NaPoWriMo: 30 poems in 30 days (day 26)

Day 26 prompt: write a poem using responses to an Almanac Questionnaire of 23 questions as the basis. My 23 responses follow the poem. Additionally, I used the 80s song, Everybody Wants to Rule the World by Tears for Fears, for inspiration. A video of the younger Fears for Tears group also follows the poem. I selected this version for the sights as much as the sounds. There are several other good videos, including a late cover by LORDE, which is very (scary) different.


Welcome to my life
What’s done is done forever
Even my dreams are unreal reality
Rain, colors, pennies, and cats
Distant mountains, local culture, answers
With no questions, lovers and indecisions.
Do I want to rule the world?

Dragon music in the distance
Mixed with drums of tribal nuisance
But the path to take, I cannot decide,
Is beauty in the freedom of my pleasure?
I fear the pain that lasts forever.
Do you want to rule the world?

Is there life atop the steeple?
As walls and halls crumble, AC to DC?
Can I answer her questionnaire?
Welcome to mi vida loca, a happy
blessed by sad. Does anybody
Want to rule the world?

Married to my convolutions, may
Her memory Bern my conscience,
The alley of answers to many questions.
Can responsibility, freedom,
Or love rule the world?

The headline news is like this:
A virus. We’re all basically screwed.
But nothing is good or bad, and
Nothing lasts forever. Of this
I am certain: I do not want
To rule the world.


Look both ways to answer questions.
Mind the gaps.
One poem, twenty-three answers.

Almanac Questionnaire

Weather: I prefer rain to hot and dry.
Flora: Color variation is good. Green is a favorite.
Architecture: I like old church architecture, both inside and out.
Customs: I’ve never liked shaking hands, I don’t love everyone, and I hug only favorite people.
Mammals/reptiles/fish: I like dogs. I prefer cats. Both are pets. I respect nature, but it’s not safe.
Childhood dream: Hard to say, but I always thought something was not right. Unlimited candy?
Found on the Street: Pennies for luck, treasures no one wants but me.
Export: Wendell Berry prefers local economy. I understand why.
Graffiti: One man’s trash is another man’s treasure.
Lover: Everyone should have at least one.
Conspiracy: There are some, but everything is not.
Dress: no ties, comfort before culture, some sweatpants are nicer than others.
Hometown memory: The distant Poconos.
Notable person: Mom.
Outside your window, you find: Texas
Today’s news headline: The NY Governor is an interesting person. The TX Lt Gov is not.
Scrap from a letter: I wish I still had the letter my father wrote to me.
Animal from a myth: Dragons
Story read to children at night: Once upon a time they lived happily ever after and other lies.
You walk three minutes down an alley and you find: the answer to the question.
You walk to the border and hear: music.
What you fear: mean and stupid in the same person.
Picture on your city’s postcard: Coal miners, cactus, and rivers.


NaPoWriMo: 30 poems in 30 days (day 25)

Day 25 prompt: write a poem using Hymn to Life, a long poem by James Schuyler as a guidepost while following the prompted suggestions of Hoa Nguyen. Write for at least 20 minutes.


