Pleasure

Music Cities – NaPo 2025 Day Sixteen

For today, I was to write a poem that imposes a particular song on a place along the lines of a soundtrack laid on top of the location. The poem should describe the interaction between the place (Las Angeles) and the music (“Hotel California” by the Eagles) using references to a plant (avocado tree). I also should incorporate a quotation. Extra credit if I used some every day, overheard language.

72 Suburbs in Search of a City

Hotels it’s got, but New York, it’s not.
Any time of the year, right here
on the way to El Aye with
arpeggio wind twisting your hair with
music meaning heaven or hell.

We hear harmonizing guitars
introducing savored troubadour’s forbiddingness
when she lit a candle and showed us the way,
because nobody was from the beaches in Cee Aee
where voices wake you up in the middle of the night.

Where innocence ends with Tinseltown experience
and songs sung in sad cafés,
they play
the finest guitar semi-solos ever made
and we mirror allegories
of high life’s metaphysical characters,
but you must be there or bring your own alibis.

South of the Sierra Madre, along the coastal
micro climes they fly like Hass Autano, Reed Pinkerton,
Gwen Fuerte, and Lamb Bacon sing and play after Linda.
Fine for nut wrapped avocado testicles,
we cut the skin and suck the flesh before it rots.

Will we ever leave and not go back again?
To face the music and the steely knives killing the beast.
We are all just prisoners in our own tree of device
where we can jump out any time we like,
but we can never leave without a guitar coda.

Look both ways at night on dark desert highways.
Mind the gaps when the fake is real,
and the music makes the passage to the place you were before.

Interwoven – NaPo 2025 Day Fourteen

My second Monday poem was to describe a place in terms of its flora, fauna, and other natural (and semi-natural in this case) phenomena. I was to sink into the sound of the location using poetic conversational tone. I was also invited to include near or slant rhymes in the poem. Confession: I enjoyed writing this.

There are Drums

Two bits and a dime east of the Sound water
that holds the Emerald Rain City at bay,
up towards twin peaks country,
three nickels past the Snoqualmie sign,
playing in the Issaquah Alps,
at the western shades of the Cascades,
rain drums play taps, slaps, and raps all day long.

Before the rains play their beats upon
the Douglas fir and bigleaf maple,
when western hemlock and coral root catch
drops before simple ferns silently call
some sagebrush, deer, elk, coyotes,
and wildcats toward the music,
Rattlesnake Ridge plays a glacier crescendo.

The verdant green on green on green screams its song,
as the drums beat the trails along,
and we love the sound as the lower down
trailhead city
plays us a ditty
in a rain drum courtyard,
haunting and inviting
us in time to make the climb
to the height
up nature carved rock to an overlook, above the lake.

It’s almost too much as a pleasing sound
brings us to a threshold of happy sensory overload.
Smiling at the ironic name since there are no rattlesnakes,
we do more than hear the music and see the rain.
We feel the wet, the wind, and cool breeze;
we smell the fresh everything, even dirt,
in the air we taste the kiss of nature.
We vow to return to the music
and to save the wonders for our children.

Look all the ways with awakened senses
of more than five as you find a love of nature that is new to you.
Mind the gaps especially if you venture to the top and do the overlook, too.

This place:

NaPoWriMo 2024, Day 28, a sijo

Today, I am to “try” writing a poem using the traditional Korean verse form called sijo (in English, of course).

It’s raining but there is sun, so flowers grow, and life goes on.
I love rain. It loves me back. Happy are these days of wonder.
Without rain there would be no life. Let it rain down, not every day.

Look both ways walking in the rain.
Mind the gaps between the lightning strikes.

Happy Birthday, Yolonda.

NaPoWriMo 2024, Day 25, Beaucoup de Sade

I made it to Day 25, only to find this prompt prodding me to write a poem based on the “Proust Questionnaire.” WTF is that? We were given a wiki link and 35 questions, then set loose to sow whatever poetic damage we could. Proust? Really?

Beaucoup de Sade

What do you consider the perfect murder?
Do you want to kill anyone?
Or some group; like atheists,
gymnasts, or Sociologists? If so—
who, which, when, how, and why?
And where do you live?

Do you like to scare the shit out of people?
Do you point and laugh after they
wet themselves or die of a heart attack?
What is your favorite form of torture?
Do you reminisce about the Spanish Inquisition?

