Helen gifted us with season as the theme for today’s song lyrics. I’ve added an ‘s’ and selected the song Seasons of Love, written by Jonathan D. Larson. I went with the Glee version for the video (lyrics included). With this song, it is all about the lyrics despite a slow start. Hear/read it all the way through (three minutes) to get the complete message. I like it.
Look both ways in Spring, Summer, Winter, and Fall.
Mind the gaps and happy Yuletide, Y’all.
It is the season for love.
Am I dead when I cannot write? Did I stroke out? Are my feelings hurt? I can write. Shit! I can write drunk. I can always write! The haunting of the living, the thoughts, opinions, and feelings of others who may read my screed; so they bar me from my work, my art, my love. My inner say of séance. The ghosts of failure, the confusion of thought, the confessor imposter! The loss of muse; the stark naked strawness of boned-out creative nothingness. But, to fear bland boring blight? I can write. I’m physically mentally capable of stringing words with a good or bad mix into a pot or onto a page. I can write! I can always write; always, always, but not always write a win: my first Pulitzer. Needs work. Write words. I can write. Write?
©Bill Reynolds 12/20/2018
Look both ways, but life can only be written backwards.
Mind the gaps, they are spaces on your resume.
Is this all write right?
It is a story, a fib, a lie (if you like). I prefer reading and writing nonfiction (reality), but like any writer, I sometimes make things up and present them as literature. They also surface as fiction or reflections of imagination in my poems.
In my writer’s tool box are words, ideas, experience, knowledge, limited imagination, and scant creativity (I know where to get it), technology (a long list of software and hardware goes here), language, and some ability to read and write. Admitting my shortcomings as a journeyman of letters, I consider every editor I know to be a (god or goddess) helpful resource along with a multitude of other writers, authors, and critics.
I like to work with parable, symbolism, simile, metaphor, allegory and allusion, analogy, and soliloquy in poems and essays. I am talking about verisimilitude (all 14 letters and six syllables), or the appearance of reality or truth. I found that word on a list as I researched this piece.
When it’s not biographical and is just a story, it gets tricky. It’s not the writing. It’s what (WTF) am I talking about? Fiction resides in reality and truth. Fact can likewise be disguised in fiction. Names, dates, situations, and persons are often fictionalized in truth.
I know twins (grandparents) who, as children, were both present at a memorable and emotional family event. They both remember it well. However, when they discuss it, each has a different version of the same event, even though they stood side-by-side as eyewitnesses. Each is telling the truth, but how each one saw it and remembers it is different.
One of my favorite authors is Pat Conroy. Pat wrote autobiographical fiction. His stories were based on his real life: his family, people he knew and loved, his schools, his job as a teacher, and other real events. Indeed, his fiction was based (often heavily) on real life.
Conroy paid a high price in several ways. A lot of people got mad at him. Some fellow writers looked down on his creativity (or lack of) in using real world events and people to write fiction. I like the ties to the real. But that does not mean there was always such an entwinement. Other autobiographical fiction writers include Tim O’Brien, Sylvia Plath, Sandra Cisneros, and many others.
Sometimes I make up a story from a thought or memory, but the reality is only a setting or a trigger. It is not necessarily autobiographical or about current real-life circumstances. It is not a message to someone, not a plot applicable to my personal life, not real at all. Many people assume it is. However, sometimes (often?) it is all of that.
I like the ‘how-to’ memoir book by Tristine Rainer, “Your Life as Story: Discovering the ‘New Autobiography’ and Writing Memoir as Literature.” While one should never intentionally lie (fib?), it may be necessary to fill gaps in events with things that may not be exactly precise, true, and factual.
I have been told that every writer (artist or person) puts part of him- or herself into everything he or she writes. I agree. Still, not everything I write is real, or happened, or is about any real person. It may be about how I feel or what I experience emotionally.
Indeed, it was or is true or partly true, or the true facts as I recall them. Often, for me, my writing is a search for myself – for my truth, my honesty, my story, my interpretation of actual events. Maybe it’s just psycho-babble, but writing seems to be part of me trying to say something about me. I’ve written a memoir. It is unfinished, but I will get back to it.
I wrote a poem about a door. A suggested title was ‘An Ode to Agoraphobia.’ While the poem was not intended to be about any mental condition, after I wrote it, I realized it was clearly about fear of going out into the world. I’ve never had such a fear. When I researched possible submissions, I discovered that some publications only wanted it if I suffered from the malady. I ain’t sayin’ I do when I don’t.
The mag’s policy made sense technically, but it was a true poem about a real emotional or mental state that I can only imagine. I’ve written stories about men committing suicide and people doing all sorts of things I never have or will do. Human behavior, bizarre or normal, is interesting. Fiction and nonfiction rely on interest.