The Big Event

It is morning. Friday morning. It’s the day. The day when I risk my life.
Sitting up, I remove my c-pap mask. I walk to the master bathroom.
After peeing I wash my hands. I walk to the living room.
Yolonda says, “It’s going to be 94 today. Walk outside soon to be cool.”
I make coffee, black, with a red wine-colored maker. I add milk.
I move things in the sink and on the counter. I wash my hands.
I say, “We must complete the list. I go to the store today.” I take
the last orange. A happy fruit for a poem. I sit and type on my laptop.
The sound of The Price is Right is distracting as I read about oranges.
Back in the kitchen, I do inventories of shelves, fridge, and freezer.
She rewrites the list, an orderly plan for the store. I add milk.
I don’t see her list vanilla ice cream. I wash my hands.
I review the list for items and order. I plan movements and wonder
if alcohol or disinfectant will ever be there again. I take morning pills
with coffee and pour frozen blueberries into a bowl, then some granola
I made yesterday, and I top with sliced half-a-banana. I wash my hands.
I check the list for frozen blueberries. I go back to my lappy to read more
about the fruit and the word for the color of orange while eating cereal.
She comes in and we talk of things like food, adult children, grandchildren,
politics, and humor. I take my empty bowl to the kitchen and rinse it.
I wash my hands. I look at some sketches. Draw lines. I look at my painting.
I add green, purple, brown, and blue. I wash my hands. I get dressed.
I inventory my pockets; wallet, handkerchief, pocket-knife,
notebook and pen, keys. I put on gloves to retrieve the trash can
from the curb, leaving the still full recycling bin. I remove the gloves.
I wash my hands. I wash my glasses with shaving cream.
In the car I notice the full gas tank is on week three. I don sunscreen sleeves
and sunglasses. I back out and drive to a grocery store. I park.
I wear a blue surgical mask and darker blue, almost purple, surgical gloves.
I pull up a bandanna-like scarf over the mask. I notice others
with masks and gloves. I feel like a team player. I retrieve a cart.
The young man at the door hands me a wipe.
I wipe the cart and trash the wipe. It begins. I risk my life // for food and drink.
No rubbing alcohol or disinfectant. Too many close calls // less than six feet.
I see men without masks. Republicans, I assume. Why do they believe that?
And not this? Which checkout line is shortest? I follow the rules. I thank them
and go to my car. I load it and return cart to a stand. In the car I remove masks,
realize I wore my sunglasses the whole time. I carefully remove gloves. I wash
my hands with sanitizer and drive home. I put on different gloves
to check mail, carry in deliveries, and retrieve the recycling bin.
I remove those gloves, then I remove store items from plastic bags into cart.
Yolonda takes the cart into our house. I open delivery boxes. I wash my hands.
We discuss the overall condition of store, the virus evasion, what they had,
and what not. We buy real food. Ice cream is real. It’s too hot to walk.
I write and sketch and paint. I didn’t see a text she had sent.
I feel like I cheated death one more day, one more time. I wash my hands.
Our internet and cable TV are down. I write anyway. It is Friday.


Look both ways while shopping.
Watch for people, carts, and items on lists.
Mind the gaps before they fill with carts and shoppers.
Wash your hands.

NaPoWriMo: 30 poems in 30 days (day 24)

Day 24 prompt: write a poem about a fruit. Where do we get the word for the color when we mix red and yellow?


A Norange by Another Name: Orange

What shall we call this yellow-red color?
Geoluhread was, but is not right. From China
came five centuries ago the answer, a round
citrus fruit. We shall call it orange, as is the fruit.

See the color, not persimmon, pumpkin, or tangerine
they are all orange. See textured shiny bright rind
hiding yellow seed, white albedo pulp and triangle
segments of juicy sweet meat for kings and queens.

Feel the firm round breasted textured shape,
softly, almost spongy, heavier than an apple
with a protruding nipple or navel or pedicel
from the flower of past blossoms mating.

Smell the fragrant fruit, the peel, the acceptance
of inviting sensual aroma used in fine perfumes
or arousing essential oils. Hold the orange
to your nose, near your lips, take her home.

Taste the tangy citrus flavor after peeled,
soft, bitter skin is removed, baring mixed taste
and aroma of sweet bliss, a robust exiting,
acidic-sweet flavor sliding into your mouth.

Hear the soft sound of bursting flavor,
for quiet wet eating, the soft thud when
dropped or tapped. Hear yourself masticate
briefly before swallowing treasured pleasure.


Look both ways for the common and the rare.
Mind the gaps, by any other shade, tone, or hue, and orange is still orange.
The fruit came before the color.

NaPoWriMo: 30 poems in 30 days (day 23)

Day 23 prompt: write a poem about a letter of the alphabet or letters forming a short word.


Words of Woe

You came to save us from distress,
simple, yet smart, and set in Morse code:
dot dot dot  dash dash dash  dot dot dot,
signaled in sight, sound, or touch.

