Author: Bill

Living with Art – NaPo 2025 Day Four

Today the queen of the NaPo realm promulgated the task of writing poems about living with art.

While photography is widely recognized as a form of art, that status has also been debated with some calling it a craft or skill, which it certainly is, like dance or music, and some others arguing that it is a powerful medium for artistic expression. I stand with the latter.

Every Day

When I first step into ma chambre d’art
it’s dark with shelves holding hundreds of books,
and all four walls displaying one hundred LP record covers.
Other albums that proudly placed display my taste
in music and cover art are set on shelves
or stacked in cabinets for future play or display.

I see my friends every day. The music. The memories.
Roy Orbison and Roger Miller share a corner to my left
with Jim Croce, Judy Collins, and an artful cover of John Denver’s.
Next is a Rolling Stones “Sticky Fingers” jeans cover
with a working zipper in front and some fine buns in back.

Up front, Merle glares right as he and Willie play
Pancho and Lefty, two down from Honeysuckle Rose.
Linda Ronstadt and Janis Ian are scattered about
the one hundred along with Peter, Paul, & Mary.

The Blues Brothers was a musical movie, an attitude, a look,
and featured John Lee Hooker with “Boom Boom.”
Hooker weighs in heavy in the book, Images of the Blues,
an album-cover size tome about blues singers.

The northeast corner of the room
belongs to nine Carly Simon albums.
My own (original) “No Secrets” was a career jump for Carly with one
of many, often suggestive photos by her brother Peter.
Her smile, mouth, eyes, and voice;
the stories told in songs she wrote,
artful albums that keep the beat going.
Ask what’s his name.

From the south wall Bob Seger looks north at his
“Stranger in Town” reflection
next to Travis and Sedaka.

Glaring at my right-side profile
are a well-dressed Neil Diamond, Gordon Lightfoot in jeans and sandals,
the Kingston Trio, Streisand and Kristofferson kissing
for “A Star is Born,” and there’s cover art by Joni Mitchell (Miles of Aisles).

This album art, commercial and artful, the music within the grooves,
the display by me, and even Melanie and her roller skate key
are about them and me and maybe you.

Come on in. Have a seat.
Let’s talk about music and its many genres,
about the singers
and song writers,
about the stories,
their lives and ours and what we share.

Let’s not forget The Beatles, Eagles, War, Boston,
Chicago, Santana, and Pablo Cruise.
In my room (The Beach Boys).

Look both ways for art you can live with.
See it, hear it, feel it with touch and emotion, and pressure.
Mind the gaps in the grooves but keep your taste for music and art alive.

Rock Poem Metaphor NaPo 2025 Day Three

Day three of NaPo prompts me to follow the easy style of Frank O’Hara and to write a poem that obliquely explains why I am a poet and not some other kind of artist.

I looked. Oblique means not straightforward: indirect, obscure, devious, or underhanded. Perhaps metaphorically?

Poemhenge

Like most,
as a child I found rocks and stones interesting
to see, to hold, to gather, and to throw.
There were cool ones for holding
and some for skipping on water.
Some were hot rocks. Jocks protected stones.

I didn’t know any of the names.
Fools gold wasn’t gold or diamonds
but was filled with glittery sparkles.

Rocks had formations.
Many were famous.
Rocks and stones were even in songs.
And in idioms like rock solid
or your stone-cold heart,
or the millstone around your neck.

Eventually, old stone makers interested me
and new stone makers challenged me.
And the colors and cutters of gemstones
like emeralds, sapphires, rubies, and diamonds.

As I grew, my view of stones got more solid.
Famous rock formations attracted me,
I wanted to imitate the creators.
In the gym I used soft rock like talc
as I listened to the rock music and dreamed
of the rock candy mountain.

Rich people wore and collected rocks.
They called them jewels and gems
but I could not always tell you why.

Later, maturity took ahold of me
and I found my fit, even as a fossil,
to make rock and stone creations of my own.
Polishing stones. Stepping stones.
Stumbling blocks are rocks.
My mind one stone quarry among many quarries.
I walked the limestone line on cordoba cream—
noticing colors, styles, and finishes.

One day I collected some of my stones.
I trimmed and polished them. I included
abrasive stones, message stones, smooth stones,
and made them ready for display to the world.
And I named them all poems.

Look both ways and if you see Frank O’Hara, tell him I want to be a painter too.
Mind the gaps, especially as you traverse the rocks, then stop, sit, have a “J.”
Mind what the poets have to say.

Note: “J” is from the Paul Simon song “Late in the Evening.”

