Poetry: It’s August Again


It’s August again. Just another
one of twelve named collections of days
to mark our planetary position
relative to our Sun, called sol, in our
solar system spinning reliably about
in some outer spiral arm
of our Milky Way galaxy. Our home.

August is supposed to mean something important,
like some Roman title signifying reverence;
to hold in high regard. I don’t do that for August.

As a child, school started next month,
I was often bored, sunburned, a year older.
Halloween and Christmas were far off.
I feared some raging red-faced nun’s pounding footsteps
and bone rattling beads storming my way,
with some weapon of horror in her hellish hand.
Hormones made me feel things I didn’t understand.
I still don’t get all that. Crazy life.

As an adult, August now means hot and dry. West coast
wildfires raging on while US Forest Service bureaucrats
either fight or fiddle for smarter management
policies for mother nature to ignore.

I try to be respectful of August.
It’s the end of summer, the gateway for September
as promised glories of Autumn soon fall upon us. Coolness.
And color. And feelings. October promises more.
My apologies to summer lovers, tanned bodies,
teacher’s times off, vacations (because kids), and to Caesar.
I say it every year. Only Christmas can save August.


Look both ways to seasons past and yet to come.
Mind the gaps in government policies.
They’re only human, even if they can’t admit it, until the mic is hot.

Sammi’s Weekender #121 (thwart)

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Of Gems or Germs

They number in trillions.
Too many to census tally,
on insides and outsides of every
human body, we each have
our own personal repertoire
of microbes keeping us alive.

In typical foolish human fashion
we’ve tried to kill them
with discovered miraculous medications,
intending genocide to thwart some few
deadly troublemakers by misusing
mass murder techniques, all
to our own peril and demise.


Look both ways for the connections of all life,
the great and the small.
Mind the gaps of gods and science and don’t be fooled by prophets or profits.


 

Poem: Black Diamond Banks


They were big, ugly, dangerous,
and ubiquitous to us. Black piles
of sandy slag, hundred foot high
hills of grief daring us
to climb to the top, for no reason,
sometimes at our own peril.

This stuff was soft like black, dry
quicksand. My foot would sink
and the slag would rise above my ankle,
sometimes to my knees,
allowing the scree into my shoes.
Each step was a challenge.
Maybe that’s why we climbed,
for the challenge, the thrill, the view,
perhaps the danger.
We’d been warned not to go.

Sometimes culm banks caught fire.
Children fell into their sink holes
and suffocated. Anthracite coal
was the black diamonds of the barons,
deadly job resources for citizens.
All overlooked, denied, or shrugged-off,
both human exploitation and environmental
degradation. They were witnesses
to the need and to the greed.

I didn’t know it then,
most of the world’s anthracite
coal supply was crushed by eons
of pressure beneath my feet. It was also
why we were there: the sons, daughters,
and grands of the men who built the banks.


Look both ways with two perspectives, theirs and ours.
Mind the gaps as you watch for the traps.

One of several historical societies in Northeastern PA is the Luzerne County Historical Society

Poetry: Sammi’s Weekender #220 (oasis)

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Sanctum or Asylum?

Refuge comes
at great cost.
This oasis shades no reality.
Sanctuary offers
only twisted truth.
Each prison is of my making.
I must move on.
I’ll never be free
of my past.
Change
or paranoia will hand me
fearful death.


Look both ways for any port in a storm
but learn to dance in the rain.
Mind the gaps as you seek the road less traveled.

Poetry: Enigmatic Paradigm


Bukowski said
he dedicated much of his life
to avoiding people.
Humanity, he said.
Yet he wrote about people.
So, I assume he failed,
or he lied.

An allegedly unwilling celebrity
bemoaning attention,
lambasting unlively banality,
complaining constantly
about women. His ladies.
Many men, too.

I understand the blessing
of being alone.
I like many fine souls, yet I confess
to not always being kind
(yet not exactly cruel) to
undeserving deplorables.

Hank asks; is he ugly,
unkind (sometimes),
misanthropic, or misogynist?
Some thought so. Maybe he was.
I really don’t know.

Crackpot, with no hope of love?
Bitter and unfair?
Did he put glass in our sandbox?
Was he without morals or mercy?
(Maybe he was.)

Is he my phantom’s mask?
or am I his? Or yours?
What is truth? What love?

I neither know nor care
what most others thought
of Charles Bukowski.
He’s long dead. But
I read and re-read his poetry and prose.
I must have some reason.
Do I want to know my reason?
Do I care?
Or, is this one of those things?
His paradigm, or mine?


Look both ways when considering and discerning humanity.
Mind the gaps. Every day is judgment day.

