Poetry: Nature Knows (NaPoWriMo day 16)

The NaPo prompt for Friday, April 16th, was to write a poem using a form called Skeltonic, or tumbling, verse. Skeltonic poems have short lines of three to six words, two or three stressed syllables, and are simple verses. There is no specific length. Lines must rhyme and new rhymes may be introduced. There is no alternating rhyme scheme.


Nature can be dastardly
Random in her apathy
Extending thru the galaxy
Giving freely of catastrophe
With all her immortality
With no kind of partiality
Uncaring of our flattery
In her lavish asexuality
At the center of gravity
Lacking godly spirituality
Devoid of all sentimentality
Guilty of total impartiality
What can I possibly say?
What will save us this day?
As to tragedy we give way
Maybe we should pray
To express our dismay
Of her uncaring touché.


Look both ways, in the blues and thru the grays.
Mind the gaps as there may be traps making all of us saps.

Poetry: The Shadorma and Fibonacci Forms (NaPoWriMo day 7)

My seventh day NaPo adventure is to write at least two poems structured in forms that have a specific number of lines and specific syllable counts per line: the shadorma, and the Fib.

A shadorma is a six-line, 26-syllable poem. Each line’s syllable count is 3/5/3/3/7/5.

A Fib, besides being a white lie, is a six-line form where syllable count is based upon the Fibonacci mathematical sequence of 1/1/2/3/5/8. I may reverse line syllable counts after the first six to 8/5/3/2/1/1.

In both forms, I may use multiple six-line poems to create one multi-stanza poem, provided I use six lines per stanza and the appropriate syllable count per line. Neither form is mentioned in any of my books on poetry, including the Third Edition of Turco’s, The Book of Forms.


Intimacy

dance with me
be my love partner
hold me close
i hold you
step with time to forever
let’s dance into love

forever
i am your lover
music plays
steps we know
we endure as years twirl past
we dance together

(Inspired by the songs “Dance With Me,” by Orleans; and “Dance Me To the End of Love” by Leonard Cohen)


Tree Hugger

All
Life
Is one.
Together
In this challenging
World of delicate us and truth.

Symbiotic mutualism
Will still save us all
Together
We are
One
Life.

(Inspired by this quotation, “It cannot be said too often: all life is one. That is, and I suspect will forever prove to be, the most profound true statement there is.” From A Short History of Nearly Everything by Bill Bryson)


Look both ways in life and love.
We are not, and wouldn’t survive, alone.
Mind the gaps, plant trees, and be kind to animals.

Poetry: Cardiology: Third Floor (NaPoWriMo Day 4)

The NaPo fourth daily prompt is to select a photograph from @SpaceLiminalBot. Then, inspired by one of these odd, in-transition spaces, write a poem.

The idea is that “poetry often takes us to strange places – to feelings and actions that are hard to express except through the medium of a poem.”

From Liminal Spaces @SpaceLiminalBot

In similar cold, impersonal rooms I’ve waited.
In walked one of those transitional, liminal,
“call me doctor” med school grads
titled “resident,” which really means
student-doctor, not to be trusted (yet).

The tall, dark, young, stranger wearing a white coat
over green medical scrubs
and bright-orange plastic slip-on shoes,
said, “I’m Doctor Confident
working with Doctor Supervisor.”

I answered his questions and laughed too often
at his overconfident naivety (couldn’t help it).
I instructed him. I explained.
His pride got in the way, so I stopped.
I smiled. He wanted to argue.

While I didn’t take the bait, I said things
like, “good luck with that” (giggling),
“that’s not gunna happen,” and “we shall see.”
I did not call him doctor, only technically is he.
They need name tags, “Liminal Doctor Botch”
with a footnote that says,
“must be monitored closely.”

Someday soon he will be relied upon
to cure illnesses, to save or extend lives,
to teach other residents the ways of medical science,
to develop rapport with his patients. But first,
he must learn. No longer a student, not yet a doctor.

He may remember a cantankerous old man,
who was not, technically, his teacher or patient.
He will learn. He must. Nothin’s easy.