S O S, an ambigram palindrome with
a beat in songs by Abba, Avicii,
and Rihanna with a telegraphic
message of mayday, mayday, m’aidez.

From Germany to boy scout merit badges
to beach branches and mirrored flashes,
your footprints in the snow, simple,
unmistakable, unambiguous.

A call . . .  for help – – – to be heard . . .
around the world.
Sometimes something lifesaving,
too often, distressfully not. S O S.


Look both ways for signs and signals of distress.
Mind the gaps for the meaning of space and time.

NaPoWriMo: 30 poems in 30 days (day 22)

Day 22 prompt: write a poem inspired by an idiomatic phrase from a different language or culture.


How about both? I selected avoir l’esprit d’escalier (or avoir l’esprit de l’escalier), a French phrase that means to have the wit of the staircase. In English, we say escalator wit or afterwit. It refers to not making a repartee or a quick, witty reply, or clever comeback. The French admire and train for avoir de la répartie (the witty comeback) as part of their national sport: arguing and debating (so said dame de l’enseignement du français, Camille Chevalier-Karfis).

This idiom refers to thinking of your comeback after leaving and reaching the bottom of the stairs. The philosopher Diderot wrote about it around 1775, so it’s not a new thing.

Credit: Jim introduced me to this phrase a several months ago. Thanks hombre.


Right Back

I enjoy arguing. I even took argumentation
in college and I still twiddle with logic. But, I no
longer can find that safe place or person to engage
in a bit of désaccord amical. Is it me?

Am I sensitive to condescension or the ad hominem
manner I dismissed in my youth? Have I lost my edge?
Do I fear my own cuts to the core? I wish no harm.
In the past, I assumed my words were salt seasoned.

Am I more concerned with keeping the peace and less
with truth or finding fact? Can I call it at all, much less
like it is? Can we drink and swear, and point or turn
the voices up, yet go home friends who share more?

Is it my own l’esprit de l’escalier which forces me toward
and another thing … an hour later? Do you mean more to me
now than back then? Am I protecting you from me, me from you,
or is it some witness to the kerfuffle of wisdom and wit?

Or perhaps my heart and soul, my being me has fallen
into an age of mellow. Maybe I am diluted by political
and religious sensitivity, and by correctness of a culture
that wraps truth in euphemisms. Me? No way, José.


Look both ways in the world for cultural differences and similarities.
Mind the gaps, but know we are all connected.

NaPoWriMo: 30 poems in 30 days (day 21)

Day 21 prompt: Find a poem in a language you don’t know. Write a “homophonic translation” of it by trying to translate it based simply on how it sounds.


I discovered a poem called Freagra Scéine ar Aimhirghin (Scéine’s Reply to Amergin), by Irish Poet Paddy Bushe. I loved it in both English and Irish. May the Irish people, Mr. Bushe, and history forgive me for following this prompt. I can’t read or speak Irish, so I had to listen (line by line) to the YouTube video of the Poet reading the poem in Irish. The video also had it in English, with an Irish brogue, of course.

The video is at the end of this post, if you want to hear what it is supposed to sound like. It puts this beautiful poem into mythical perspective. My efforts resulted in something of a nonsense poem, but it mimics the sounds of the Irish language poem.


My time today, tomorrow
It is my feeling that leaving
May town dealing through
It’s sliding through and rough,
My true goal is standing there
It’s my paining and moaning
Mach down a shower tune
Church a go miles for what hereafter
My shower cool and inviting
Barn odd to be show goer
My doer is a free man now
Brewing fear in the mind at night
My tool is falling often
Behold, the evils Liam and we’un
My touch can matter too
Garfield got back at the father good
My brogan needs a line
Meow the cat sounds very sick
Mass looks evolve through
Ride go to it, on it
My true tome hate ya
Miss of May, hey ya got
I’m being fair to another,
Chicago in a tangle lost the art
My being thin skinned changed that
Shares the shield a penitent

Cough if you need, kay rated the ballast, Dummy
Kay the raid baldish, kay runs grinning a gallop from
It’s now known as Glock show, and is soulish, given an edge
My hand and skull left, buckled and suckled, my name’s Sinead.