Of all the people you know, what proportion
do you hate the most and wish they were dead?
(Former spouses, Mormons, and JWs don’t count.)
And why? It’s always why, right? I wonder too.

Do you hate any professional or amateur
sports teams, clubs, individuals, musicians, or poets?

Do you consider prohibition of libel and slander
an impingement on your freedom of speech?
Did you make crank calls as a child?
How many times a week do you defecate?
Masturbate?

What smells get you sexually excited?
Do you fantasize doing naughty things
with people you know, like your best friend’s
current or previous spouse or partner?

Who are your favorite villains? Are you
ever good on the bad guys and gals?
What are you addicted to?
Do you think pizza is overrated?
Do you hang out at cemeteries
just to find peeps with shared
hopes and dreams?

Did you enjoy this prompt
as much as I did?

Look both ways and only read Proust if your name is Duane (Moore)
and doing your psychiatrist is your lifelong fantasy.
Mind the gaps for punji traps because some wars never end.

NaPoWriMo 2024, Day 17, At Seventeen

Today I am to write a poem inspired by a song, and to share its title. I confess to being influenced by song lyrics, especially the well-told stories in ballads.

Earlier this year I read “At Seventeen” by Janis Ian (1975) as a poem at an open mic event. I’ve always loved the song and somehow relate to it, as do many people around the world. Janis explains how that affects her and sings her song in the video below.

At Seventeen
When she called
I couldn’t hardly talk at all,
and when she sings
I remember high school things.

The words, the tone,
together talking on the phone,
her memories, at seventeen,
were mine at home alone.

“It was long ago and far away,”
do I wish it was today?
What has changed in how we are,
in pickup trucks or borrowed cars?

At seventeen when boys like me,
Sad Sacks outside for all to see.
“Come dance with me”— because
that couple we will always be.

She said,
I pity boys like you who serve,
you only get what you deserve.
My broken heart sang obscenities,
to the one I loved but never pleased.

At seventeen I was that man,
a boy holding a gun over there,
I stay alive as best I can, but
of angry me I must beware.

At seventeen a boy like me—
at seventeen, too young to see.
And ugly boys like us do care.
At seventeen, when I was there.

Memory is a strange, unreliable thing; so, look both ways and don’t assume.
Mind the gaps in song and poem, you’ve been only human all along.

NaPoWriMo 2024, Day 9, Ode to Shoes

As if I was Dear old Pablo, Keats, Shelly, or Sharon Olds, I’m to write an ode celebrating some everyday object. We have arrived at Day Nine of the annual challenge of writing 30 poems in 30 days (in April). I try to compose to the tune of Maureen Thorson’s National Poetry Writing Month (NaPoWriMo) prompts.

I looked it up. An ode is a lyric poem usually marked by exaltation of feeling and style, varying length of line, and complexity of stanza forms. Generally, odes show respect for or celebrate the worth of something. I picked shoes for this poem and have likewise paid homage to my shoes (click to read it) in the past.

Ode to Shoes

I don’t recall them all,
My shoes and theirs,
the big and the small.
I poemed about one
old faithful pair,
but every day
my shoes are there.
In childhood,
ones for church
and everyday ones.
I have 12 pairs now,
that’s few
compared to some
like the dictator’s wife,
famous for so many
(and little else).

Special ones:
combat or flight boots, hiking, walking,
running; and those god damn shiny Corfam oxfords,
or polished patent leather (or high-gloss plastic for my laziness);
house shoes, golf, football (cleats),
leather, and motorcycle boots,
protective shoes
and fashion footwear, too.

Sandals, flipflops, mules, and
post pedicure odd—one-time use flipflop-ish-es with toe spreaders,
sexy stilettoes
and smelly LGBTQ+ or not
Birkenstocks,
fetish shoes bring pleasure,
while golden shoes
promise treasure.
Wingtips for boomers,
granny shoes for nuns,
shoeless folks: singers,
runners (marathoners),
dancers, poets, cave men and women,
shoeless Joe Jackson,
and shoes that made the rich richer.
Glass shoes with fairy tales,
magic shoes, and you will run faster, promised shoes.

Corrective shoes and recovery
or protective boots and shoes,
so many!—too many kinds
and types and styles and purposes,
but all shoes for us to use.

I’m wearing shoes, slippers to some,
and I am wondering if we the people
have more shoes than any other
article of clothing (I don’t),
but why the hell not?