The catch is that when people assume what I write is directly associated with my life, they’re usually correct. People who know me personally would certainly assume autobiographical or nonfictional writing, especially other writers. They know how I work. However, sometimes it is just my overactive Irish blarney oozing onto the page with a bit of imagination peppered with fib to improve the taste.
And that, my dear friends, is the absolute truth.
Look both ways in fact and fiction.
Let reality peek into the gaps of light in everything.
Of course! Last week Helen cast the theme of boys. Today, it’s girls (oh hell yes!). I get to show y’all one of my favorites.
Picture me (older n’dirt), my son (40-something) and grandson (preteen), all rockin’ out to one of Opa’s (‘at’s me) major tunes. Here we go:
“Well, take me back down where cool water flow, yeh
Let me remember things I love”
The qualifying hook is the fourth line: “Barefoot girls dancin’ in the moonlight.” (makes Opa smile)
Please enjoy a great video of “Green River” written and sung by John Cameron Fogerty. (Green River lyrics © The Bicycle Music Company).
And hey….
Look both ways and mind the gaps, lest you get lost.
“An’ if you get lost come on home to Green River/ Well, come home”
Whoop!!!!
***
Good enough is not more shit of a leader’s pass, or the lesser of a prompt leading to a dump. Enough. Is it done? Submittable? Ready to rock primetime or roll in a sty? A thought, a dot, to words and to arms, concludes with brains on pages to be sniffed up into minds with more thoughts and dots. Or, not to be. More snot than thought. Did sniff think shit don’t stink? Good enough is a lie that will have to do because this the tragic end-point that leads to death by less than. What then? Bless the sweet little pickled brain of poisonous brine leaking worthy words of wisdom. Applause. I came, I saw, I failed; I came again, I dumped, they cried. It stinks. It’s good enough. Let it go. Unforgiven consciousness of the unconscionable!
©Bill Reynolds 12/13/2018
***
Look both ways with random thoughts.
Be mindful of blatant babbling gaps.
Good enough?
Helen’s theme for today is boys. I prowled through many songs about boys and by The Beach Boys and other groups with boys in the name. But I kept coming back to a song with boy in the lyrics; a song I really like: The Boxer, sung by Simon & Garfunkel, written by Paul Simon. I love the music, the story, and the lyrics. This song makes me yearn for something, but I don’t know what.
The hook lines for the prompt are in the first (‘I am just a poor boy though my story’s seldom told...’) and second (‘...I’m no more than a boy in the company of strangers…’) stanzas.
I selected the video because the lyrics are there and images get you through a lot of La la li, and Li la li, in the refrains. Great, great song.
Look both ways when runnin’ scared and laying low. Mind the gaps on 7th Avenue.
She walked into the majestic hall glowing with womanly confidence,
her body flowing gracefully, moving like a soft breeze across the floor,
all eyes looked as her light summer gown flowed on and off her soft satin skin
as it shed her refreshing scent, filling the air with the aroma of orchids.
He looked up to her as she briefly paused at the top of the grand stairway
as all sounds in the hall ended for him and he felt his heart fill his chest
with brightness and the promise of soon feeling her divinely elegant touch,
as he studied her footsteps gliding down toward him, his desire piqued.
Eyes on her, he rose up without consciousness of his actions, as he left Earth
and entered into a world of enchanted love and impassioned romance,
soon their eyes met and all visions of reality left their unconscious minds,
instantly they were face to face, then hand in hand, and finally heart to heart.
“May I have the honor of this dance, most lovely and pleasant flower?”
“Of course, mon amour chérie. You are the universal eternity I seek.”
The orchestra stopped playing, but everyone heard the heavenly music
of lovers in love as they moved effortlessly, gracefully to the dance floor.
©Bill Reynolds 12/06/2018
Look both ways, but dance arm in arm into the gaps of eternity.
I’ve been working on two other somewhat unrelated essays on the paradox of love for a long time. For months, it has been slow going for several reasons. It’s not the writing. Getting a handle on some aspects of human nature has been a high bar for me. I may be a little reluctant to publish — not totally sure why. Furthermore, I am multi-interested, but when I try to multi-task, as we call it, I FUBAR, as we also call it.
Romance novels are big sellers, and maybe I’ll write one some day. For now, I want to write about the reality of why we are as we seem to be. Romance novels are works of fiction, but there is some reality-based reason we read them.
Why do we love when we know we shouldn’t? How can we love people who do not love back? Why does our greatest pleasure, love, hurt? Why continue loving when it hurts?