Look both ways in any language.
Mind the gaps and do the prompts.
Let no challenge be untested.

NaPoWriMo: 30 poems in 30 days (day 20)

Day 20 prompt: write a poem about a handmade/homemade gift.


What Matters

For the man who has everything
or who could, if he would,
make (don’t buy) to please.

Amazon does not have your heart
nor your hand, and Bezos does not
need your money. In the end, it’s you
that is my gift, so keep it simple
and easy. Go underboard, if you’re able.

Spend less. Write or read, sketch or draw,
don’t buy me a book. Read one and tell me
all about it. Write me a four-line poem.
Sketch a joke caricature of me.

Write a note that says you love me,
put on lipstick, kiss the paper, and send it.

What I want from you is a bit
of your time and attention. Just briefly.
From you to me is all that I need.

Here, let me hand you this notebook
and this pen, in the time it would take
for you to scribble a quickie phrase…

I’ll be happier, no internet search required,
a treasure like no other will I have,
and you will feel better too. Trust me.
It’s not that I ask little,
it’s that I want you. I know what matters.


Look both ways and slightly behind.
Be safe. Mind the gaps in your masks.

NaPoWriMo: 30 poems in 30 days (day 19)

Day 19 prompt: write a poem based on a “walking archive.”


The Spring Draw

Spring replaces Winter’s browns and grays
with shades and hues of green, some pinks
and whites in the trees. And more rain,
and wind to help insects spread pollen,
the whole point being new life, hope,
and promises of Summer to come.

Even the trails lay a carpet of green grass,
soft to my steps, comforting. To the sides
more color and tones of red and blue,
orange and proud yellows mixed with white,
every color and shade seems bright.
Both quiet and loud, and deer appear,
rutting passed soon we’ll see fawns running.

I pause often to photograph or admire
this gallery of natural art, walking on my trail,
some path remains, limestone rock
for stepping or tripping as creeks and washes run
wet with rainwater, animal prints in mud,
views obstructed by leaves fresh and green.

There is beauty even in the old dead trunks
of former mighty oaks, with knots and holes,
still standing tall and proud, some down
yielding to stormy winds, the promise still
of awakening even the soil of the Earth.
I sit to rest and to ponder or brood,
to drink and to stare and admire,
and to pity many who have seen
neither tree nor forest, nor felt the happy
heart of a Spring calf.

I walk Texas trails in Spring before
Hell sends Summer to scorch, and it calls
for cream to screen the rays of sun. Before
wet clay turns to dust and water runs rare.
Before the prickly pear cactus turns
its brilliant yellow flower, then to an apple red
bulb, then to a new cactus head. So long
as I am, and I can, out I shall go to treat
my senses to the many glances of nature.

“Me imperturbe, standing at ease in nature.”
Or, at attention, as I want to miss none of it all.


(Quote: credit Walt Whitman)

Always look both ways and all around, up and down.
Mind gaps and ravines in natural beauty if you seek pleasure.

 

NaPoWriMo: 30 poems in 30 days (day 18)

Day 18 prompt: write a poem that is an ode to life’s small pleasures. I did a semi-sonnet of 14, ten-syllable lines.


Ode to My Pillow

You hold my head up with a pleasing touch
you ask nothing, I take you for granted
dressing you only encased, on a whim
I hold you, or tuck you between my legs,
or force you to support me from behind.
I turn, and show you my boring back side,
throwing you to the floor, replacing you
when you get old and dirty and baggy.
I bend and stuff you, your silence supports.
You hold my tears, each a precious diamond.
In nightmares or pleasant dreams, when I call,
I wake for no reason, I find you there
for me. You bolster my brain, hide my mind.
I sleep with you, and you ask for nothing.


Look both ways to fluff a pillow.
Mind the gaps under your head.