The wonderful, useful, purposeful,
functional, beautiful, sexy, ugly, everything—
there may not be such a thing
as the ordinary everyday shoe anymore.

Look both ways and wear good shoes
(whatever they are, appropriate mukluks, perhaps).
Mind the gaps because even cliff climbers have their own
(bicyclists do too) special kind of shoe.

NaPoWriMo 2024, Day 5, When Rain

The NaPoWriMo.net page prompted us to write a poem about how two or three different things might perceive a blessing. Or how they could think about something else.

Since I seldom use the words blessing or blessed, I pondered things to poetically opine such as luck, grief, happiness, politics, God, love, power, rain, poetry, sleep, or sex. Since the prompt has this option, that’s for me. I pulled rain from the sky.

When Rain

When the old man heard rain,
he smiled, looked out of
the window and said to his Chihuahua,
“You know, Thunder, Updike wrote:
Rain is grace—without rain,
there’d be no life. I am still life.”
And out into the warm summer rain he went.

In the trees the birds huddled together
as the rain caused seeds to fall,
worms to surface, and the raindrops
puddled before it paused. Soon
they could dine and bathe.

In the earth the soil spread out
and teemed with life as all bits of
Nature was graced with
musical raindrops descending
washing off the old man’s
smiling face.

The fish were amused.

Look both ways with gratitude for rain and shine.
Mind the gaps as they fill with water and air fills with the petrichor of life.

Sammi’s Weekender #341 (rhythm)

Click this graphic to read more and to hear the beat.

Rhythm is fascinating
to humans, animals,
even natural things
like rain can capture
the human heart and soul.

Even now, the natural pat-
pat-pat of my foot
absentmindedly comforts
my mind and soul.

A cat purrs out sounds
as birds sing their tunes
and the dancer begins
to move her feet.

Some days
the lyrics move me,
Other times,
it’s the beat
and I move my feet.

Look both ways at the lyrics and the music.
Mind the gaps where one saves the other.

I do so enjoy watching these dance videos with a step or two of envy. 🙂

dVerse Poetics November 7th, 2023

This was a complex prompt, so it is best to go to the dVerse page and read about Lisa’s Time Machine Bucket List: TMBL and the subsequent prompt with options.

I think I sort of did Option 1, but this comes from my heart. I know Lisa said ten and cull out, but I can’t do that. I focused on both the stars and the venues because, seriously, I would try to go.

Coming Around Again

Forty-five (or more)
albums later, fifty years
of water under two bridges,
if we could go back.

Back to when you opened up
to your kind, to your fans,
and friends and family,
your folks, without
a care or anxiety
for either of us.

Long over now except for
the forever connection
of Ben and Sally; I still
love to hear you and James
sing duets and harmonies.

Save me seats so I can go back;
back with my beloveds
with you to concerts like:

Live from Martha’s Vineyard,
or from Grand Central,
or from aboard the QM 2.

Can we meet at the Eagles’
Sad Café? It’s been fifty years
Carly. What do ya say?

Listen,
mock, yeah,
ing, yeah—let’s sing!

Look both ways, but when the more is in the past,
we can wish for times to go back to for just a brief concert to visit,
to sit and listen, to applaud, perchance to take in a toke.
Mind the gaps until time travel is perfected. Our goals are very specific.

Click here to enjoy more TMBLs.

And Carly—

Sammi’s Weekender #334 (Absquatulate)

Click on the graphic for Sammi’s page and more 85-word wonders before you absquatulate.

May I Stay?

After the poetry reading
everyone prepared
for their independent absquatulation,
with coffee in their bellies
and books of poems
in their hands.

Handshakes, hugs, and
complimentary laudations
were passed around
like drinks at last call for alcohol.

Those ambivalent moments
when the emotion of wanting to stay
gets trumped by the needs of the day
tell of our human dichotomy.

Back we go into the world
of confusion, confrontation,
and hate. The place we love
too much and too little.

Reading some Reading
might help.

Look both ways but write your poems and read them to the world.
Mind the gaps wherein common sense has flat collapsed.

Note: Peter Reading (27 July 1946 – 17 November 2011) was a strong-willed English poet. His verse is described as “anti-romantic, disenchanted, and usually satirical.” Glad I’m only labeled cantankerous.

My book of poems, “Any Way the Wind Blows” was launched yesterday.
For this weekend, it is available almost world-wide on Amazon at reduced prices.

These books make great gifts, but F-word and S-word warnings.