Look both ways in ever relationship.
Mind the gaps. Maybe fill them in.

Poetry: Winning (NaPoWriMo Day 3)

For today’s prompt, or assignment, I was to make a “Personal Universe Deck,” and then write a poem using it. My deck needed 50 index cards with 100 words of my choosing but I had to follow 17 rules.

I was to have fun making the deck, which should also be revealing. After I had my deck assembled, I was to shuffle it a few times, then select a card or two for words to use as the basis for a poem. I was not to agonize over my word choices.

I did all that. I blindly selected two cards at random, each with two words. The words were thirst, light, song, and mystic. I admit to liking these words.


***

My Mystical Song #75

I’m quite average in many ways.
Excellence is not common to me,
as neither stage nor spotlight quench
my introverted comfort zone.

I sing poorly, but I love music.
I’m not spiritual, but I love mystery,
and I drink a bit of the adult life,
which I try not to take too seriously.

When I do well, or simply succeed
to cross the marathon’s finish,
to survive addiction or disease,
I bow my Irish head and take a smile.


Look both ways to find the real you and the real me.
Mind the gaps with special care. That’s where our secrets are.

Poetry: A Pantoum


Morning Cat

Sometimes, in the morning I stretch like a cat.
It feels good to expand my arms into the air,
to feel my body push against itself,
to feel my life physically trigger another day.

It feels good to stretch my arms into the air,
quietly announcing my arrival before dawn upstages me.
I want to physically trigger another day in my life.
before dawn steals my self-awareness, that “I’m alive” feeling.

I enjoy quietly announcing my arrival while
admiring the cobalt blue and sunny pink sky colors,
as sunrise steals my awareness, an “I’m alive” feeling
that makes me want to make the best of the day to come.

I admire the cobalt blue and sunny pink morning skies
and I want to feel my body push against itself,
as I hope to make the best of the day to come.
Sometimes, in the morning I stretch like a cat.


Look both ways when you’re feeling a bit catty.
Mind the gaps. Especially the ones behind the eyes.

Sammi’s Weekender #201 (orbit)


Moon’s Grace

What about the moon?
I see it and can feel something
unlike the Sun or stars.

Mona, Selene, Luna, or Mwezi,
a nameless orb.
The Moon is

Waxing, waning, or full;
in orbit, playing with tides, waking
creatures of the night,
inspiring music and stories,
the moon relates to us.


Look both ways.
It is the same moon it’s always been and always will be.
Mind the gaps when it’s new and dark as night.

Sammi’s Weekender #195 (gargantuan)


Small Heart; Big Deal

Sometimes, size matters. It seems sensible,
big things are to do big jobs. But not always.

Our most important parts are brains, hearts, lungs, livers, and stomachs.
In that order. Everything matters but size.

The most impressive of these is the heart.
Small, weighing less than a pound, it does gargantuan work.

Pounding up to 25 quarts of blood each minute every day at 70 beats a minute,
one-hundred thousand times per day. Three billion in a lifetime.

The size of my fist, our hearts, yours, and mine,
have been heralded through history, physically and emotionally.


Look both ways in chambers and valves.
Feel and hear as the beat goes on. Mind the gaps on the EKG.

Treasured Rags

 

“The process of assessing how you feel about the things you own, identifying those that have fulfilled their purpose, expressing your gratitude, and bidding them farewell, is really about examining your inner self, a rite of passage to a new life.” (Marie Kondo)


New clothes were brought home
as treasured items proudly worn.
Gifts of love once remembered.

And cloth diapers for three babies,
none of whom used wash and wear for theirs,
but they sure as hell wore them.

Old shirts, their purpose long fulfilled,
now used to clean, dry, or wipe.
They’re washed, then continue to serve.

Old rags have memories woven into fabric—
from experiences with life;
from when first worn, old rags aren’t discards.

They’ve simply changed uses. Like people.
And memories. Lots of memories.
“…a rite of passage to a new life.”


Look both ways,
from the marvel of the mint to the value of the venerable.
Mind the gaps, but for most, “it don’t mean a thing.”