On the third day of April, I was given, via prompt, the task of writing a surreal prose poem (whatever that is). Since on Day One I chose to poetically recount the plot of Going After Cacciato (Tim O’Brien), and since it is somewhat psychedelically surreal, I decided to pop a prose poem based on that, with sadly surreal over-and-undertones, metaphors, allusions, suggestions, and damn lies.

Taking this poem literally can lead to a bad trip, man. If you ask, “What does that mean?” I ask, “What do you mean by mean?”

Boom Boom

In the Nam, the tunnel was the cuckoo’s nest of tightly squeezed death. It all went down that way because the blind leading the blind works better than the blind leading the sightful spiteful since the can-sees commonly also perceive gospel. At the observation post, Big Rifle, Jungle Doc, and Ready Mix watched as Stink Harris got blowed up, floating away, leaving only his face inside his helmet: undead—with a smile. So, they slithered off on a hunt to hook Cacciato. After floating down a cliff, they caught the next train to Delhi where he had jumped one to Kabul! Afghanistan, man. Flashbacks were set to the green alternate timeline when they wigged out because of the oppressed wartime dullness of sightings in Iran or Izmir, Turkey. They hear Sarkin say, “the way in” and she whispers, “is the way out.” Shell Shocked sings it, “Billy Boy, Billy Boy, Billy Boy lived but he was too afraid to die.” He was then a dead head. The smoke clears in Paris. In The World, man. Because being in the war is such a magical and wonderful thing, dead or alive. Boom-boom!

Look both ways for the real never is,
and in every lie, there is truth.
Mind gaps and try, try, try to understand being universally lost.