Friday Fictioneers 7 – 16 – 21

PHOTO PROMPT © J Hardy Carroll

Untitled flash fiction for Friday Fictioneers. 100 Words.


We were fifteen and looking for a place to shoot. I carried the pistol.

We walked railroad ties near idle coal mines.

Jimmy saw abandoned warehouses and ran ahead.

I heard him scream. I clicked off the safety and saw two men kicking Jimmy.

I yelled, “Stop!” One guy charged. I shot. I’d dropped the gun when it recoiled.

The other guy charged. I picked it up and shot two more times. He tried to run away. I shot again.

We pushed the bodies down an old coalmine shaft.

Jimmy is gone. I alone know where those assholes are buried.


Look both ways and keep your powder dry.
Mind the gaps between the ties.

Sammi’s Weekender #217 (requisite)

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Tread At Your Own Risk

American men and women at war,
fighters. May I call them warriors?
For their military service
we want to thank them.
Combatants
share experiences
only they understand.
Only they feel it.

Requisites are hated enemies,
courage, weapons, desire for glory, fear,
comrades, pride; and a cause
to die for, one worth killing for.

There’s more.
Much more.
They carry much.

To fear death, or not? To love
and despise simultaneously?
Is war forever part of humanity?
Are we the only creatures
that kill our own for no reason? Just to kill.
To cause death unnecessarily?
Is that combat?


Look both ways for glory and dishonor.
Mind the gaps between mind, heart, and soul.

 

Poetry: Limestone Walker


That so-called stone surface facial of
sedimentary calcium composition
of old fossils, fragments, and ancient scree;
rocks of gray, white, yellow, or brown.

Ubiquitous to trails I hike,
fine for stepping over hazards
or tripping face-first onto hard rocks,
or into some mud puddle or other.

Soft and effervescent in any acid,
yet porous enough to spawn tree or shrub
growth or provide unlimited grot hiding places
for so many critters of the Texas wild.

In a metamorphism of glory,
stones ugly and pitted,
covered with algae, moss, and mold;
magically recrystallizing into fine marble,
given enough time.

Fittingly, oxymoronic as soft rock
used as stones for walls,
or as naturally difficult primitive paths,
or cliffs to climb,
or pathways to find,
so many new trails to blaze.

So much staining, like inked tattoos,
painted with organic rust;
constantly crumbling, chipping,
peeling, spalling, weathering,
and eroding away;
just like me.

A stone-cold darkness arising from dampness,
striving to save archaeological history,
the professional province of geoscience,
ignored by hikers and walkers, but not
missed by the conceit of poets.
We seem to see it all.


Look both ways and watch your step,
for real and with a metaphor.
Mind all the gaps. Trip at your own peril.

The Greatest Gift

There’s joy,
in the smiles of others,
in visions of those we love,
people we care about,
that is where truest,
most honest, happiness thrives.

To see such dancing zest is to feel
the same in my bones, heart, and mind;
while tears of delight run down
my cheeks. When babies laugh.
Hope laden felicity. Even
an old man simply must smile.

To sing and dance
with those we love most,
to see and hear them rise
in rebirth to life’s glorious days,
to overcome fears and sadness
that come with what we call
our human condition.

How strange, that we may
give or receive no greater gift,
no higher prize,
no nourishing of the spirit,
no deeper love than to allow
others to be and to see us
high on being alive.
Even more, to here and now
let love swirl among us all. Hallelujah!


Look both ways for the joy of love.
Mind the gaps, but live and let live.

Poetry: Bloqueo de Escritor


My brain
or is it my mind?
Whatever. It’s rebelling.
Just for today,
as they say in AA.
It will not allow
even a crumb
of creative thought
to come in,
much less,
fall
to the page.

“No, no, no,” it says,
“I will not go!”
As I sit here.
(Ever have this?)
It feels like fear,
but otherwise,
I’m empty
of emotion and purpose.
Where to start?
Much less, any thought
of how to finish.

Just this silence.
The sleep that disallows
doing the exercise,
I’m unprompted
with lines pulled too tight.
I feel stymied
by an overworked
empty whiteness.

Sometimes,
it simply does not
work for me. I’m sorry.
I have ED of the mind.
I should leave.
Take a nap. Wane a bit.
They call it “block.”
I’m sure it’s temporary.
But what a shitty
suffocating feeling.
I feel museless.


Look both ways for the walls of chaos.
Mind the gaps, gasps, and gyps. And this…

“Many people hear voices when no one is there. Some of them are called mad and are shut up in rooms where they stare at the walls all day. Others are called writers and they do pretty much the same thing.” – Margaret Chittenden