And what does sex have to do with it? Obviously, with some love it’s ruled out. In other cases, it is expected.
Then I saw this poem in The Sun magazine. Part of the paradox of love for me is the pain. The pleasure of romantic love defies description (doesn’t keep me from trying). But is it enough to endure the “love hurts” painful kind of situation? Do we love people and wish we didn’t? Conversely, are there people we don’t love, but wish we did?
I would say no, but I would be wrong. Love overpowers all forms of wisdom, logic, caution, safety, and potential for pain. We’d lie for love, we’d die for love. So many of us go into relationships having experienced the pain and suffering, and knowing what another relationship might bring. Some of us are in those painful relationships. That is what is so great about it.
When I read this poem, I thought she had nailed it. That poem reflects exactly what I am talking about when I try to put the paradox of love into an understandable and logical framework of words.
Due to copyright law, I cannot publish the poem here, but the magazine allows me to post a link to their web page.
Please click this link to the poem Loving You Burns Like the Shingles by Terri Kirby Erickson and read it for yourself at The Sun’s magazine website.
I’ve added a little youtube of the song, Love Hurts, by Nazareth. Sorry for the downer. We love to love, and love is not a downer.
Look both ways, to the past and toward the future.
But focus on the here and now. Mind gaps in everything.
Unfortunately, Helen has had a difficult week. But, bless her heart and soul, she managed to recover enough to give us today’s Song Lyric Sunday theme: Last. I glommed onto Mary Jane’s Last Dance written and sung by Tom Petty (and the Heartbreakers).
The video is a bit weird in my opinion, but it’s all part of the game. Enjoy.
Mary Jane’s Last Dance (Tom Petty)
She grew up in an Indiana town
Had a good lookin’ momma who never was around
But she grew up tall and she grew up right
With them Indiana boys on an Indiana night
Well she moved down here at the age of eighteen
She blew the boys away, it was more than they’d seen
I was introduced and we both started groovin’
She said, “I dig you baby but I got to keep movin’…on, keep movin’ on”
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin’ in and I’m
Tired of this town again
Well I don’t know what I’ve been told
You never slow down, you never grow old
I’m tired of screwing up, I’m tired of goin’ down
I’m tired of myself, I’m tired of this town
Oh my my, oh hell yes
Honey put on that party dress
Buy me a drink, sing me a song,
Take me as I come ’cause I can’t stay long
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin’ in and I’m
Tired of this town again
There’s pigeons down in Market Square
She’s standin’ in her underwear
Lookin’ down from a hotel room
Nightfall will be comin’ soon
Oh my my, oh hell yes
You’ve got to put on that party dress
It was too cold to cry when I woke up alone
I hit the last number, I walked to the road
Last dance with Mary Jane
One more time to kill the pain
I feel summer creepin’ in and I’m
Tired of this town again
Songwriter: Tom Petty. Mary Jane’s Last Dance lyrics © Warner/Chappell Music, Inc
Look both ways, first and last.
Mind the gaps – consider the past.
Writers are story tellers and researchers who dig up things after getting lost running down rabbit holes. Mix in some historian, astronomer, anthropologist, math stuff, superstition, and observation of nature and mankind, and we charge into where only rabbits need to go.
My rabbit hole excursion involved time and our (USA/European) calendar. I’ve written about this before – Christmas in August, for example. So, I did some lookin’ stuff up.
Our clock time is based on a 24-hour day, determined by one 360-degree axial rotation of the planet. Calendar time is determined by the full orbit of the earth around the sun which takes 365.256 days. The spinning and orbiting do not come out even, so we have that .256 of a day to deal with. Thus, leap year and February 29th. But there is also the problem of the .006. If you don’t compensate for that, over time, things get off. It has happened.
What gets off? Easter. We had to get a grip on Easter. The solution was a new calendar. Can you imagine?
Computing the exact date of Easter is called computus. Obtaining an accurate calendar was one time when science, or observed reality, served the needs of religion. The Church needed to fix this. So, they did. And with the help of more than one mad scientist.
No shit folks. They feckin’ lost Easta and had to hire a guy to find it!
From first being questioned in 325 AD at Nicaea, it took more than 1,200 years to fix – hundreds more to get the Greeks and Turks on board.
Most of the world now uses the Gregorian calendar named after Pope Gregory VIII. It eventually replaced the Julian calendar due to the timing error. That six thousandths of a day made a big mess. But even with all of that, since Eastern Orthodox and Protestants were suspicious of everything the Roman Catholic Church did, it took hundreds of years for the Gregorian calendar to be adopted. The Pope’s authority was limited.
