Creativity and aging
There’s too much information available to cover this area adequately. My research indicates that we become less creative as we age. Perhaps we do. But I would not say ‘less.’
We change with age: physically, mentally, and emotionally. I think we also change creatively. I don’t think we become less creative so much as our creativity becomes altered as we adjust to all changes in our lives. Certainly, significant aging and mental problems (dementia) and physical illness have their effect.
Blocks to creativity
Creativity is an attitude. Our curiosity sleeps with our creativity. The more curious we are, the more creative we seem to be.
There are too many blocks to mention each one. We all sometimes have blocks.
When I tell people that I am not as creative as they are, they often want to fix me – to give me advice on how to be more like them (do as they do, believe as they do, be as ‘open’ as they are). They would also advise me to be myself, blinking not an eye at the irony.
I don’t say that I’m not creative. Of course I am. Everybody is creative. But we are not all the same. My creative nature is more sensitive to that of other people, thus they are my preferred source of inspiration. I confess: I struggle with creativity. Many of us do. So what?
I think the blocks to our creativity begin at birth. We are born creative. As far as we know, it is a uniquely human trait. Children are wild with the creative process (in most cases) based upon the behavior we can see. We don’t know what we can’t see. We do not know the thoughts of others. We only hear what they tell us. Over time, our creativity struggles with life, society, judgement, our own human condition and nature, as well as that of others.
We don’t know what creativity is (no, we really don’t). We only know when we have it or when we do not. We can see it in the work or behavior of other people, but we cannot see into their minds and hearts. Like quality, we know it when we see it.
Value of music in creativity
I can read while listening to classical music (no lyrics), but no other genre. I must write in virtual silence. But I also find music as stimulating to my own creative process as anything. I have no idea how it would go if I did what a so many other artists do with music. But I know this: it helps in two areas.
One is in the magic of creativity itself. The other is in the execution of the work. Think of these two aspects as you watch Jonas Gerard (age 75) in the video below, creating with live music at his studio in Ashville, North Carolina.
“The rhythmic influence of music is an important part of his (Jonas Gerard’s) artistic process…. The music allows him to work unpredictably and intuitively, kicking it into another mode and bringing it home to a subconscious space where he can respond to the rhythm, and the direction the paintings suggest to him.” (from http://www.xanadugallery.com/2013/Artists/ArtistPage.php?ArtistID=7399)
The following is good regarding music.
“In addition to stimulating creativity, music can help contribute to the development of a more creative mind.”
“Creativity is within each of us and the very reason the world exists.” ~ Frank Fitzpatrick, Why Music, Part 6: Music and Creativity
Einstein was interested in both creativity and music. He tied the two, even suggesting he would be a musician, were he not a physicist.
“If I were not a physicist,” he once said, “I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music … I get most joy in life out of music.” ~ Albert Einstein from Alice Calaprice, The Expanded Quotable Einstein (as quoted by Fitzpatrick)
Afflatus [əˈflātəs/] (n)
Afflatus is a divine creative impulse or inspiration. The word literally means inspiration. It does not refer to the usual sudden originality, but to the staggering and stunning blow of a new idea, an idea that the recipient may be unable to explain.
Add music to this and creativity becomes limitless, in my opinion.
Duende [do͞oˈendā/] (n)
Duende is the mysterious power of art to deeply move us. It’s a quality-level of passion and inspiration that may be felt by anyone. It can be the artist as they work. It can be the observer of the piece, the reader of the text, the listener of the music, the watcher of the act or dance.
When you are next moved like this, speak to the spirit within you, “Ah, my Duende, you feel it too?”
Mental health and Creativity
This is confusing, and for some of us, maybe a bit dangerous. No one is more artistic, creative, or on a higher creative plane because they suffer a mental malady. We can be both mentally ill and creative. How one effects the other is unknown.
There is sufficient research to indicate some correlation between the two. But nothing indicates that being drunk, high, depressed, or any other mental condition causes people to be more creative. Normal healthy people can be, and are creative. Throughout history, the same can be said for troubled artists and creative souls. It’s the difference between ‘because of’ and ‘in spite of.’
Letting Go
I can now move all books on creativity from my writing table to the bookshelf from whence they came. I want to thank Elizabeth Gilbert for Big Magic and I am grateful to my friends and fellow artists/writers who suggested it. While I still have a lot of issues with what Gilbert proposed, I wouldn’t have taken the time to do the work had I been in total agreement with her.
From whatev
er source your creative ideas flow, may they flow to you in abundance. May you be orgasmic, chilled and thrilled with ideas, concepts, and plans. May you make the best of all your days being creative and doing your thing (art, writing, music, etc.) and enjoying the universal gifts shared by others. May the spirit of duende haunt your heart and mind, thus bringing you to a spiritual bliss as only we humans can experience.
I do believe that to a degree, suffering is optional. I’ve seen people suffer unnecessarily, and I’ve seen those same people get over it.