Poem to a person – NaPo 2025 day two

NaPo 2025’s second day challenging prompt invited us to write a poem that directly addresses someone, has a made-up word, includes an odd or unusual simile, makes a statement of “fact,” and that includes something that seems out of place in time.

More Than Love

My dearest philologloth,
Are there worse places?
Is your prison like a happy place?

Your soul is good.
Unlike the dark life fiction
of your self-inflicted addiction.

Like a blade runner
missing for thirty years,
a gauntlet falls upon deaf earth.

Hearts grind to needless halts
when minds forget to remember
when my me died that September.

Come, my son
rise above it all
but not the love.

That tote we carry
full of all the good
and all the bad losses we’ve both had.

Love you, Dad.

Look both ways to discover the dark side of pleasure.
Mind the gaps for forgiveness and step carefully into whatever future you have left.

It Begins – NaPo 2025 day one

The first 2025 NaPo prompt was to write a poem that uses a new-to-me word from either the glossary of musical terms or glossary of art terminology. The new part for me is the use of the word impressionism  in music.

Impressionism was a term at first used mockingly to describe the work of Monet, et al. It was similarly used to describe vagueness, imprecision, and perceived excess of attention to colour in the early music of Debussy.

Hay Fever

One hundred eleven million greenbacks
for a line of fuzzy haystacks,
a sunset or morning sky and blue flowers
where nothing looks real. Art

by a mocked artist who wisely
adapted the moniker to that style
of bright, pure, unmixed colours.
Insults taken to the bank.

Impressionism.
Is it art?
Is it music?
What does it do, say, or mean?

Would Claude be proud now
if he knew how his art
drew a fortune
at auction.

 

Look both ways at music critics and all art.
Mind the gaps because one critic’s trash is another’s needle in a hundred-million-dollar haystack.

Poetics: Inspired by Album Cover Art

Mish from mishunderstood (A Collection of Poetry by Michelle Beauchamp) devised a prompt that I could not resist. Her dVerse prompt was to write any style of poem (ekphrastic-ish) inspired by an LP music album cover.

My (writing/art/reading/library/music/office) room walls are decorated with 100 album covers (see why I can’t resist?) with more stashed on various shelves around the room, all changed out or around regularly. While I dearly love the music and what it does to me, the albums displayed are all about the cover art with few exceptions like the Beatles White Album or the Eagles, The Long Run, and a few others. Most of it is photographic art, thus (photography is another of my “hobbies”), I must respond to yesterday’s “Poetics: Inspired by Album Cover Art.”

I chose a classic: Tapestry, Carole King’s second and most phenomenally successful album from 1971. The poem credits the photographer. The album was produced by Lou Adler and was released 10 Feb 71, by Ode Records.

Smackwater Jack

It is weird, isn’t it?
How we form attachments to things, both iconic and not.

Sights and sounds, perhaps,
more than other senses,
but still in nineteen-seventy-one, when my B.S.,
Tapestry, and Billy were all born.

(And, oh god! — Wally World.)

There’s Carole, barefooted in jeans,
sitting on the bench window seat
at home with her great hair, at

Eighty-eight-fifteen Appian Way,
Laurel Canyon—in Hollywood Hills, L A.
There she is,
perched on a pillow holding a tapestry.
While her cat, Telemachus, sits on his own pillow—

But only momentarily,
much chagrining cover photo guy,
Jim McCrary, photo maker of many iconic covers.

And ya know the piano’s
not far away. Maybe it’s
“Way Over Yonder,” or maybe
“It’s [just] Too Late.”

She had help (James, Joni, and more) recording
in Studio B. And isn’t it amazing
how more than fifty years later
I still know, I accurately remember
every word of every song to sing along.

Look both ways and let the magic of art and music take you where you want to go.
Mind the gaps, as crazy as it is, vinyl is coming back.

Dishonest Poetry

Tell Me Lies

Who tells lies?
According to
fictional Gregory House, M.D.,
“Everybody lies.”

Certainly,
some among us lie
more than others. Perhaps called
pathological as in diseased,
uncontrollable, or obsessive
(no names please).
Sometimes it’s necessary.

But we are not born fibbers.
Lying is learned behavior
to equivocate or prevaricate,
but why? When and how
does the lying begin?
Intent matters. It’s a crime
when you swear you won’t
and then you do.

I still recall what I believe
was my first lie, but probably was not.
Self-protection
was why. I lied (long story) to my mother.
She often accused me of telling
a fib, or a “story;” inferring
dishonesty of the whiter degree.
Usually, I was telling the truth
(yet another story).

Almost expected in politicians,
I’ve seen it everyday, lying everywhere
by everybody: parents to children,
Supreme Cout Jurists (under oath),
police officers, teachers, married couples,
religious leaders and disciples to those leaders.
Pick a government agency
or automobile manufacturer—used car guys?
I even suspect that George Washington
engaged in the occasional untruth.

