiter degree.
Usually, I was telling the truth
(yet another story).

Almost expected in politicians,
I’ve seen it everyday, lying everywhere
by everybody: parents to children,
Supreme Cout Jurists (under oath),
police officers, teachers, married couples,
religious leaders and disciples to those leaders.
Pick a government agency
or automobile manufacturer—used car guys?
I even suspect that George Washington
engaged in the occasional untruth.

I am no wiser than the fictional Doctor House,
but I am older. I have more experience living.
I must agree—everybody lies. Deception
is not a skill unique to magicians. Liar!

Look both ways with discerning eyes at everything.
Mind the gaps and realize that a smile is a thin disguise—
“There ain’t no way to hide [those]… lyin’ eyes.”

***

The title is from lines in the Fleetwood Mac song, “Little Lies.” Gaps quote is from “Lyin’ Eyes,” a song by Eagles. How many songs (poems?) are about lies and deception? Hundreds?

NaPoWroMo 2024, Day 29, Antithetically Self-effacing

The darling lexicographers at Merriam-Webster selected ten words from Taylor Swift songs. I was double-dog-dared to choose one of the words and write a poem that uses that word in its title.

Antithetically Self-effacing

Having a love-hate relationship
with attention and spotlights
and being “that guy” when attention
is focused on me, which makes it weird
that I like to stand and speak at the mic,
to be the MC, the introverted old man
who is not very shy—that guy
is certainly me. She said I had
“mic presence” (whatever it was).

I will talk to anyone, especially
those who break the clichéd ice first.
Me! The stage crew grunt who,
without notice or one second of rehearsal,
had to read his lines from
Macbeth in front of the entire
student body, whose girlfriend
said, “Your pants were so tight,
I was distracted. You read lines?”

Yeah, I am that guy.

Look both ways and listen to the words of the tortured and ravaged poets,
and when the West Reading angel sings, or gives one of her looks;
sing, sing, sing; or dance, if you can’t.
And mind the gaps if she gets you tickets for the Super Bowl.

NaPoWriMo 2024, Day 17, At Seventeen

Today I am to write a poem inspired by a song, and to share its title. I confess to being influenced by song lyrics, especially the well-told stories in ballads.

Earlier this year I read “At Seventeen” by Janis Ian (1975) as a poem at an open mic event. I’ve always loved the song and somehow relate to it, as do many people around the world. Janis explains how that affects her and sings her song in the video below.

At Seventeen
When she called
I couldn’t hardly talk at all,
and when she sings
I remember high school things.

The words, the tone,
together talking on the phone,
her memories, at seventeen,
were mine at home alone.

“It was long ago and far away,”
do I wish it was today?
What has changed in how we are,
in pickup trucks or borrowed cars?

At seventeen when boys like me,
Sad Sacks outside for all to see.
“Come dance with me”— because
that couple we will always be.

She said,
I pity boys like you who serve,
you only get what you deserve.
My broken heart sang obscenities,
to the one I loved but never pleased.

At seventeen I was that man,
a boy holding a gun over there,
I stay alive as best I can, but
of angry me I must beware.

At seventeen a boy like me—
at seventeen, too young to see.
And ugly boys like us do care.
At seventeen, when I was there.

Memory is a strange, unreliable thing; so, look both ways and don’t assume.
Mind the gaps in song and poem, you’ve been only human all along.

NaPoWriMo 2024, Day 15, How Things Change

For halfway day, for the fifty-yard line of National Poetry Month (US and Canada), for the late bunt that moved me to second base, for Day 15; I was to be inspired by the wide, wonderful, and sometimes wacky world of postage stamps. I assumed my poem was in the offing.

Technically, I’ve been, or was, a collector of stamps since around age 11. Over the years that hobby dwindled and failed to hold my interest, although I am still interested in stamps, especially the lovely old ones, from the US and other countries. I have acquired entire collections simply because some collector had lost interest. Click here for wiki on plate blocks.

How Things Change

When I was quite young,
too young,
my aunt gave me her
well organized, large collection
of used postage stamps.

My sister’s boyfriend at the time
(she was 13 years older than I)
collected new plate blocks.
He gave me some and encouraged me
to abandon used stamps for new
with printer plate numbers.

I did. He helped. I traded
my aunt’s collection to enhance
the upgrade. Eventually,
I put my collection away,
although I have acquired
other collections over the years.

I’m different now. Sister’s BF
has gone to the big Post Office
in the sky. I am not a collector
of anything. I’m an accumulator
(books, rubber ducks, some
stuffed animals and dolls).

But for many years I have
regretted my decision to part
with my aunt’s collection. Those
old used stamps would mean
more to me now than all the
many collections I have
stored and ignored.

Look both ways and appreciate the past,
but if wisdom comes with age,
accept it without regret, if you can.
Mind the gaps because memory is a strangely alterable thing.

NaPoWriMo 2024, Day 9, Ode to Shoes

As if I was Dear old Pablo, Keats, Shelly, or Sharon Olds, I’m to write an ode celebrating some everyday object. We have arrived at Day Nine of the annual challenge of writing 30 poems in 30 days (in April). I try to compose to the tune of Maureen Thorson’s National Poetry Writing Month (NaPoWriMo) prompts.

I looked it up. An ode is a lyric poem usually marked by exaltation of feeling and style, varying length of line, and complexity of stanza forms. Generally, odes show respect for or celebrate the worth of something. I picked shoes for this poem and have likewise paid homage to my shoes (click to read it) in the past.

Ode to Shoes

I don’t recall them all,
My shoes and theirs,
the big and the small.
I poemed about one
old faithful pair,
but every day
my shoes are there.
In childhood,
ones for church
and everyday ones.
I have 12 pairs now,
that’s few
compared to some
like the dictator’s wife,
famous for so many
(and little else).

Special ones:
combat or flight boots, hiking, walking,
running; and those god damn shiny Corfam oxfords,
or polished patent leather (or high-gloss plastic for my laziness);
house shoes, golf, football (cleats),
leather, and motorcycle boots,
protective shoes
and fashion footwear, too.

Sandals, flipflops, mules, and
post pedicure odd—one-time use flipflop-ish-es with toe spreaders,
sexy stilettoes
and smelly LGBTQ+ or not
Birkenstocks,
fetish shoes bring pleasure,
while golden shoes
promise treasure.
Wingtips for boomers,
granny shoes for nuns,
shoeless folks: singers,
runners (marathoners),
dancers, poets, cave men and women,
shoeless Joe Jackson,
and shoes that made the rich richer.
Glass shoes with fairy tales,
magic shoes, and you will run faster, promised shoes.

Corrective shoes and recovery
or protective boots and shoes,
so many!—too many kinds
and types and styles and purposes,
but all shoes for us to use.

I’m wearing shoes, slippers to some,
and I am wondering if we the people
have more shoes than any other
article of clothing (I don’t),
but why the hell not?

The wonderful, useful, purposeful,
functional, beautiful, sexy, ugly, everything—
there may not be such a thing
as the ordinary everyday shoe anymore.

Look both ways and wear good shoes
(whatever they are, appropriate mukluks, perhaps).
Mind the gaps because even cliff climbers have their own
(bicyclists do too) special kind of shoe.