I think that what Liz bemoans is using suffering as justification to be creative, talented, or gifted, thus making an excuse for hanging on to the bottom. We shouldn’t suffer just because we think it improves our work. I’m concerned because I know people die on the bottom. I’ve experienced great things from living artists, suffering or not – nothing from the dead ones.
To love what you do, and the love of doing it, even when it is gruelingly difficult (and maybe more so when it is) may be the answer. What I’ve read seems to recommend this. Love your art! Do it for the love of the work, the art, the creativity, the experience. As Stephen King says, do it for the “buzz.”
Is it all that important to be a thin, white, dark-haired, strong, male member of this country? We seem to think so. I hope that continues to change.
I am retired. All the shit/crap that I put up with for all those years of school (nuns-groan), yes, sir and no, sir; kissing up to very few idiot bosses (most were great), scrimping and saving and working – it was all worth it. As my wife would say, “Rave on, dog shit!” And so I do. Every day is a weekend and I can do what I want (with her permission—I’m old, not stupid) whenever.
Fear is normal. We all experience it and depending on the circumstance, it is a prudent thing. Mostly, we seem to fear the unknown. I like many lines in the movie As Good as it Gets, staring Jack Nicholson as Melvin Udall. One of them is Udall to patients in a psychiatrist’s waiting room, “What if this is as good as it gets?” While things may get worse, what if they will not get better. Strange as that may seem, if true, the shrink will soon be out of business. Each patient’s fear may remain in that their problem may get worse, but now they could focus on dealing with life from a different (albeit less hopeful) situation.
A child playing shortstop has a line-drive hit directly at them, they will likely duck and the ball may go into the outfield, thus the batter gets on base. This is true due to a justified fear of being hit with rock-hard baseball suddenly streaking like a rocket toward their head. An experienced shortstop may adjust body position slightly, but will watch the ball and attempt to catch it. The latter is the safest choice in most cases. Experience and confidence payoff successfully in this case. The batter is out!
It is indeed true. Fear is there. It can be helpful or harmful. It depends on how we manage and deal with it.
I’ve been trying to figure out how to review Elizabeth Gilbert’s book. Developing a plan for a contrary opinion of Big Magic is like trying to figure out how to swim upstream against hordes of powerful whales and others going against me. The book has an 89% four/five-star approval on Amazon. The high praise of editorial reviews includes: #1 Globe best seller, the Washington Post, Cosmopolitan, Huffington Post, Daily Beast, Harper’s Bazaar, Christian Science Monitor, New York Times, Associated Press, Yahoo, Seattle Times, USA Today, Vanity Fair, O Magazine, San Antonio Express News, and a few of my friends.
In trying to figure out how to handle reviewing her book, I’ve decided not to. Instead, I plan to write several blogs on creativity and associated aspects of that human phenomenon, paying special attention to writing, my own issues, and my point of view. I also plan to add other books and input from others to the mix. If you have suggestions or input, please add your comment.
Two memories from my youth relate to this post. I recall my mother frequently telling me that I was contrary. She would say, “Now Billy, stop being so contrary.” She could have chosen from many words: obstinate, difficult, stubborn, negative, or silly. Actually, that’s not true. She used silly a lot, as in, “Silly-Billy.” I actually liked being called silly and still do. Today, such a fun-loving attitude coupled with silly behavior would prevent a diagnosis of Oppositional Defiance Disorder (ODD).
As a youngster, I did have more than my share of confrontations with adults, especially those in positions of authority. I admit it. Mom was right (aren’t they all?). I was often contrary and many synonymous terms applied equally well. I confess that I enjoyed being difficult, most of the time. Sometimes, I paid for it. Some say I never outgrew my contrarian attitude.
The other memory comes from the time of my early to mid-teens. I don’t know where if came from, but we adapted a phrase for a while that was intentionally meaningless, but we said it – a lot. It was kind of an early version of whatever! We would say it to each other and often to adults. We always knew exactly what the adult retort would be. The locution was Yeah, but, or yeahbut. Today, the Urban Dictionary says yeahbut should be followed by f**k, but we seldom used those words in combination.
However; yet, nevertheless, nonetheless, even so, still, notwithstanding, in spite of that, for all that, and all the same; I do like butts. Some more than others.
The End of Faith has been reviewed extensively since its first publication, but I need to pipe my opinion. With my gradual understanding and knowledge of Sam Harris, this book came to my attention as an eventuality. I’ve read only one other of his books (Islam and The Future of Tolerance), but I intend to read them all. I like his approach and what is, in my opinion, his open mind regarding universal principles which not everyone (atheist or not) shares. Anyone who thinks that all atheists share the same thoughts, opinions, or principles with each other does not understand them. The thesis of this book is no exception.
So I snuck like a Ninja, undetected by the dozing, fat, fuzzy feline. Then, my stomach rumbled because I was hungry. Cats have very sensitive hearing. She woke up and chased me. I quickly climbed some drawers to the stove.
Our Literary Journey 