To bring on the new calendar in 1582, and to get dates properly aligned, 4 October was followed by 15 October, thus jumping 11 days. For approximately 500 years the world had two calendars (really it was more) due to religious mistrust within Christianity.
It took almost 200 years (1752) before England made the leap and adjusted from 2 September to the 14th. Historical rumor claims there were riots in London. The last European countries to officially adopt the ‘new’ calendar were Greece and Turkey in the 1920s.
I counted 34 different calendars in use world-wide this year (2018 or MMXVIII). I learned that horology is the name for the scientific study by horologists of time and the making of time pieces/clocks. I could not find an equivalent for calendar experts.
Time (Earth’s rotation on its axis) and calendar, (Earth’s orbit of the Sun) are closely tied, but the sources of measurement are literally astronomically different. We have time zones and an international date line, but we have no such logical place to start or stop measurement of a year.
Lunar phases come into play and there are lunar calendars. The Church had to deal with them, because of Easter. I know the moon is a big deal (especially when full), but I am writing a one-day blog, not a book. Back to my point.
When does each year begin? Whenever we say it does. Tradition and Greg’s calendar say we begin each year on January first. Why? Who says so? A long-dead Pope?
Another confusion issue with the Gregorian calendar is that it was adopted proleptic, meaning that dates prior to its 1582 inception were extrapolated back in time. For a long time, dual calendar dating was common. Born on 5 October 1254? Not so fast. All that work for a good, accurate calendar.
So, what day it is may depend not only on what religion you are, but also on what sect or denomination of the religion you are, what culture you belong to, and what calendar you are using.
I am thinking of the words in the song by Chicago, with a similar title, “Does anybody really know what time it is…” Do we care what day it is? Yes.
Currently, a new year begins when we are about a week into the northern hemisphere winter. Nothing really ends or begins after 1 January, just some ‘back to’ stuff like school or work, the grind, the salt mines. It’s depressing.
The new year should begin the day after Labor Day, in early September. It just makes more sense. The first Tuesday after the first Monday (Labor Day) would be when the year begins with a four-day weekend. Just move Auld Lang Syne and all the other new year’s traditions back a few months. Football would be just beginning instead of ending. Summer would be almost done, instead of the beginnings of winter.
Fall is already the holiday season. It’s when school begins and life changes. What mo’ betta’ way to bring in the New Year?
Get rid of Columbus Day (or whatever you call it, apparently, he was a dick anyway) and make Halloween a day-off – a real holiday. Pass a law that every normal person must costume up and wear a mask. Instead of trick-or-treating, kids must sing songs for money or candy. Make the day after Halloween even more spooky. Maybe graveyard parties? Bring back Decoration Day but make it Night. Cool!
Vet’s Day is good, but can we move Thanksgiving to something other than a Thursday? If we go with Friday, we can have Black Saturday, Purple Sunday (or Advent day one), and Cyber Monday, as is.
Pass a law that every kid with a birthday in December must have a party (and a good one) in June or July. Require gifts for the first 6 years. Align all the other holidays with Christmas and Yule and make the celebrations 12 days long. Light candles. Or move Christmas to August, as I’ve previously suggested. Think of it. All those f**king Christmas decorations gone by Labor Day (another law).
After New Year’s Day, add Saint Patrick’s Day as a day-off federal holiday and call it Green Day. Require everyone to wear green, drink beer, and eat corned beef and cabbage. Have a similar day for every other immigrant ethnic group there is. If an Indigenous People’s Day is needed. I suggest May first. Wait. What day was Custer’s Last Stand? Make it late June and make Juneteenth a holiday, too.
End the school year on or before June first. Make summer work vacations 20 days long. Require everyone to travel and to spend money with friends and family and to have fun for two weeks. The other six days are for trip prep and recovery. It would be an economic stimulus of the happy kind.
We determine how this goes. We, the people, make the decisions. Pass a law making it illegal for elected government officials not to do what we want. Add a law that jails them if they do not do the things they promised to do while campaigning. Include all presidents. Demand a new government agency to determine and ensure that everyone has life (health), liberty (freedom to choose), and happiness (even if they must go to the dentist sometimes).
But first, let’s fix the damn calendar. Remember, Labor Day is the last day of the year and the following day begins the new year, no matter the date. It would dress up one Tuesday of the year for someone and she’d get all sorts of Happy New Year wishes. A lot could change, until the following Tuesday.
Have a good time. Does anyone know what day or time it is? Does anyone really care?
Look both ways regardless of the days or what culture says.
It is only 2018 if we say it is,
and there have been calendar gaps for as long as
this mote of dust has hung on a sunbeam.
The most inclusive happy holiday song ever. A fun watch, if yer up to it.
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