Friday Fictioneers for September 2nd, 2022

To slip nicely from the end of sweet summer sweat and August’s heat into September’s pre-Labor Day weekend; her magnificence, Rochelle of the purple addiction, and Wednesday Wonder Woman, has cast a David Stewart late night photo for all to see and to be mused into a fictional tryst for Friday.

If you wish to try a fib, a lie, or you have a story to aspire, click on David’s photo, and you shall flash over to the blog of our magical mistress to learn all her secrets.

PHOTO PROMPT © David Stewart

My tale grew from an effect echoed by a favorite musical afterglow. Fans of the band or the song may glean the tune from the nature of some lines I borrowed.


Genre: Musical Fan Fiction
Title: Programed to Read
Word Count: 100

***

Shimmering lights lit the shed.

Don pointed. “There’s the doorway. Step inside. Say, ‘1969.’ Another door opens to a colitas casino.”

I said, “Gambling’s legal. Why the drama?”

“Libraries are underground since books and music became illegal. Dancing to remember is forbidden.”

I did as he said. I heard happy voices. Such a lovely place with music and books. I asked the librarian, “Could I check anything out?”

She lit a candle and replied, “Such a lovely face. Relax. We are all prisoners here programmed to read. You may check out any time you like, but you can never leave.”

***


Look both ways.
Saying it will not happen again doesn’t mean it won’t.
Mind the gaps for fears in the middle of the night, just to hear them say,
“Bring your alibis.”

Click on the Eagles “Hotel California” poster to zip to links for more great flash/micro fiction stories.

***

This is not the Eagles, but cred to their song by buskers Sherlock and Rodrigues. My deep apologies if this YouTube fails you, I don’t know how to tell if it’s banned in Boston, London, or Montreal.

 

Sammi’s Weekender #274 (opera)

Click this opera thingy to find links to more operatic writings

For Opera’s Sake

Poets find inspiration in
music
I do,
not opera
or classical,
Whitman did.
Likewise Nazim Hikmet,
Dickenson, Bishop, Doty,
and the barstool bard,
Charles Bukowski
who wrote,
“To The Whore Who
Took My Poems,” and
said, “opera sickened me.”

A romantic, Hank was,
by some accounting,
a perv, drunk, dreamer,
a dirty old man
and misogynist
(he claimed not)—a lover
of women and classical
music.
Buk’s been saluted by
diversity like
U2, Red Hot Chili Peppers,
Nirvana, Bush, the Cars,
and Concrete Blonde.

I’ve been
accused
of being mused by
Bukowski
and his oeuvre.


Look both ways for the sin of admiring the imperfect,
the toil of the briar patch, the desire for love and passion.
Mind the gaps lest we stumble into the First Self-righteous Church.

This is the poem, “To The Whore Who Took My Poems” … done operatically (a bit risqué). My apologies if this youtube does not work for you.

NaPoWriMo: 30 poems in 30 days (day 27)

Day 27 prompt: write a poem in the form of a review of something that isn’t normally reviewed. I reviewed my creativity muse.


The Myth of the Muse

Ideas come.
Mousa, child of Zeus,
sky fairy serving maybes
on Ouija boards of art.

Writing, creative inspiration,
poetry. It’s all work.
“Shoveling shit from
a sitting (or standing) position.”

My muse is not out there,
she’s in here (head, heart, soul,
big toe). This is not
Big Magic. It’s work. A job.

Try. Fail. Repeat. Erasing
is creative writing, drawing,
or painting (crafting). We’re all phonies,
and none of us are. Fear makes waits.

New ideas are borrowed reality.
Read, think, write, and a magic muse
will find life. Punch production clocks,
then make words, pictures, pieces.

I must self-muse: love it or leave it.
Buy the damn lottery ticket.
Go for the interview. Sign up.
“God helps those….” Who makes them?


Look both ways for inspiration
but look within for courage to work.
Mind the gaps for your impostor’s syndrome.

***

Note: quotes are Stephen King (shoveling…), and Dad (God helps…).
Elizabeth Gilbert wrote Big Magic.

Personal Poetry: Monthly Status Report – March Poems

March is supposed to come in like a lion and go out like a lamb — not this year. It’s reversed. It started pleasant enough, but now I am cold (I think I have one, or allergies due to pollen all over), it is cold and windy outside. When I finish all my reading and writing for today, I think I’ll take a sick day. Do retired folks get those, especially on Sundays? I feel the need to heal.

I posted a few of the poems I wrote during March. In addition to the 31 for each day, I wrote about 10 others simply because one does not refuse when one’s muse presents a poem. I also managed to write a few essays, but this month my poetry muse has been more active.

Poem titles for March included:

    • March (posted)
    • Rock and Roll Will Never Die
    • Now What I Was
    • A Touch of Cold (maybe it was cold in early March)
    • The Fire Down Below (posted)
    • Toys
    • At the Beginning of the Day
    • There Was a Time
    • Why We Can’t Be Friends (I can’t love/like everyone)
    • Late Bloomer (that would be me)
    • I Might Be
    • Me Too
    • Stinks (the smell, not the poem)
    • Hear Ye Me and Thee
    • The Dance (what we all want to do)
    • Bacon (the meat)
    • The Irish in Me (Must have been the 17th)
    • Too Much (of what?)
    • Losing It (crazy)
    • The Priest (a man I knew who died in prison)
    • Tank Hill
    • It’s Just Me
    • Handwriting from the Past
    • Confusing Transitions
    • Stability
    • Starting Short
    • Mari Zone II
    • Men Kill
    • Broken Sadness
    • Rouquin (French word)
    • Self Portrait as Poe

Beginning tomorrow (1 April 2019), I’ll continue to write at least one poem each day, but instead of writing to my muse’s ideas, I will write to whatever the National Poetry Writing Month (NaPoWriMo) challenge prompts suggest. My source will be that website where each day’s assignments are posted around midnight. I’ll write and post the poem before giving up the day to Mister Sandman.

I expect to travel during the final days of the month, so I will be writing on the road (again—now I have Willie whining in my good ear). The world is rich with characters and topics, so I anticipate no lack of subjects (think small towns in west Texas).

Unlike my others, I feel challenged (obliged) to post these. That’s what NaPo is all about. Don’t say no pressure. Yes there is, and you know it.

As for prose, who knows?

Look both ways for opportunity and danger.
An inspiration need not be the creative juggernaut of the day.
Mind well gaps within the gaps.