Poetry: Green River

Like when Dick Clark used to ask the American Bandstanders,
What did you like about that song?
It’s music, Dick—don’t over analyze it
—and it is rock at that.

When Fogerty sings Green River

and I hear it

and I feel it

and yes—it takes me back,

not to a place or to a person, but to
a feeling. A condition of my

soul, walking a lonely road at night
barefoot girls dancing, it
seemed so right, the moon
at night.

On the inside a feeling makes me
want to want more,
inside me
a then that defies the reality of a now,
I dance cuz I feel, I sing cuz
I am going back to Green River.

I feel who I am—like
a slightly cracked shell over a sweet feeling that
was my Green River.

I remember things I love,
the sights, the sounds,
the smells and the tastes.

Now I love how it feels
when old John and Cody
take me home to a feeling—

to my Green River.

Look both ways along the river of time. Mind the gaps, bullfrogs hide there.

Birthday Essay

Today I am supposed to celebrate surviving three years into my seventh decade. I am glad to be alive. But such luck is a banal accomplishment, since each day when I wake up not dead (yet), I know I did nothing to deserve the pleasure of such a long and mostly good life. I may have stopped smoking 20 years ago, but I didn’t for the 30 before that. I spent thousands of hours throwing my body along faster than any bird can fly. I never crashed. Many did. I was lucky.

Today I meet the threshold of my end times. Will I survive one more year like my father? Four more like Mom? Less, like my sister, cousin, grandfathers, or grandmums? Today I will stop counting up and start counting down. Ten more? Twenty? And my health? Status quo would be a wonderful thing – but it will get worse – it’s a reality everyone dislikes (including me).

Ten years ago, I ran 20 miles of 26.2-mile marathons (walked the other six). Five years ago, I walked briskly for 13 miles on Saturday mornings until one day my body said, we need to rest. I sat on a bench and I wondered what it was – it was my now well-stented heart.

Nowadays, because low blood flow reduces needed oxygen and other stuff in blood from my leg muscles, I manage a quarter mile without a bench or a tree trunk or wall to sit on. A two and a half to three-mile walk is a big day, and I find tired and sore invades me as my body recovers.

It’s morning. I’m here and you are too. Now what? Wanna go for a walk?

Look both ways with contemplative wonder for life and its privileges.
Mind the gaps but live in the moment.

That’s Not Bad

In the doctor’s office—
a computer, printer,
some chairs, and an exam
table we won’t use;
latex gloves, a biohazard
box, and two other waste cans;
a sink that may get used.
On the wall a framed art print.

Voices in the hall 20 minutes
after my appointed time, but it’s
okay. I can write this poem
and be glad I’m alive. Knock.

Two doctors walk in. My regular guy
and his knockout resident from
the A&M med school. We greet,
shake, talk small, then good news.

Return in six months. Shake again.
I drive home. Stop for gas.
I wear a smile—cuz good news.

Look both ways driving home, for good news and bad.
Check the tires and mind the gaps.
Doctors sure have changed over the years—for the mo’ betta’.

Poetry: Death by T-Rex

Come to me. Closer.
Stand before me, your naked
judgmental ass, as I hold
in my hand
this fine blood red wine,
and my 45 (or is it 9mm?)

And you tell me what?
I am old, too old?

When I pull this trigger
and the bullet leaves
the holey end of this
pistolla headed for
your ugly mug,

Will it matter
that you will never
see and never be
as old as I—better
not to been born at all.

And you will have died
(not that anyone will
give a fuck)
at the hand of an old
washed-up and worthless
poet fuck who, after
you cried and fell dead,

Turned and wrote a poem
about cappin’ your
nasty smelly ass—
arrogant mother fucker!
How dare you,
Call me a dinosaur?

Look both ways before calling the firing line clear.
Mind the gaps and old farts who write poems.

How I want to write poetry. And how I don’t.

I can’t always do it. I would never be openly showy or make any form of art before an audience. I don’t think I could. Challenges or prompts during writing group meetings and a few online are the most I can do in social settings where people know me. Other than that, my writing is a solitary effort, although I’m not exactly the poster boy of the garret-imprisoned scribe. I do write in coffee shops, libraries, parks, waiting or dining rooms, and even during my morning walks. But usually I write at this desk on this laptop.

Yet, I have times of emotional outburst writing. At least one reader seems to know or recognize exactly when that happens. I love the experience, and I find satisfaction when I read my scribble after the excitement has passed. If I can let go of something within me, an inner editor, judge, or critic, I like what happens. I feel so free. It’s about emotionally letting go of something.

I don’t listen to music when I read or write. I can only tolerate classical type without being distracted. I am not sure how it would work. I may try it sometime.

In order to give you an example for what I have in mind, I did some research on a well-known artist who I am familiar with. Well, I thought I was. Nothing about the art is independent of the artist—not the form, method, appeal, depth, or reputation.

Jonas Gerard of Ashville, TN, puts on an impressive show. The personal emotion he displays in making his art is the poster for explaining how I sometimes want to write, especially poetry. I have been to his studio, I have talked to him and several of his assistants, and I bought some of his work.

The youtube video below is an example of what I mean (he did a number of these). The vision of personal emotion (fake or real) is inspiring. But, artist or not, apparently old Jonas (he’s 78 or so) has had issues with untoward behavior (sexual harassment, maybe assault) in his past. I never put this guy on a pedestal or thought of him as anything more than a cool modern artist. Yet, I’m disappointed, angry, and confused. Because of what I learned, I considered not writing this piece or posting it.

But this is about me and I agree with what he says in the video about fear.

I want to write with emotional vigor displayed by Jonas Gerard when he paints. I want to let go, as he mentions. I love it when I can let go. It’s the temporary feeling and process I enjoy. The product, like all writing, will outlive the writer.

Look both ways. Every saint has a past, every sinner has a future.
Mind the gaps but dismiss excuses.

Poetry: Do not Sleep!

it’s nine o’clock at night again. some are dressing to go out, not me—too tired.
too tired for anything but sleep, yet, here I sit
writing this poem about being too tired to do anything,
including write this fucking ridiculous poem
or prose or whatever the hell it is.

it’s absurd to fight off sleep like this, like a child fighting the inevitable,
but if I give in now, I will wake at two or three in the morning,
in the middle of the night, flummoxed.
I’ll sit here and drink water (after I pee); wishing I was sleeping.
maybe there’s an unused nightmare out there waiting for me,
to give inspiration or whatever nightmares do for us.

why? tell me why. I want to know why it is that I will try for a few more minutes
to pretend that I can…what? what can I do?
is there a world full of people out there who cannot
or will not do what I can do?
bless their hearts as the conceited among us write away
nodding at the overstuffed closet.
who needs competition from hidden talent?

right here and right now, exhausted with limited cognitive ability to crank
one out by jerking off my brain and spewing words to the page and saying,
fuck yah, man! a poet. I write this sputum. so what?

it turns out that how I feel and what I say, I am—
and you are too—holy shit, that is exactly how I feel!
am I pissed off about nothing? just fucked up and angry
for the very reason of no reason. we need help. are we crazy?

it sucks for me and I’m sorry it sucks for you, but it’s so fucking true.
it’s us. not me alone. not you alone. misery love, love, loves company.
that’s how it works to be human. nothing can save us except writing.

Look both ways. It’s the middle of the night and every form of refuge has its prison.
Mind the gaps and the sidewalk cracks for the want to—the reason of no reason.