NaPoWriMo April 2022 (Day 5)

Today I was to write a poem about a mythical person or creature doing something unusual – or at least something that seems unusual in relation to that person/creature.

While I may have skirted the “mythical person/creature” intent of this prompt into a mythical persona, my poem jibes with a contemporary American myth, my real life, and my reading of Larry McMurtry’s Lonesome Dove and other books.


The Marlboro Men

Some didn’t smoke nor drink. Some hated horses.
First, for thirty years he was the
as soft as May she,
the lady who smoked, then she transitioned
into a tough, rugged, solitary, successful,
sometimes gay, mythical but authentic cowboy—
the sexiest of the sexist real men to face cancer.

Born with The Magnificent Seven’s memorable music,
growing and coming of age while riding
our cultural waves of the cold war, rock & roll,
civil and women’s rights; adverts were
icons of destiny for the decidedly deceived,
counters for conservative control
of our changing values.

The Big-un, the real one, a cowboy myth
to market coffin nails
and sell cowboy killers
to callow, naive boys who
never did and never will ride a horse
or be close enough to smell a cow.

The idolized hat, saddle, and boots of the Colorado rancher,
a friend to the duke, who took twelve years to
awaken to the wisdom of his being bought
to kill his own kin.

Was the demise of the man, the myth, and the cowboy the lie?
Was the image of what such men meant tarnished
by tobacco’s tar, nicotine, addiction, disease, and death?

Yes!

What men or women deserve to be our exemplars?
Are the anonymous quitters, the rebels, those
who turn and fight for right; are they, the proven people,
our legitimate, proper heroes? Or is true grit bogus?


Look both ways while riding the trails of western myth.
There is a truth to be found, but it’s now more than a hundred years,
and thousands of movies, ads, and commercials later.
Mind the gaps in the lies of marketing and advertising.

***

Too much to gloss: https://en.wikipedia.org/wiki/Marlboro_Man

Thursday’s Rune: Porter or Stout?


Old Man Sugarfoot

At FUBAR’s bar on the Redneck Riviera, I ordered up.

“I’ll have a sarsaparilla with a dash of cherry.”

The young redhead tending bar gave me a look, “Who are you?”

“I’m Sugarfoot, Ma’am.” (Removing my hat)

(I could’ve said, “Will Rogers, Jr., Slim Pickens, or Sheb Wooley.”
She’d a remained clueless.)

I responded to her saucy look by asking,
“What’s your darkest beer?”

She said, “Shiner Bock. But try this instead.”
I agreed.

She put a glass of white-capped, watery, light-gold liquid on the bar.

I looked at Yolonda, then at the drink, at the bar tender, and back at the drink.
“Is this beer?” I asked.

With a catty smile and in a demanding tone, “Drink up old man.”

I downed the grog and slammed my glass back on the bar.

(I don’t know why men do such foolish things.)

She gave me a minute, then, “Well? What do you think, Mr. Foot?”

With my most honest, I been trick-fucked again look, I replied,
“Ma’am, I think your horse is diabetic.”

She cut me off, so we left.

Giggling as we walked out, Yolonda said, “You’re such a funny old fool. I’ll drive.”


Look both ways and across the bar. Mind the gaps and opinions of bartenders.

(Note: FUBAR is acronym for fucked up beyond all reason.)

Sammi’s Weekender #144: sculpture


Cowboys look like Cooper, Wayne,
Marvin; or tall, thin Stewart. I seen
movies in the 50’s,
High Noon or Liberty Valance with
great songs.

Not s’posed to look like the sculpture.
The horse is right,
but the cowboy rock sittin’ is short,
round-faced with a big ‘stash and
no gun, holdin’ reins
lest Ol’ Buck runs off spooked.

The wrangler wears chaps and a jacket.
Reality ain’t movies, both’s art though.


Drop your blinders and look both ways.
Mind the gaps for, “The history of mankind is carried on the back of a horse.”