Day three of NaPo prompts me to follow the easy style of Frank O’Hara and to write a poem that obliquely explains why I am a poet and not some other kind of artist.
I looked. Oblique means not straightforward: indirect, obscure, devious, or underhanded. Perhaps metaphorically?
Poemhenge
Like most,
as a child I found rocks and stones interesting
to see, to hold, to gather, and to throw.
There were cool ones for holding
and some for skipping on water.
Some were hot rocks. Jocks protected stones.
I didn’t know any of the names.
Fools gold wasn’t gold or diamonds
but was filled with glittery sparkles.
Rocks had formations.
Many were famous.
Rocks and stones were even in songs.
And in idioms like rock solid
or your stone-cold heart,
or the millstone around your neck.
Eventually, old stone makers interested me
and new stone makers challenged me.
And the colors and cutters of gemstones
like emeralds, sapphires, rubies, and diamonds.
As I grew, my view of stones got more solid.
Famous rock formations attracted me,
I wanted to imitate the creators.
In the gym I used soft rock like talc
as I listened to the rock music and dreamed
of the rock candy mountain.
Rich people wore and collected rocks.
They called them jewels and gems
but I could not always tell you why.
Later, maturity took ahold of me
and I found my fit, even as a fossil,
to make rock and stone creations of my own.
Polishing stones. Stepping stones.
Stumbling blocks are rocks.
My mind one stone quarry among many quarries.
I walked the limestone line on cordoba cream—
noticing colors, styles, and finishes.
One day I collected some of my stones.
I trimmed and polished them. I included
abrasive stones, message stones, smooth stones,
and made them ready for display to the world.
And I named them all poems.
Look both ways and if you see Frank O’Hara, tell him I want to be a painter too.
Mind the gaps, especially as you traverse the rocks, then stop, sit, have a “J.”
Mind what the poets have to say.
Note: “J” is from the Paul Simon song “Late in the Evening.”