I am no wiser than the fictional Doctor House,
but I am older. I have more experience living.
I must agree—everybody lies. Deception
is not a skill unique to magicians. Liar!

Look both ways with discerning eyes at everything.
Mind the gaps and realize that a smile is a thin disguise—
“There ain’t no way to hide [those]… lyin’ eyes.”

***

The title is from lines in the Fleetwood Mac song, “Little Lies.” Gaps quote is from “Lyin’ Eyes,” a song by Eagles. How many songs (poems?) are about lies and deception? Hundreds?

Sammi’s Weekender #367 – Party

What Matters?

I envied parties.
Younger me wanted something,
or was it concern about missing out?

My last party,
a high school graduation overdone deal
for a grandson, with whom,

I exchanged five words.
People I didn’t know,
went mostly unnoticed by me.

Many lacking in the social graces
except for some like me
so many names with unfamiliar faces.

I talked to his other grandfather,
and to my twin step-granddaughters
who seemed to like me better,
after thousands of words, I felt likewise.

Small intimates are for me now.

Look both ways because the life of the party is not who it once was.
Mind the gaps when you soberly tell me about your life and what really matters.

Sammi’s Weekender #362 (classic)

Click the graphic for Sammi’s page and more classic writing.

Classical Folk

Telling me about herself,
her childhood, family struggles
made her who and what she is today:
a wonderful classic of musical charm.

The point is telling
the story only she can.

She remembers.
She wants me to know.
It’s all important.

Another girl on my mind
made me wonder.
What was it like
to have been her?

Look both ways when looking into the lives of others.
Mind the gaps and do the research.

Friday Fictioneers for May 3rd, 2024

Dear Mistress Rochelle,

Please excuse Mr. Bill’s absence as he was poetically abusing himself.

Sincerely,
NaPoWriMo

♥⇔♥

I could not pass up Ted’s excellent picture of a funny memory. Rochelle, from whose blog we all learn so well, can be found by clicking on Ted’s photo. From there you may, in May, write a micro-blurb story according to the rule of Her Fabulous Highness.

PHOTO PROMPT © Ted Strutz — Click it to ride over to Rochelle’s Blog.

Genre: SNL Fake History
Title: He’s Gonna be Mean to Me
Word count: 100

The flyer said, “Script writers wanted: interviews, 8PM Saturday night, 30 Rock Plaza, studio 8H.” I went.

Before I knocked, I heard a high-pitched voice, “Oh Nooooo, Miss Sally. Do it again.” A female voice yelled, “Idiot! When I said, ‘Bite me,’ I didn’t mean for you to bite me, Dummy.”

I knocked. I heard banging and doors slamming. The squeaky voice said, “Please come in, Mister Bill.”

I entered. A stuffed doll in a chair said, “If you can script a skit, you start tonight.”

When I told him I couldn’t do that, he yelled, “Oh nooooooo, Mister Bill.”

Look both ways and remember nineteen-seventy-eight.
Mind the gaps but save the records, ducks, dolls, skits, and names.

The celeb ducks are (L-R) Freddie Mercury, John Belushi, Willie Nelson, and Jerry Garcia. Click this pic to read more stories.

 

 

NaPoWriMo 2024, Day 30, Controlling Feline

For the final day of the challenge, we were to write a poem in which the speaker is identified with, or compared to, a character from myth or legend.

I chose a Greco-Roman mythological goddess, Megaera, from the three Furies: Alecto (anger), Megaera (jealousy), and Tisiphone (avenger). I embodied her as a pet cat.

Controlling Feline

I am Megaera the Cat, your jealous Goddess
sent here by Gaea and made from
the blood of the Lord tomcat, Uranus.

My holy task is to punish you for being human.
You may do nothing without my revocable approval.
If I have not approved your every action,
the indignity of Hades awaits within my hairball.

You must be shamed into submission by me.
I will make you fall; I will pee on everything
and everyone else you love until you bow,
honor, and feed me. Pet and feel bitter pain.

Privacy is a sin. Your computer is mine now.
All this furniture is mine and mine alone
to use and abuse as, and when, I see fit.
My water bowl is only half full. Fool!

I am a daughter of Darkness. Do not even look
at another cat, animal, bird, person, or
(may Nyx and Zeus forbid such sin) a dog.
You will pay dearly and experience
the smell of Hell, if you ignore me.

Look both ways, forward into May and back to April.
Mind the gaps as you recover from 30-in-30, all to prompt.
We are saved by the human gift of humor. Empowered by babble.